Behringer S32 クイックスタートガイド

ブランド: Behringer

モデル: S32

タイプ: クイックスタートガイド

Behringer S32 は、複雑な配線や設置が不要になるデジタル・スネークです。AES50 SuperMAC テクノロジーを採用しており、X32 コンソールとの連携を強化し、信頼性の高いオーディオ信号の送信を可能にします。

32 基の MIDAS 設計マイク/ ライン入力 XLR を備え、48V ファンタム電源の供給にも対応しています。また、16 基の XLR 出力、2 基の AES/EBU 出力、2 基の ADAT 出力、1 基の P-16 Ultranet 出力、1 基の MIDI 入出力端子を装備しています。

また、Behringer S32 は、USB ポートを介してファームウェアの更新が可能です。堅牢な金属製の筐体を採用し、ツアーでの使用にも耐える耐久性を備えています。

Behringer S32 は、ライブ・サウンド、レコーディング、ブ

DIGITAL SNAKE S32

32 MIDAS 16

KLARK TEKNIK SuperMac AES50

I/O

2 3DIGITAL SNAKE S32

¼" TS

10.

11.

12.

13.

14.

15.

16.

17.

18.

19.

20.

21.

MUSIC Group

MIDAS KLARK TEKNIK LAB GRUPPEN

LAKE TANNOY TURBOSOUND TC ELECTRONIC

TC HELICON BEHRINGER BUGERA DDA

MUSIC Group IP Ltd.

MUSIC Group

music-group.com/warranty

4 5DIGITAL SNAKE S32

DIGITAL SNAKE S32

F1320D active monitor

B215D active speaker B1800D PRO

DI Box

GTX30

XM8500

Keyboard

P16-D

P16-M

FCA1616 interface

FCB1010 MIDI pedal

VIEW

VIEWVIEWVIEWVIEWVIEWVIEW

VIEW

–

X32

S32 S32

X32 S32 AES50

• • CAT-5e

• • 100 330 feet

6 7DIGITAL SNAKE S32

DIGITAL SNAKE S32

OUT 17-24

IN 33-48

VIEW

VIEWVIEWVIEWVIEWVIEWVIEW

VIEW

–

X32

IN 1-32

OUT 1-16

S32 S16X32 2 S32

Note: The signals on both units

arefully de ned on the X32’s

‘Routing/AES50 Output’ page.

S32 on stage

AES50-A

X32 at Side-stage

X32 at Front-of-House

VIEW

VIEWVIEWVIEWVIEWVIEWVIEW

VIEW

–

X32

VIEW

VIEWVIEWVIEWVIEWVIEWVIEW

VIEW

–

X32

CAT-5e

S32 with S16 and console: S32 Digital Stage Box

from stage

A AS32B A S16 -2- (Out 17-24) B

1-8 1-8 Local In 1-8 1-8 1-8 Local In 1-8 1-8

9-16

9-16 Local In 9-16 9-16 9-16 Local In 9-16 9-16

17-24

17-24 Local In 17-24 17-24 17-24 17-24

25-32

25-32 Local In 25-32 25-32 25-32 25-32

33-40

33-40 33-40 33-40 33-40

41-48

41-48 41-48 41-48 41-48

TX RX TX RX

Mixing Console FOH

(clock master)

S32 TX RX S32 TX

to stage

A AS32B A S16 -2- (Out 17-24) B

1-8 1-8 XLR OUT 1-8 1-8 1-8 1-8

9-16

9-16 XLR OUT 9-16 9-16 9-16 9-16

17-24

17-24 ADAT OUT 17-24 17-24 17-24 XLR OUT 1-8 17-24

25-32

25-32 ADAT OUT 25-32 25-32 25-32 ADAT OUT 25-32 25-32

33-40

33-40 P16 OUT 1-8 33-40 33-40 P16 OUT 1-8 33-40

41-48

41-48 P16 OUT 9-16 41-48 41-48 P16 OUT 9-16 41-48

S32 with two consoles: S32 Digital Stage Box

from stage

A AS32B A

to FOH

1-8

1-8 Local In 1-8 1-8 1-8

9-16

9-16 Local In 9-16 9-16 9-16

17-24

17-24 Local In 17-24 17-24 17-24

25-32

25-32 Local In 25-32 25-32 25-32

33-40

33-40 33-40 33-40

41-48

41-48 41-48 41-48

RX TX RX TX

Mixing Console FOH

(clock master)

Mixing Console Stage

(sync slave)

TX RX

S32 TX RX

to stage

A AS32B A

1-8 1-8 XLR OUT 1-8 Local In 1-8 1-8 1-8

9-16

9-16 XLR OUT 9-16 Local In 9-16 9-16 9-16

17-24

17-24 ADAT OUT 17-24 Local In 17-24 17-24 17-24

25-32

25-32 ADAT OUT 25-32 Local In 25-32 25-32 25-32

33-40

33-40 P16 OUT 1-8 33-40 33-40

41-48

41-48 P16 OUT 9-16 41-48 41-48

8 9DIGITAL SNAKE S32

(2)(1) (3) (4)

(5)

(9)

(7)

(10) (12)

(8) (11)

(6)

(1) 48V

LED

(2) MIDAS XLR

(3) MUTE ALL PA

XLR 1-32

LED

(4) AES50 SYNC LED AES50

AES50

(5) XLR 1-16 AES50 A

1-16 XLR

(6) POWER

(7) USB USB B

(8) AES50 A

BNeutrik etherCON

Cat-5e

Ethernet

SuperMAC

AES50

(9) ULTRANET 16 AES50

33-48 CAT5

BEHRINGER P16

(10) ADAT OUT ADAT AES50

17-32

(11) AES/EB AES50 13/14

15/16

(12) MIDI IN/OUT MIDI

5 MIDI

X32 MIDI

DIGITAL SNAKE S32

1110 DIGITAL SNAKE S32

DIGITAL SNAKE S32 Output Con guration

S32 Output Signals

Outputs >

mixer:

44.1/48 kHz clock sync

Analog

XLR out 1-16

AES/EBU

(AES 3)

ADAT OUT

(Toslink)

P-16 Ultranet

Personal Monitoring

with Turbosound

iQcontrol

connected to S32 port A AES50 port A = AES50-A, ch01-ch16

= AES50-A

ch13-ch14

ch15-ch16

= AES50-A

ch17-ch24

ch25-ch32

= AES50-A ch33-ch48

Processing

A/D-D/A conversion

(Cirrus Logic A/D CS5368, D/A CS4385)

24-bit @ 44.1 / 48 kHz,

114 dB dynamic range

Networked I/O latency

(stagebox in > console processing* > stagebox out)

1.1 ms

Connectors

Programmable mic preamps, designed by MIDAS, balanced XLR 32

Line outputs, balanced XLR 16

AES/EBU outputs (AES3 XLR) 2

AES50 ports, SuperMAC networking, NEUTRIK etherCON 2

ULTRANET output, RJ45 (no power supplied) 1

MIDI inputs / outputs 1/1

ADAT outputs, Toslink 2

USB port for system updates, type B 1

Mic Input Characteristics

Preamp design MIDAS

Input impedance XLR, unbal. / bal. 5 kΩ / 10 kΩ

Non clip maximum input level, XLR +23 dBu

THD + noise, 20 dB gain, 0 dBu out < 0.008% (< 0.006% A-weighted)

Phantom power, switchable per input 48 V

Equivalent input noise level, XLR (input shorted) -128 dBu

CMRR, XLR, @ 20 dB gain (typical) > 70 dB

Input/Output Characteristics

Frequency range, @ 48 kHz sample rate, 0 dB to -1 dB 10 Hz - 22 kHz

Dynamic range, analog mic in to analog out (typical) 104 dB

A/D dynamic range, mic preamp and converter (typical) 106 dB

D/A dynamic range, converter and output 106 dB

Cross talk rejection @ 1 kHz, adjacent channels 100 dB

Output Characteristics

Output level, XLR, nom./max. +4 dBu / +21 dBu

Output impedance, XLR, unbal. / bal. 75 Ω / 75 Ω

Residual noise level, XLR -83 dBu (-85 dBu, A-weighted)

Digital In/Out

AES50 SuperMAC networking @ 48 or 44.1 kHz, 24-bit PCM 2 x 48 channels, bidirectional

AES50 SuperMAC cable length, CAT5e shielded** up to 100 m

ULTRANET networking @ 48 or 44.1 kHz, 22-bit PCM 1 x 16 channels, unidirectional

ULTRANET cable length, CAT5 shielded up to 75 m

ADAT output @ 48 or 44.1 kHz, 24-bit PCM 2 x 8 channels, unidirectional

Toslink optical, cable length 5 m, typical

AES/EBU output @ 48 or 44.1 kHz, 24-bit PCM 2 x 2 channels, unidirectional

XLR, 110 Ω balanced, cable length 5 m, typical

Power

Switch-mode autorange power supply 100-240 V (50/60 Hz)

Power consumption 55 W

Physical

Standard operating temperature range 5°C to 40°C (41°F to 104°F)

Dimensions 483 x 242 x 138 mm (19 x 9.5 x 5.4")

Weight 5.6 kg (12.4 lbs)

*includes all channel and bus processing, excluding insert e ects

**KLARK TEKNIK NCAT5E-50M recommended

NOTE: Please verify that your speci c AES50 connections provide stable operation prior to using the products in a live performance or recording situation. The maximum distance for

AES50 CAT5 connections is 100 m / 330 ft. Please consider using shorter connections where possible for gaining safety margin. Combining 2 or more cables with extension connectors

can reduce the reliability and maximum distance between AES50 products. Unshielded (UTP) cable may work well for many applications, but entails an additional risk for ESD issues.

We guarantee, that all our products will perform as speci ed with 50 m of KLARK TEKNIK NCAT5E-50M, and we recommend using cable of similar quality, only. KLARK TEKNIK also