Korg SP-280 取扱説明書

DIGITAL PIANO

Bedienungsanleitung

Thank you for purchasing

the Korg SP-280 digital piano.

Merci d’avoir choisi la piano

numérique SP-280 de Korg.

Vielen Dank, dass Sie sich für einen SP-280

digtal-Klavier von Korg entschieden haben.

⭞ᡭᢁ߂

᝕䉘ᛞ䘿᤟.25*63⭫ᆆ䫘⩪

Owner’s Manual

Manuel d’utilisation

Manual del usuario

Gracias por su compira el

Korg SP-280 Piano digital.

EFGSCJ 3

2

Precautions

Location

Using the unit in the following locations can result in

a malfunction.

• In direct sunlight

• Locations of extreme temperature or humidity

• Excessively dusty or dirty locations

• Locations of excessive vibration

•Closetomagneticelds

Power supply

Please connect the designated AC adapter to an AC

outlet of the correct voltage. Do not connect it to an

AC outlet of voltage other than that for which your

unit is intended.

Interference with other electrical

devices

Radios and televisions placed nearby may experience

reception interference. Operate this unit at a suitable

distance from radios and televisions.

Handling

To avoid breakage, do not apply excessive force to the

switches or controls.

Care

If the exterior becomes dirty, wipe it with a clean,

dry cloth. Do not use liquid cleaners such as benzene

orthinner,orcleaningcompoundsorammablepol-

ishes.

Keep this manual

After reading this manual, please keep it for later ref-

erence.

Keeping foreign matter out of your

equipment

Never set any container with liquid in it near this

equipment. If liquid gets into the equipment, it could

causeabreakdown,re,orelectricalshock.

Be careful not to let metal objects get into the equip-

ment. If something does slip into the equipment,

unplug the AC adapter from the wall outlet. Then

contact your nearest Korg dealer or the store where

the equipment was purchased.

*

All product names and company names are the trade-

marks or registered trademarks of their respective own-

ers.

IMPORTANT NOTICE TO CONSUMERS

This product has been manufactured according to strict

specicationsandvoltagerequirementsthatareapplicablein

the country in which it is intended that this product should

be used. If you have purchased this product via the internet,

through mail order, and/or via a telephone sale, you must

verify that this product is intended to be used in the country

in which you reside.

WARNING: Use of this product in any country other than

that for which it is intended could be dangerous and could

invalidate the manufacturer’s or distributor’s warranty.

Please also retain your receipt as proof of purchase otherwise

yourproductmaybedisqualiedfromthemanufacturer’sor

distributor’s warranty.

Notice regarding disposal (EU only)

When this “crossed-out wheeled bin” symbol is dis-

playedontheproduct,owner’smanual,baery,orbat-

tery package, it signifies that when you wish to dis-

poseofthisproduct,manual,packageorbaeryyou

must do so in an approved manner. Do not discard

this product, manual, package or battery along with

ordinary household waste. Disposing in the correct

manner will prevent harm to human health and po-

tential damage to the environment. Since the correct method

of disposal will depend on the applicable laws and regula-

tions in your locality, please contact your local administrative

bodyfordetails.Ifthebaerycontainsheavymetalsinexcess

of the regulated amount, a chemical symbol is displayed be-

lowthe“crossed-outwheeledbin”symbolonthebaeryor

baerypackage.

THE FCC REGULATION WARNING (for USA)

NOTE: This equipment has been tested and found to comply

with the limits for a Class B digital device, pursuant to Part 15

of the FCC Rules. These limits are designed to provide reason-

able protection against harmful interference in a residential

installation. This equipment generates, uses, and can radiate

radio frequency energy and, if not installed and used in ac-

cordance with the instructions, may cause harmful interfer-

ence to radio communications. However, there is no guaran-

tee that interference will not occur in a particular installation.

If this equipment does cause harmful interference to radio or

television reception, which can be determined by turning the

equipmentoandon,theuserisencouragedtotrytocorrect

the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

•

Increase the separation between the equipment and receiver.

• Connecttheequipmentintoanoutletonacircuitdierent

from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician

for help.

If items such as cables are included with this equipment, you

must use those included items.

Unauthorizedchangesormodicationtothissystemcanvoid

the user’s authority to operate this equipment.

3

Table of Contents

Introduction ---------------------------------------3

Main features ------------------------------------------3

Parts and their function -----------------------4

Preparation and demo performances

----5

Before you begin playing ---------------------------5

Listening to demo performances

-----------------6

Playing the SP-280 ------------------------------7

Playing a single sound (Single mode) -----------7

Playing two sounds

at the same time (Layer mode)

-----------7

Performing with another person

(Partner mode)

-------------------------------8

Using pedals

-------------------------------------------8

Eects

---------------------------------------------------8

The metronome

---------------------------------------9

Other functions -------------------------------- 10

Touch settings ---------------------------------------10

Transpose

--------------------------------------------10

Function mode

--------------------------------------10

MIDI ------------------------------------------------ 13

What is MIDI? ---------------------------------------13

What can you do with MIDI?

-------------------- 13

Connections

----------------------------------------- 13

MIDI function mode

-------------------------------- 13

Appendix ----------------------------------------- 15

Troubleshooting ------------------------------------- 15

Specications

--------------------------------------- 15

Installing the stand --------------------------- 16

Installation precautions ---------------------------16

Other precautions

---------------------------------- 16

Installation procedure

-----------------------------16

Adjusting front leg clearances to oor

-------- 17

Check after installation

--------------------------- 17

Installing optional

pedal unit (sold separately)

-------------- 17

MIDI Implementation Chart ---------------- 99

Introduction

Main features

Thirty high-quality sounds

The SP-280 provides 30 built-in expressive high-quality

sounds, including a stereo concert grand piano. You can

use Layer mode to simultaneously play two sounds at once,

or you can use Partner mode, which allows two people to

play the same range, one on each half of the keyboard.

Eects

TheSP-280provides3built-indigitaleects.Theseeects

can adjust the brightness of the tone (Brilliance), simulate

the natural ambience of a concert hall (Reverb) and add

richness to the sound (Chorus).

Pedal eects

Youcanobtainthesamedampereectasthatofanacous-

tic piano using the damper pedal that is included with the

unit. You can also add the damper resonance to the classic

piano and the grand piano tone (bank 1 and 2 of PIANO1).

Furthermore, the damper pedal can function as a half

damper pedal so that you can change the condition that

the damper is applied by the depth to which the pedal is

pressed.

Use optional pedal unit (sold separately) for soft and soste-

nutoeectsinadditiontothedampereect.

Metronome

The built-in metronome allows you to select the time sig-

nature, tempo, and volume, and you can even choose a bell

sound as the accent.

Touch control

Youcanchoosefromthreedierentseingstoadjusthow

the sound will respond to your keyboard playing dynamics.

Temperaments

For authentic performance of a wide range of music, the

SP-280 allows you to select from nine temperaments, in-

cluding the equal temperament, pure temperaments (ma-

jor and minor), classical temperaments (Kirnberger and

Werckmeister) as well as temperaments used with Middle

Eastern and Indian folk music. When an acoustic piano

sound is selected, the stretched tuning used on pianos is

automatically selected.

Adjustable pitch

The Transpose function lets you change the pitch of the

piano, and the Pitch Control function allows you to make

nelytunedadjustments.

Two headphone jacks

Two headphone jacks (one each on the front and back of

the SP-280) are provided, allowing two people to listen si-

multaneously.

LINE IN/LINE OUT jacks

When connecting a sound system or other electronic musi-

cal instrument to the LINE IN jack, sound from the con-

nected device will be heard through the speakers of the SP-

280. In addition, powered monitors or a recording system

can be connected by using the LINE OUT jacks.

MIDI capabilities

The SP-280 supports the MIDI protocol, the standard that

allows music data to be transferred between musical instru-

ments and computers. MIDI allows two or more devices to

control or be controlled by each other, and also allows you

to use the SP-280 as a 16-part multitimbral tone generator.

4

14. UP/DOWNbuons:Thesebuonsareusedtoselecta

valueforthevariousseings.

15. METRONOMEbutton/LED:This button is used to

start/stop the metronome. While the metronome is be-

ing used, the LED lights up. In addition, hold down the

button to enter the Metronome settings mode, where

variousmetronomeseingscanbespecied.

16. Musicstandholes:Holes for installing the included

music stand.

17. MIDI(IN,OUT)connectors:Connectors that are used

to connect other MIDI devices (sequencer, keyboards,

etc.).

OUT:

Data output (to be connected to the MIDI IN con-

nector of another MIDI device).

IN:

Data input (to be connected to the MIDI OUT con-

nector of another MIDI device).

18. PEDALjack:This jack is used to connect the included

damper pedal.

19. LINEOUT(L/MONO,R)jacks:These are the main

audio output jacks. These jacks are where an external

amplifying system would be connected to amplify the

sound from the SP-280. (With a hi-fi system use the

AUX or LINE IN connectors). To amplify the SP-280 in

mono, connect the single L/MONO jack. Use the VOL-

UME knob to set the output volume.

20. LINEINjack:This is a stereo mini jack for audio in-

put. This jack is used to connect the audio output (AUX

Out) of a sound system or other electronic musical in-

strument. Adjust the input volume with the connected

device.

21. Headphone(PHONES)jack:The stereo mini plug of

headphones can be inserted. The same sound from the

headphone jack on the front of the SP-280 will be pro-

duced. When the headphone plug is inserted, no sound

will be produced from the speakers.

22. DC19Vjack: Connect the included AC adapter here.

Parts and their function

1

2

12

14

3

13

546

8710

11

9

15

Control panel

Rear panel

20

19 22

21

16

17

18

1. Headphone( )jack[frontofSP-280]:The stereo mini

plug of headphones can be inserted into this jack. The

same sound from the headphone jack on the back of the

SP-280 will be produced. When the headphone plug is

inserted, no sound will be produced from the speakers.

2. Powerbuon:ThisbuonturnstheSP-280onoro.

3. VOLUMEKnob:Adjusts the volume for the speakers,

the Output and the Phones connectors.

4. PIANOSONGbuon/LED:Thisbuonisusedtoen-

ter the Piano song mode, after which the LED lights up.

SimultaneouslypressingthisbuonandtheTRANS-

POSEbuonenterstheSounddemosongmode.

5. TRANSPOSEbuon/LED:Thisbuonisusedtoad-

just transposition. While transposing, the LED lights

up. Simultaneously pressing this button and the PIA-

NOSONGbuonenterstheSounddemosongmode.

6. FUNCTIONbuon/LED:Thisbuonisusedtoenter

the Function mode, where pitch, temperament and

otherseingscanbespecied.Holddownthebuon

toentertheMIDIfunctionmode,whereMIDIseings

can be specified. The LED lights up when the SP-280

enters the Function mode and blinks when it enters the

MIDI function mode.

7. TOUCHbutton:This button lets you select the key-

board sensitivity.

8. BRILLIANCEbuon:Thisbuonisusedtoadjustthe

brightness of the tone.

9. REVERBbuon/LED:Thisbuonisusedtoturnon/

off the reverb, which adds ambience to the sound.

When turned on, the LED lights up.

10. CHORUSbuon/LED:Thisbuonisusedtoturnon/

othechorus,whichaddsrichnesstothesound.When

turned on, the LED lights up.

11. BANKbuon/LEDs:Thisbuonisusedtoselectthe

desired sound bank. The LED for the bank that’s cur-

rently selected will light up.

12. Soundbuttons:This button is used to select from 30

sounds (10 × 3 banks). Two buttons can be pressed to

play two sounds simultaneously (Layer mode).

13. D i s p l a y :  Showsseings,forexample,fortheFunction

mode and the metronome.

5

Before you begin playing

About the included stand

If the stand is to be used, see the “Installing the stand” section on page 16 before con-

nectingtheACadapterandaachingthemusicstand.

Connecting the Power

Connect the supplied AC adapter to the power cord. Insert the DC plug end into the

DC19V jack on the rear panel of the unit. Next, plug the power cord into an AC outlet.

Pass the AC adapter cord through the cord hook so that the plug won’t be re-

moved from the jack accidentally. When you unhook the cord, don’t pull the cord

with force.

Be sure to use the AC adapter that came with your unit. Using other AC adapters

may cause the unit to malfunction.

Be sure to plug the unit into an AC outlet of the appropriate voltage.

Using the headphones

Use stereo headphones with a stereo mini plug.

Since there is one headphone jack on the back (Fig. 1) and one on the front (Fig. 2), two

people can listen simultaneously.

When the headphone plug is inserted into the headphone jack on the front or back of

the SP-280, no sound will be produced from the speakers. Use headphones at night or

when you don’t want disturb others.

If your headphones feature a standard-to-mini adapter plug, be sure to hold the

adapter plug when you connect or disconnect the headphones.

To protect your hearing, do not listen to loud, high-volume sounds for a long pe-

riod of time through headphones.

Using the music stand

Insert the pins on the included music stand into the music stand holes in the rear

panel. (Fig. 2)

 Donotpressdownonthemusicstandwithforce,otherwiseitmayfallothe

SP-280.

Turning the instrument on

PressthepowerbuontoturnontheSP-280.(Fig.3)

Whentheinstrumentisturnedon,thebuonLEDsonthecontrolpanelwilllightup.

Toturntheinstrumento,pressthepowerbuonagain.

 Whentheinstrumentisturnedo,allfunctionsandparameters,excepttheauto

powerofunction,returntotheirfactorydefaultseings.

Auto power o function

When 30 minutes have passed without user input or an demo performance, the

instrumentwillbeautomaticallyturnedo.Todisablethisfunction,turnothe

autopowerofunction(see page 12).

Adjust the volume

Rotate the VOLUME knob that’s located next to the power switch toward “MAX” to

raise the volume level.

Rotate it left toward “MIN” to lower the level. (Fig. 3)

The VOLUME knob controls the output level of the built-in speakers, the headphones

jacks and the LINE OUT jacks.

Itisalwaysbeertostartwithalowvolumeandthenincreasegradually.

Be careful not to bend

this part too much when

you insert the power cord.

Fig. 1

to AC outlet

AC adapter

Power cord for

the AC adapter

Headphones

Cord hook

DC plug

Headphones

Fig. 2

Fig. 3

Softer

Louder

Preparation and demo performances

6

Sounddemosonglist

display

Soundbuon Songtitle Composer

d01 PIANO1 Jardins sous la pluie C.Debussy

d02 PIANO2 Danny boy Irish Folk Song

d03 E.PIANO1

Jam Session

N. Nishi

d04 E.PIANO2 In Memory M.Giesel

d05 HAR PSI/CLAV Invention No.8 J.S.Bach

d06 VIBES/GUITAR Jazz in Spain KORG original

d07 ORGAN1 Improvisation M.Geisel

d08 ORGAN2 Toccata in D moll J.S.Bach

d09 STRINGS Scoring Interlude M.Geisel

d10 CHOIR Autumn Flares M.Geisel

Listening to a piano song

1. PressthePIANOSONGbuon.

The PIANO SONG and PIANO1 LEDs light up, and the

number for the piano song (001) appears in the display.

1,3

2. Afterabout3seconds,thePIANO1LEDblinks,and

playbackofthepianosongbegins.

Whenplaybackoftherstpianosongisnished,play-

back continues sequentially with second, third, etc.

Whenplaybackofthetwentiethpianosongisnished,

playbackbeginsagainwiththerstpianosong.

Listeningtoaspecicpianosong

The number for the song that you want to hear can be

selectedbypressingtheUPorDOWNbuonbesidethe

display.Ifadierentnumberisselectedbypressingthe

buons,evenwhileasongisbeingplayed,playbackof

the corresponding song will begin after a few seconds.

3. Tostopplaybackofapianosong,pressthePIANO

SONGbuonagain.

Pianosonglist

No.

display

Songtitle Composer

1 001 Etude Op.10-12 F.Chopin

2 002 Claire de lune C.Debussy

3 003 Fantaisie-Impromptu Op.66 F.Chopin

4 004

WalNo.6Db-majorOp.64-1 F.Chopin

5 005

“Prelude 1” The Well-Tempered

Clavier, Book 1 J.S.Bach

6 006 “Turkish March” Sonata K.331 W.A.Mozart

7 007 Arabesque No.1 C.Debussy

8 008 Für Elise L.v.Beethoven

9 009 Liebesträume Nr.3 F.Liszt

10 010 La Campanella F.Liszt

11 011 Nocturne Op.9-2 F.Chopin

12 012 Spring Song Op.62-6 F.Mendelssohn

13 013

ReetsdansI'eau C.Debussy

14 014 Gymnopédie No.1 E.Satie

15 015 Etude Op.10-3 F.Chopin

16 016 Old Feather Blues KORG original

17 017

Lalleauxcheveuxdelin C.Debussy

18 018 The Entertainer S.Joplin

19 019 Sunowers KORG original

20 020 Amazing Grace Hymn

Using the LINE IN/LINE OUT jacks

Use the LINE IN jack to listen to the sound from another

musical instrument or sound system through the speakers

of the SP-280. Connect this jack to the output jack of the

other musical instrument or sound system.

Use an audio cable with a stereo mini plug inserted into

the SP-280 and a plug on the other end appropriate for the

connected device.

Use the LINE OUT jacks, if you want to connect your SP-

280toamixer,stereohi-,oracoupleofactivemonitors.

Whenusingastereohi-,connecttheLINEOUTstothe

AUXorLINEinputs.Formonoamplication,connectonly

the L/MONO jack.

Youmustonlyconnectdeviceswiththepowerturnedo.

Careless operation may damage the SP-280 or the device

where it’s connected, or malfunctions may be caused.

Connection cables are sold separately. You will need to

obtain the appropriate commercially-available cables

for your equipment.

Listening to demo performances

The SP-280 contains a total of 30 demo performances (10

demo songs using 10 high-quality sounds and 20 familiar

piano songs using the piano sounds).

During playback of a sound demo song, you can play

using the keyboard; however, the sound cannot be

changedbyusingthesoundbuons.

During playback of a sound demo song, the settings

foreects(reverbandchorus)cannotbechanged.

Listening to a demo song

1. SimultaneouslypressthePIANOSONGbuonand

theTRANSPOSEbuon.

The PIANO SONG LED blinks, and the LEDs for the

soundbuonsblinksequentially.

In addition, the number for the sound demo song (d01)

appears in the display.

1,3

1

2. Afterabout3seconds,thePIANO1LEDblinks,and

playbackofthedemosongcorrespondingtothatbut-

tonbegins.

When playback of the PIANO1 demo song is fin-

ished, playback continues sequentially with PIANO2,

E.PIANO1, etc. When playback of the CHOIR demo

songisnished,playbackbeginsagainwiththePIA-

NO1 demo song.

Listeningtoaspecicsounddemosong

WhentheLEDsforthesoundbuonsareblinkingse-

quentially, press the sound button for the demo song

that you want to hear. If a different sound button is

pressed, even while a song is being played, playback of

the corresponding demo song begins after a few sec-

onds.

In addition, a song can be selected by pressing the UP

orDOWNbuonbesidethedisplay.

3. Tostopplaybackofademosong,pressthePIANO

SONGbuonagain.

7

Playing two sounds at the same time

(Layer mode)

You can play two sounds at the same time on the key-

board. This is called the Layer mode.

Simultaneously press the two sound buttons for the

sounds to be played at the same time. The LEDs for the

twopressedsoundbuonswilllightup.

Theleftmostoruppermostselectedsoundbuonislayer1,

and the other (rightmost or lowermost) one is layer 2 (see

the diagram at the below).

For example, if E.PIANO1 and ORGAN1 are selected,

E.PIANO1 is layer 1 and ORGAN1 is layer 2.

In order to use sounds in different banks, first select the

banks in the Single mode for the sound buttons to be

pressed.

For example, to play by layering the grand piano and

jazz organ 2 sounds, select bank 1 (classic piano) for the

PIANO1buonandbank2(jazzorgan2)fortheORGAN1

buon,andthenpressbothbuonssimultaneously.

When selecting Layer mode, the total number of voices

that can play at the same time is reduced, depending

on the total number of oscillators used by the selected

sounds. (refer to “About maximum polyphony” on

page 15.)

 Soundsindierentbanksforthesamesoundbuon

(grand piano and jazz piano for the PIANO1 button)

cannot be selected.

Returning to the Single mode

To return to Single mode, just press a single sound se-

lectionbuon.

Layer mode settings

In Layer mode, the volume balance between sounds

can be adjusted, the octave for each sound can be shift-

ed, and the damper pedal can be enabled or disabled

for each sound. (refer to “Function mode” on page 10.)

Layer 2

Layer 1

Playing a single sound (Single mode)

You can select a sound from the thirty sounds supplied

with the instrument (10 sounds x 3 banks).

Soundbuon Bank Soundname #

PIANO1 1 Classic Piano 3

2 Grand Piano 3

3 Jazz Piano 2

PIANO2 1 Live Piano 2

2 Honky-Tonk 2

3 Elec.Grand 1

E.PIANO1 1 Stage E.piano 1

2 Bright E.Piano 2

3 Tremolo EP 3

E.PIANO2 1 Dig.E.Piano1 2

2

60'sE.Piano 1

3 Dig.E.Piano2 2

HARPSI/CLAV 1 Harpsichord 2

2 Clav 1

3 Synth Clav 2

VIBES/GUITAR 1 Vibraphone 1

2 Marimba 1

3 Acoustic Guitar 2

ORGAN1 1 Jazz Organ1 2

2 Jazz Organ2 2

3 Jazz Organ3 2

ORGAN2 1 Pipe Organ1 2

2 Pipe Organ2 2

3 Positive Organ 2

STRINGS 1 Strings 2

2 Cinema Strings 2

3 Analog Strings 2

CHOIR 1 Aah Choir 2

2 Ooh Voices 2

3 Classical Choir 3

(#) These columns show the number of oscillators per voice

that are used by each sound. (refer to “About maximum

polyphony” on page 15.)

1. Pressthesoundbuonforthesoundthatyouwant

toplay.

TheLEDforthatbuonwilllightup.

2. PresstheBANKbuttontoselectoneofthethree

sounds.

Each press of the BANK button switches the bank in

the order 1, 2, 3, 1, ..., and the corresponding LED to the

rightoftheBANKbuonwilllightup.

For example, to select the electric grand piano sound,

pressthePIANO2buon,afterwhichitsLEDlightsup.

Then, press the BANK button twice to select bank 3

(electric grand piano); the LED below and to the right

oftheBANKbuonwilllightup.

In addition, the bank selected for a sound button re-

mains the same, even if a different sound button is

pressed.

2

1

Each time the SP-280 is turned on, the sound in bank 1

isselectedforallsoundbuons.

Playing the SP-280

8

In Layer mode, you can select the sound(s) where you

want to apply the pedal. (refer to “Specifying layer

pedals” on page 12)

In Partner mode (see page 11),thedampereectcanbe

applied independently by both players.

Eects

Brilliance

Thiseectchangesthebrightnessofthetone.

TheseingcanbechangedbyholdingdowntheBRIL-

LIANCEbuttonandpressingtheUPorDOWNbutton

besidethedisplay.

The setting appears in the display with 3 producing a

brighter sound and 1 producing a less bright sound.

Thesameseingisappliedtoallsoundsandremainsap-

plieduntiltheSP-280isturnedo.Whentheinstrumentis

turnedon,thedefaultseing2isselected.

 Brilliancecannotbeturnedo.

Reverb

Thiseectaddsambienceanddepthtothesound,produc-

ing the sense of performing in a concert hall. As a factory

default,theon/oseingforthiseectaswellasthisef-

fect’sseingaresavedwitheachsound.

EachpressoftheREVERBbuonturnsreverbon(LED

lightsup)oro(LEDturnso).

Tochangethissetting,holddowntheREVERBbutton

andpresstheUPorDOWNbuonbesidethedisplay.

Theseingappearsinthedisplaywith3producingadeep

reverbeectand1producingalightreverbeect.

IfadierentsoundisselectedoriftheSP-280isturnedo,

theon/oseingforthiseectaswellasthiseect’sset-

tingreturntotheirfactorydefaults(defaultseings).

Chorus

Chorus adds modulation to the sound, producing an ex-

pansivelyrichsound.Asafactorydefault,theon/oset-

tingforthiseectaswellasthiseect’sseingaresaved

with each sound.

EachpressoftheCHORUSbuonturnsreverbon(LED

lightsup)oro(LEDturnso).

Tochangethisseing,holddowntheCHORUSbuon

andpresstheUPorDOWNbuonbesidethedisplay.

Theseingappearsinthedisplaywith3producingadeep

choruseectand1producingalightchoruseect.

IfadierentsoundisselectedoriftheSP-280isturnedo,

theon/oseingforthiseectaswellasthiseect’sset-

tingreturntotheirfactorydefaults(defaultseings).

Performing with another person

(Partner mode)

Two people can play in the same range with the keyboard di-

vided in half between them. This is called the Partner mode.

1. PresstheFUNCTIONbuon.

The FUNCTION and PIANO1 LEDs will light up.

2. PresstheE.PIANO1buon.

TheLEDfortheE.PIANO1soundbuonlightsup,and

oFF appears in the display.

3. PresstheUPbuonbesidethedisplaytoselecton.

Partner mode is turned on, and the PIANO1 sound is

used for both the left and right sides of the keyboard.

The right side of the keyboard, from E4 to C8, produces

sounds in a range two octaves lower (E2–C6).

The left side of the keyboard, from A0 to E

♭

4, produces

sounds in a range two octaves higher (A2–E

♭

6).

4. ToexitPartnermode,presstheDOWNbuonbeside

thedisplaytoselectoFF.

5. PresstheFUNCTIONbuon.

TheFUNCTIONLEDturnso.

In Partner mode, the sound for the left and right sides can

be changed, and the volume can be adjusted. For details,

referto“Partnermodeseings”onpage11.

Using pedals

Using the damper pedal

Pressing this pedal will sustain the sound, producing a

richly resonant decay. You can also use halfpedalling, with

agradualresonanceeectdependingonthedepthofthe

pedal pressure (“half-pedaling”).

In Layer mode, you can select the sound(s) to apply the

pedal to. (refer to “Specifying layer pedals” on page 12)

Useoptionalpedalunit(soldseparately)toachievethree

pedaleects.

Soft pedal (left)

Pressing this pedal will make the tone softer. You can con-

trol the softness of the tone by how far down you press the

on pedal (“half-pedaling”).

Sostenuto pedal (center)

Pressingthispedalwillapplythedampereectonlytothe

notes that are already being held down on the keyboard,

andwillsustainonlythosenotes.Thedampereectwill

not be applied to any additional notes that you play while

holding down the Sostenuto pedal.

Damper pedal (right)

Pressing this pedal will sustain the sound, producing a

richly resonant decay. You can also add the damper reso-

nance to the classic piano and the grand piano tone (bank

1 and 2 of Piano1). You can also use halfpedalling, with a

gradual resonance effect depending on the depth of the

pedal pressure (“half-pedaling”).

2

1,5

3

4

Partner mode

Pitches A2 to E



6 for the player

on the left side

Pitches E2 to C6 for the player

on the right side

E



4

A0

E4

C8

9

Selecting a bell for the accent

1. HolddowntheMETRONOMEbuonuntiltheMet-

ronomeseingsmodeisentered.

2. PresstheE.PIANO1buon,andtheaccentsoundset-

tingwillappearinthedisplay.

3. SelecttheseingwiththeUPorDOWNbuonbe-

sidethedisplay.

TheseingrangeconsistsofoFF(noaccentsound),on1

(emphasized sound for the accent beat) and on2 (bell

soundfortheaccentbeat);thedefaultseingisoFF.

4. PresstheMETRONOMEbuttontoexittheMetro-

nomeseingsmode.

Specifying the tempo (Metronome settings mode)

1. HolddowntheMETRONOMEbuonuntiltheMet-

ronomeseingsmodeisentered.

2. PresstheE.PIANO2buon,andthetempowillap-

pearinthedisplay.

3. SpecifytheseingwiththeUPorDOWNbuonbe-

sidethedisplay.

Theseingrangeis

𝅘𝅥

=40–240;thedefaultseingis120.

To return to the default setting, simultaneously press

theUPandDOWNbuons.

4. PresstheMETRONOMEbuttontoexittheMetro-

nomeseingsmode.

Selecting the Metronome Sound

1. HolddowntheMETRONOMEbuonuntiltheMet-

ronomeseingsmodeisentered.

2. PresstheHARPSI/CLAVbuon,andthemetronome

soundseingwillappearinthedisplay.

3. SpecifytheseingwiththeUPorDOWNbuonbe-

sidethedisplay.

The setting range consists of 1 (acoustic) and 2 (elec-

tronicsound);thedefaultseingis1.

4. PresstheMETRONOMEbuttontoexittheMetro-

nomeseingsmode.

2

1,4

3

2

1,4

3

2

1,4

3

The metronome

The SP-280 is equipped with a metronome, which can be

changed to a bell sound convenient for practicing.

Turning on/o the metronome

PresstheMETRONOMEbuon.The

LED lights up, and the metronome

starts.

To stop the metronome, press the METRONOME button

again.TheLEDturnso.

Specifying the tempo

When the tempo appears in the dis-

play(defaultseingof120),regardless

of whether the metronome is turned

on or off, the tempo can be specified with the UP and

DOWNbuonsbesidethedisplay.

Theseingrangeis

𝅘𝅥

= 40

–

240.

Toreturntothedefaultseing,simultaneouslypressthe

UPandDOWNbuons.

Selecting the time signature

1. HolddowntheMETRONOMEbuonuntiltheMet-

ronomeseingsmodeisentered.

The METRONOME LED blinks, and the LED for the

PIANO1soundbuonlightsup.

In addition, the time signature appears in the display.

When the Metronome settings mode is entered, the

timesignatureseingnormallyappears.

2. Toselectthetimesignatureafterchangingother

settingsintheMetronomesettingsmode,pressthe

PIANO1buon.

3. SelecttheseingwiththeUPorDOWNbuonbe-

sidethedisplay.

The setting range consists of 02 (2/4), 03 (3/4), 04 (4/4)

and06(6/4);thedefaultseingis04.

To return to the default setting, simultaneously press

theUPandDOWNbuons.

4. PresstheMETRONOMEbuttontoexittheMetro-

nomeseingsmode.

Adjusting the metronome volume

1. HolddowntheMETRONOMEbuonuntiltheMet-

ronomeseingsmodeisentered.

2. PressthePIANO2button,andthevolumewillap-

pearinthedisplay.

3. SpecifytheseingwiththeUPorDOWNbuonbe-

sidethedisplay.

Theseingrangeis1–13;thedefaultseingis10.

To return to the default setting, simultaneously press

theUPandDOWNbuons.

4. PresstheMETRONOMEbuttontoexittheMetro-

nomeseingsmode.

2

1,4

3

2

1,4

3

10

The pitch of the entire keyboard is transposed according

to the pitch of the pressed keyboard key in relation to C7.

To return to the original pitches, hold down the TRANS-

POSEbuonandpresstheC7key.TheTRANSPOSELED

turnso,andtranspositioniscanceled.

key Eect

F

♯

6–B6 6–1 semitones below

C7 Standard pitch

C

♯

7–F7 1–5 semitones higher

Function mode

The temperament as well as other pitch settings can be

speciedfromtheFunctionmode.

SeingprocedureforfunctionsintheFunctionmode.

1. PresstheFUNCTIONbuon.

The FUNCTION and PIANO1 LEDs light up.

2. Pressthesoundbuoncorrespondingtothedesired

function.

Thecurrentseingappearsinthedisplay.

3. Specifythedesiredseing.

4. Afterspecifyingthedesiredsettings,pressthe

FUNCTIONbuontoreturntothemodeforplaying.

TheFUNCTIONLEDturnso.

3

1,4

2

When the SP-280 is turned off, all functions, except

theautopowerofunction,returntotheirdefaultset-

tings.

 Theseingsareappliedtoallsounds.

Fine tuning

In order to adapt the SP-280 pitch to that of another instru-

ment, you can adjust the pitch in steps of 0.5 Hz over a

range of A4 = 427.5–452.5 Hz

.

27.5–52.5 appears in the display.

ThestandardpitchisA=440Hz,andthedefaultseingis

40.0.

1. AfterenteringtheFunctionmode,theLEDforthe

PIANO1soundbuonlightsup.

WhentheFunctionmodeisentered,thepitchseing

normally appears.

2. Tospecifythepitchafterchangingotherseingsin

theFunctionmode,pressthePIANO1buon.

3. SpecifytheseingwiththeUPorDOWNbuonbe-

sidethedisplay.

C4

C7

F 6

F7

Touch settings

The keyboard sensitivity, or touch, can be programmed.

The “Light” setting produces a louder sound than usual

when you play softly on the keyboard; and the “Heavy”

seingproducesasoftersoundthanusual,untilyouplay

harder.

Tochangetheseing,holddowntheTOUCHbuonand

presstheUPorDOWNbuonbesidethedisplay.

Display

Touchsensitivity

1 Light. Loud notes can be produced even by

playing lightly.

2 Normal. Normal piano touch.

3 Heavy. Loud notes can be produced only by

playing very hard.

The diagram below shows the relationship between how

hard you play the keyboard and how loud or soft the notes

will sound.

 Whentheinstrumentisturnedon,thetouchseingis

reset to Normal.

 Theseingsareappliedtoallsounds.

Transpose

Insomecases,asongmaybewrieninadicultkey(e.g.,

many black keys), or you may wish to shift the pitch to

match another instrument or vocalist. In such cases, you

can transpose (shift the pitch) so that you can use an easier

fingering, or use the same familiar fingering to play at a

dierentpitch.ThisiscalledtheTransposefunction.

For example if you transpose upward by one semitone,

playing the notes shown at the lower left will produce the

pitches shown at the right.

When the instrument is turned on, the transposing is

reset.

While holding down the TRANSPOSE button, press the

keyboard key (F

♯

6–F7) for the desired transposition.

If a keyboard key other than C7 is pressed, the TRANS-

POSE LED lights up to indicate that the keyboard is trans-

posed.

Loud

Loudness

Quie

t

Quiet

Loud

Playing

strength

Light

Normal

Heavy

Other functions

11

Simultaneously press the UP and DOWN buttons to

return to 440 Hz.

3

1,4

2

Selecting a temperament

You can select from nine temperaments, including the

equal temperament, pure temperaments (major and mi-

nor), classical temperaments (Kirnberger and Werckmeis-

ter) as well as temperaments used with Middle Eastern

and Indian folk music.

Display

Temperament

00

Equaltemperament(defaultseing):

Spacing all semitones at equal pitch intervals,

this temperament is the most widely used.

01

Puretemperament[major]:Major chords in the

key (C) are perfectly tuned.

02

Puretemperament[minor]:Minor chords in

the key (C) are perfectly tuned.

03

Arabic:This scale includes the quarter-tone in-

tervals used in Arabic music.

04

Pythagorean:This ancient Greek scale is espe-

ciallyeectiveforplayingmelodies.Itconsists

ofperfectfths;however,otherintervals–the

major third in particular – is out of tune.

05

Werckmeister:The Werckmeister III scale was

created in the later Baroque period to allow

relatively free transposition.

06

Kirnberger:The Kirnberger III scale is used

mainly for tuning harpsichords.

07

Slendroscale:This is an Indonesian gamelan

scalewithvenotesperoctave.

08 Pelogscale:This is an Indonesian gamelan

scale with seven notes per octave.

1. EntertheFunctionmode,andthenpressthePIANO2

buon.

TheLEDforthePIANO2soundbuonlightsup,and

thetemperamentseing(00)appearsinthedisplay.

2. SelecttheseingwiththeUPorDOWNbuonbe-

sidethedisplay.

2

1

Aboutstretchedtuning

In order to produce the most natural resonance, PIANO1

and PIANO2 sounds use a “stretched tuning” that makes

thenotesofthelowerrangeslightlyaerthanequaltem-

perament, and the upper range slightly sharper. This is

how an acoustic piano is normally tuned by professional

tuners.

Partner mode settings

1. EntertheFunctionmode,andthenpressthe

E.PIANO1buon.

TheLEDfortheE.PIANO1soundbuonlightsup,and

theon/oseingappearsinthedisplay.

2. EachpressoftheUPorDOWNbuonbesidethedis-

playturnsthemodeon(on)oro(oFF).

2

1

When the Partner mode is turned on, the PIANO1 sound

is used for both the left and right sides of the keyboard,

and the PIANO1 LED lights up.

The right side of the keyboard, from E4 to C8, produces

sounds in a range two octaves lower (E2–C6). The left side

of the keyboard, from A0 to E

♭

4, produces sounds in a

range two octaves higher (A2–E

♭

6).

The division for the left and right sides of the key-

board as well as the range (pitches) cannot be changed.

In the Partner mode, the transposition settings are

ignored. In addition, keyboard information (Note On

andNoteO)isnotsentwithMIDI.

Selectingthesoundfortheleftside

Exit the Function mode, and then press the sound but-

ton for the sound to be used with the left side of the

keyboard. The right side of the keyboard remains set to

the PIANO1 sound.

Selectingsoundsfortheleftandrightsides

Exit the Function mode, and then simultaneously press

thetwosoundbuonsforthesoundstobeused.The

LEDsforthetwopressedsoundbuonslightup.

Sound for left side of keyboard

Sound for right side of keyboard

Theleftmostoruppermostselectedsoundbuonisfor

the left side of the keyboard, and the other (rightmost

or lowermost) one is for the right side of the keyboard.

For example, if E.PIANO1 and ORGAN1 are selected,

E.PIANO1 is for the left side of the keyboard and OR-

GAN1 for the right side of the keyboard.

In order to use sounds in different banks, first select

thebanksintheSinglemodeforthesoundbuonsto

be pressed.

If the Partner mode is turned off and the Function

mode is exited with the left and right sides of the key-

boardsettodierentsounds,theLayermodewillbe

entered.

In the Partner mode, the tone performed will change

to Piano 1 when entering the performance of a piano

song. However, the tone of the keyboard on the right

thatwasselectedinthePartnermodewillbeemied

when the keyboard on the right (E4–C8) is played.

Usingthesamesound(otherthanPIANO1)forboththe

leftandrightsides

Exit the Function mode, and then simultaneously press

two sound buttons, making sure that the rightmost

one is for the sound to be used. Then, press the right-

most selected sound button again. For example, after

pressingthePIANO2andORGAN1buons,pressthe

ORGAN1buonagaintousetheORGAN1soundwith

both the left and right sides of the keyboard.

Changingthevolumefortheleftandrightsides

I

f the sounds for the left and right sides of the key-

boardhavebeenchanged,thevolumecanbespecied

for each sound. refer to “Specifying the volume balance

for layers” on page 12.

12

Specifying layer pedals

IntheLayermode,adamperseingcanbespeciedfor

each sound.

Theseingsareonlyforthelayer1sound(o––),onlyfor

the layer 2 sound (– – o) and for both sounds (o – o).

Thedefaultseingiso–o.

1. EntertheFunctionmode,andthenpresstheVIBES/

GUITARbuon.

The LED for the VIBES/GUITAR sound button lights

up,andthedamperseing(o–o)appearsinthedis-

play.

2. SelectthedamperseingwiththeUPorDOWNbut-

tonbesidethedisplay.

2

1

If the sound is in the Single mode, – – – appears in the

display,andaseingcannotbespecied.

Specifying the auto power o function

When 30 minutes have passed without a key pressed in

the keyboard or without an automatic performance played,

theinstrumentisautomaticallyturnedo.Todisablethis

function,turno(oFF)thisfunction.Thedefaultseingis

thisfunctionturnedon.Ifthisseingischanged,thenew

seingissavedandremainsselected,eveniftheSP-280is

turnedo.

1. EntertheFunctionmode,andthenpresstheOR-

GAN1buon.

TheLEDfortheORGAN1soundbuonlightsup,and

theseing(on)appearsinthedisplay.

2. Selecttheon/oseingwiththeUPorDOWNbut-

tonbesidethedisplay.

2

1

Usingdampers

The included damper pedal can be used to apply a

dampingeectforonlytheplayerontherightsideof

the keyboard.

Optional pedal unit (sold separately) can be used as

separate damper pedals for the left and right sides of

the keyboard.

Damper:

Used as a damper pedal for the player on the

right side of the keyboard.

Sostenuto: Not used.

Soft:

Used as a damper pedal for the player on the left

side of the keyboard.

Specifying the volume balance for layers

The volume balance for sounds in the Layer mode (or the

Partnermode)canbeadjusted.Theseingrangeis1–9...

9 – 9...9 – 1, with the number on the left for layer 1 (or the

left side of the keyboard) and the number on the right for

layer 2 (or the right side of the keyboard).

Thedefaultseingis9–9.

1. EntertheFunctionmode,andthenpressthe

E.PIANO2buon.

TheLEDfortheE.PIANO2soundbuonlightsup,and

thebalanceseing(9–9)appearsinthedisplay.

2. SpecifythevolumebalancesettingwiththeUPor

DOWNbuonbesidethedisplay.

To return to the default setting, simultaneously press

theUPandDOWNbuons.

2

1

If the sound is in the Single mode, – – – appears in the

display,andaseingcannotbespecied.

Specifying layer octaves

In the Layer mode, the octave for each sound can be speci-

ed.Theseingrangeis±1octaveforeachsound,and–01,

00and01appearinthedisplay.Thedefaultseingis00.

1. EntertheFunctionmode,andthenpresstheHARP-

SI/CLAVbuon.

TheLEDfortheHARPSI/CLAVsoundbuonlightsup,

and the layer (L1) whose octave is to be specified ap-

pears in the display.

2. SelectthelayerwiththeUPorDOWNbuonbeside

thedisplay.

L1 appears for layer 1, and L2 appears for layer 2.

3. PresstheBANKbuon.

Theoctaveseing(00)appearsinthedisplay.

4. SelecttheoctaveseingwiththeUPorDOWNbut-

tonbesidethedisplay.

To return to the default setting, simultaneously press

theUPandDOWNbuons.

To select the octave for the other layer, press the HARPSI/

CLAVbuontoselectthelayer.

1

3

2,4

If the sound is in the Single mode, – – – appears in the

display,andaseingcannotbespecied.

13

What is MIDI?

MIDI, is the abbreviation of Musical Instrument Digital

Interface. It is an international standard that was created

to connect and transfer data between electronic musical

instruments, computers and other devices.

What can you do with MIDI?

Thanks to MIDI, you can use the SP-280 to control other

instruments, use other instruments to control the SP-280,

and use a sequencer to create complex musical pieces.

When you use the SP-280 keyboard or pedal, or select a

sound, the notes, pedal activation and change in sound are

transmitted to another instrument, or are recorded by a

sequencer.

Connections

Commercially available MIDI cables are used to transfer

MIDI data. Connect these cables from the MIDI connectors

of the SP-280 to the MIDI connectors of the external MIDI

device that you want to exchange data with. There are two

types of MIDI connector.

MIDIINconnector

This connector receives MIDI messages.

The MIDI IN connector lets you play the SP-280’s sounds

from an external MIDI device (e.g., MIDI keyboard or se-

quencer). Use a MIDI cable to connect the SP-280’s MIDI IN

connector to your external MIDI device’s MIDI OUT con-

nector.

MIDIOUTconnector

This connector transmits MIDI messages.

The MIDI OUT connector lets you control an external

MIDI device using the MIDI messages transmitted from

the SP-280. Use a MIDI cable to connect the SP-280’s MIDI

OUT connector to your external MIDI device’s MIDI IN

connector.

MIDI function mode

When the SP-280 is turned on, the MIDI parameters are set

to transmission channel 1, all reception channels (1–16),

LocalOnandOmniO.

These settings can be changed from the MIDI function

mode.

Setting procedure for parameters in the MIDI

function mode

1. HolddowntheFUNCTIONbuon.

The PIANO 1 LED lights up, and the MIDI channel set-

ting (C01) appears in the display. The FUNCTION but-

ton is blinking. The FUNCTION LED will blink.

2. Pressthesoundbuoncorrespondingtothedesired

parameter.

Thecurrentseingappearsinthedisplay.

3. Specifythedesiredseing.

4. Afterspecifyingthedesiredsettings,pressthe

FUNCTIONbuontoreturntothemodeforplaying.

TheFUNCTIONLEDturnso.

3

1,4

2

 WhentheSP-280isturnedo,allparametersreturnto

theirdefaultseings.

Changing the MIDI channels

DatacanbetransmiedandreceivedonMIDIchannels1

through 16 (C01–C16).

When the SP-280 is turned on, transmission channel 1 (C01)

is automatically selected.

• AfterenteringtheMIDIfunctionmode,theLEDfor

thePIANO1soundbuonlightsup.

When the MIDI function mode is entered, the MIDI

channelseingnormallyappears.

To specify the MIDI channel setting after changing

other settings in the MIDI function mode, press the

PIANO1buon.

In the Layer or Partner modes, selecting the transmission

channel specifies the channel for layer 1 or the left side

of the keyboard. The transmission channel for layer 2 or

the right side of the keyboard will automatically be set to

the following channel. For example, if MIDI channel 7 is

selected for the sound of layer 1 or the left side of the key-

board,MIDIchannel8willautomaticallybespeciedfor

the sound of layer 2 or the right side of the keyboard. If

MIDI channel 16 is selected for the sound of layer 1 or the

leftsideofthekeyboard,channel1willbespeciedforthe

sound of layer 2 or the right side of the keyboard.

Local On/O

WiththeLocalOnseing,playingtheSP-280’skeyboard

produces the sounds of the performance as well as trans-

mits MIDI data. With the Local Off setting, playing the

SP-280’s keyboard does not produce the sounds of the

performance;MIDIdataisonlytransmied.Normallythis

parameterissettoLocalOn(defaultseing:on).

The Local Off setting should be selected when using the

SP-280 as a master keyboard, for example, to play sounds

from a connected MIDI device (a keyboard, sound module,

etc.). The SP-280 will not produce sound, but the perfor-

mance will be played by the connected MIDI device.

Select the Local Off setting (oFF) when using the SP-280

as a sound module, for example, when the SP-280 is con-

nectedtoasequencerwithitsEchoBackseing(function

that sends back data that the sequencer received) selected

in order to prevent echoing of returned data.

• EntertheMIDIfunctionmode,andthenpressthe

PIANO2buon.

TheLEDforthePIANO2soundbuonlightsup,and

theLocalOn/Oseing(on)appearsinthedisplay.

MIDI

14

Enabling/disabling control change transmission/

reception ltering

Messages, such as operation of the SP-280’s damper pedal,

canbetransmiedtoaconnectedexternalMIDIdeviceto

control it, and these messages can be received from the ex-

ternal MIDI device to control the SP-280.

To transmit/receive control change messages, disable this

function(oFF:defaultseing).Tonottransmit/receivethe

messages, enable this function (on).

• EntertheMIDIfunctionmode,andthenpressthe

E.PIANO2buon.

TheLEDfortheE.PIANO2soundbuonlightsup,and

theseing(oFF)appearsinthedisplay.

Using the SP-280 as a multi-timbral sound module

The SP-280 can operate as a 16-part multi-timbral sound

module when an external MIDI device is used to control

its internal sound generator.

1. ConnectaMIDIcabletotheSP-280’sMIDIINcon-

nectorandtotheMIDIOUTconnectorofasequencer

orotherMIDIdevice.

2. TransmitMIDIdatafromtheconnectedsequenceror

otherMIDIdevice.

For details on transmitting data from the connected

sequencer or other MIDI device, refer to its user’s man-

ual.

3. WhentheSP-280receivestheprogramchangemes-

sagealongwiththeperformancedata,itwillplay

withthesoundcorrespondingtothatprogramnum-

ber.

If the SP-280 is not to be used as a multi-timbral sound

module, disable this function (oFF).

• EntertheMIDIfunctionmode,andthenpressthe

HARPSI/CLAVbuon.

TheLEDfortheHARPSI/CLAVsoundbuonlightsup,

andtheseing(on:defaultseing)appearsinthedis-

play.

Enabling/disabling program change transmis-

sion/reception ltering

The programs on a connected MIDI device can be changed

by sending a MIDI change number from the SP-280. In

addition, the programs on the SP-280 can be changed by

receiving a MIDI change number from a connected MIDI

device.

For program change numbers and their corresponding

sounds, refer to “Table of sounds and corresponding pro-

gram change numbers” below.

To transmit/receive program change messages, disable this

function(oFF:defaultseing).Tonottransmit/receivethe

messages, enable this function (on).

• EntertheMIDIfunctionmode,andthenpressthe

E.PIANO1buon.

TheLEDfortheE.PIANO1soundbuonlightsup,and

theseing(oFF)appearsinthedisplay.

Transmiingprogramchanges

When a sound is selected using the sound buttons and

BANKbuonontheSP-280,thecorrespondingMIDIpro-

gramchangenumberistransmied.

Receivingprogramchanges

When the SP-280 receives a MIDI program change number,

the sound is changed to the corresponding one.

If an incompatible program change number is re-

ceived, the SP-280 sound is not changed.

Tableofsoundsandcorrespondingprogramchange

numbers

CC0: Bank Select (MSB) for all sounds is set to 121.

SoundBuon Bank

CC32 PC

Sound

PIANO1 1 1 0

Classic Piano

2 0 0

Grand Piano

3 0 1

Jazz Piano

PIANO2 1 2 0

Live Piano

2 0 3

Honky-Tonk

3 0 2

Elec.Grand

E.PIANO1 1 0 4

Club E.piano

2 1 4

Vintage E.Piano

3 3 4

Tremoro EP

E.PIANO2 1 0 5

Dig.E.Piano1

2 2 4

60'sE.Piano

3 1 5

Dig.E.Piano2

HARPSI/CLAV 1 0 6

Harpsichord

2 0 7

Clav

3 1 7

Synth Clav

VIBES/

GUITAR

1 0 11

Vibraphone

2 0 12

Marimba

3 0 24

Acoustic Guitar

ORGAN1 1 0 16

Jazz Organ1

2 1 16

Jazz Organ2

3 0 17

Jazz Organ3

ORGAN2 1 0 19

Pipe Organ1

2 1 19

Pipe Organ2

3 2 19

Positive Organ

STRINGS 1 0 48

Strings

2 0 50

Cinema Strings

3 1 50

Analog Strings

CHOIR 1 0 52

Aah Choir

2 1 52

Ooh Voices

3 2 52

Classical Choir

15

Specications

Keyboard NH Keyboard: 88 note (A0–C8)

Touchselection  Light, Normal, Heavy

Pitch

Transpose, Fine tuning

Temperament Nine kinds

Soundgeneration Stereo PCM System

Polyphony 120 notes (max)

Sounds 30 sounds (10 x 3 banks)

Eects Brilliance, Reverb, Chorus (3 levels each)

Demo

30 (Sound demo song x 10, Piano Song x 20)

Metronome

Tempo, Time signature, Accent, sound and Volume

controls

Pedal

Damper pedal (half-pedaling supported) or pedal unit

(sold separately)

Connections

LINE OUT (L/MONO, R) jacks, LINE IN jack,

MIDI (IN, OUT) connectors, Headphone jack ×2,

PEDAL jack, DC 19V jack, Pedal unit

Controls

Power, VOLUME, PIANO SONG, TRANSPOSE,

FUNCTION, TOUCH, BRILLIANCE, REVERB,

CHORUS, BANK, Sound × 10, UP, DOWN,

METRONOME

Amplication

22 W × 2

Sperkers Oval (8 cm x 12 cm) x 2

Powersupply DC 19 V, AC adapter (included)

Powerconsumption 15 W

Dimensions(W × D × H)

1361 × 406 × 785 mm / 53.88 × 15.98 × 30.91 inches

(including Stand, excluding music stand)

Weight 19 kg / 41.89 lbs.

(including Stand, excluding music stand)

Includedaccessories

AC adapter (

), Music stand, Stand, Damper Pedal,

Owner’s Manual

Optionssoldseparately Pedal unit

*Specicationsandappearancearesubjecttochangewith-

out notice for improvement.

Appendix

Troubleshooting

If during use any of the following problems should occur,

carefullyexaminetheinstrumenttoseeifyoucanndout

what the problem is, and try resolving it by following the

suggestions below. If the instrument will still not function

properly refer to your dealer.

The instrument will not turn on

• Check that the AC adapter is correctly connected to the

piano and the outlet.

No sound

• Make sure that the volume is not set on MIN. If it is,

bring it up to an adequate level.

• Make sure that the MIDI Local function is not set on

OFF.Ifitis,setittoON(orturntheinstrumentoand

then on again).

• Make sure there is not a jack plugged into one of the

Headphones jacks. This would turn the internal speak-

erso.ifso,unplugthejack.

Notes are interrupted

• You have exceeded the maximum polyphony. see

“About maximum polyphony.”

The pitch or tone of the piano sounds wrong in some

key regions

• The SP-280’s piano sounds replicate the sound of an

actual piano as faithfully as possible. This means that

in some regions of the keyboard, you may feel that

the overtones seem stronger, or that the tone or pitch

seems wrong. This is not a malfunction.

The connected MIDI device does not respond to trans-

mitted MIDI data

• Make sure that all MIDI cables are correctly connected.

Make sure that the SP-280 is receiving MIDI data on the

same channel as the MIDI device.

About maximum polyphony

If the number of notes being played simultaneously ex-

ceeds the maximum polyphony, some notes will be lost

since the SP-280 is equipped with a mechanism that stops

therstnotebeingplayedtogiveprioritytonotesplayed

with keys pressed later. Some SP-280 sounds, although

they may be a single sound, are generated by two or more

oscillators (one note of a sound-generating circuit). Sounds

using just one oscillator, such as those in banks 1 and 2 of

VIBES/GUITAR, have a maximum polyphony of 120 notes.

Sounds using two oscillators, such as those in banks 1 and

2 of PIANO2 and in banks 1 and 3 of E.PIANO2, have a

maximum polyphony of 60 notes.

120 ÷ Number of sound oscillators = Maximum polyphony

Keep the maximum polyphony in mind and carefully

choose sounds when using Layer mode to play two sounds

simultaneously or when using the damper pedal.

16

Warning

●

The stand must be installed by at least two people.

Installation precautions

Be sure to observe the following precautions in order to

safely and correctly perform the installation.

• Make sure that the correct parts are in the correct ori-

entation and position, and perform the installation in

the order of the steps provided.

Other precautions

Observe the following precautions after the stand has been

installed.

• Loosenedscrews

Since the screws may become loose as time passes af-

ter installation, we recommend periodically checking

for loose screws. In addition, if you feel that the stand

shakes excessively, it may be due to screws becoming

loose. In that case, re-tighten them.

• Whentransportingtheinstrument

Transporting the instrument with the stand installed

may result in unforeseen damage. Remove the stand

from the SP-280, and then transport them separately.

After they have been transported, re-install the stand

as described in “Installing the stand”.

• Removal

Remove the stand by reversing the installation proce-

dure. After removal, store the screws and other parts

so they will not be lost.

Installation procedure

Make sure that all of the following parts are available.

In addition, check if enough of the bolts on the front legs

extend out (14 mm or more), and then install the legs after

adjusting the bolt lengths.

If the bolts are not long enough (less than 14 mm), turn

the adjusters until they reach an appropriate length.

Front leg × 2

Rear leg × 2

Knob bolt A × 2

14 mm or more

OK

NG

Less than 14 mm

Knob bolt B

Brace

Adjusters

Installing the stand

In order to prevent damage to the keyboard or knobs of

the SP-280, prepare some magazines, fabric or moderately

sticushions(seebelow).

1. TurnovertheSP-280.

In order to avoid placing the SP-280 directly on the

oor,placemagazinesorfabricateachendasshown

below, and then place the instrument upside-down on

top of them.

When turning over the SP-280, be careful that it does

not become unbalanced and dropped.

When magazines are used

2. Installthefrontlegs(oneeachontheleftandright).

Screw the front legs (without braces attached) clock-

wise (direction of arrow) into the screw holes on the

keyboard side of the stand base.

Make sure that the adjusters are not loose.

3. Installtherearlegs(oneeachontheleftandright).

Screw the rear legs (with braces attached) clockwise

(direction of arrow) into the screw holes on the back

side of the stand base.

Keyboard side

Rear leg

Front leg

Stand base

Adjusters

4. LoosenknobboltsBforthebracesattachedtothe

rearlegs.

5. Afteradjustingthebracessothatthescrewholeon

theirendscontacttheinstallationpositionsonthe

SP-280,securethebraceendswithknobboltsA.

17

6. TightenknobboltsBforthebracesattachedtothe

rearlegs.

Knob bolt B

of brace

Knob bolt A

7. Checkthesurroundingarea,andthenturnoverthe

SP-280withouthiinganything.

Adjusting front leg clearances to oor

Followtheprocedurebelowtonelyadjusttheclearances

betweenthefrontlegsandtheoorwithin3mm.

1. Turneithertheleftorrightfrontlegcounterclock-

wise(directionofarrow1)alileatatimetoadjust

theclearancebetweenthefrontlegandtheoor.

2. Holdtheadjustedlegsoitdoesnotturn,andthen

turntheadjusteratthetopofthelegclockwise(di-

rectionofarrow2)untilitisrmlysecured.

1

2

Adjusters

Check after installation

• Are any parts left over?

If any parts are left over, carefully review the assembly

procedure to see where those parts should have been

used.

• Make sure that all screws are tight.

Installing optional pedal unit (sold sepa-

rately)

If you purchased pedal unit, continue by installing the

pedal unit.

Makesurethatthepoweroftheunitisturnedowhen

connecting the pedal unit to it.

Connectthepedalcordtotheconnectorontheundersideof

theunitandfastenitwiththecordholder

.

Be sure to connect the pedal cord with the connector in the

correct orientation.

Hold the locking tab while inserting or removing the ped-

al cord.

Cord holder

Keyboard

side

Rear

panel

side

Locking tab

Rear panel side

18

Précautions

Emplacement

L’utilisation de cet instrument dans les endroits sui-

vants peut en entraîner le mauvais fonctionnement.

• En plein soleil

• Endroits très chauds ou très humides

• Endroits sales ou fort poussiéreux

• Endroits soumis à de fortes vibrations

• A proximité de champs magnétiques

Alimentation

Branchez l’adaptateur secteur mentionné à une prise

secteur de tension appropriée. Evitez de brancher

l’adaptateur à une prise de courant dont la tension

ne correspond pas à celle pour laquelle l’appareil est

conçu.

Interférences avec d’autres appa-

reils électriques

Les postes de radio et de télévision situés à proximité

peuventparconséquentsourird’interférencesàla

réception. Veuillez dès lors faire fonctionner cet ap-

pareil à une distance raisonnable de postes de radio

et de télévision.

Maniement

Pour éviter de les endommager, manipulez les com-

mandes et les boutons de cet instrument avec soin.

Entretien

Lorsque l’instrument se salit, nettoyez-le avec un

chionpropreetsec.Nevousservezpasd’agentsde

neoyageliquidestelsquedubenzèneoududiluant,

voiredesproduitsinammables.

Conservez ce manuel

Après avoir lu ce manuel, veuillez le conserver soi-

gneusement pour toute référence ultérieure.

Evitez toute intrusion d’objets ou

de liquide

Ne placez jamais de récipient contenant du liquide

près de l’instrument. Si le liquide se renverse ou

coule, il risque de provoquer des dommages, un

court-circuit ou une électrocution.

Veillez à ne pas laisser tomber des objets métalliques

dans le boîtier (trombones, par ex.). Si cela se produit,

débranchez l’alimentation de la prise de courant et

contactez votre revendeur korg le plus proche ou la

surface où vous avez acheté l’instrument.

* Tous les noms de produits et de sociétés sont des

marques commerciales ou déposées de leur déten-

teur respectif.

REMARQUE IMPORTANTE POUR LES CLIENTS

Ceproduitaétéfabriquésuivantdesspécicationssévèreset

des besoins en tension applicables dans le pays où ce produit

doit être utilisé. Si vous avez acheté ce produit via l’internet,

par vente par correspondance ou/et vente par téléphone, vous

devezvérierqueceproduitestbienutilisabledanslepays

où vous résidez.

ATTENTION: L’utilisation de ce produit dans un pays autre

que celui pour lequel il a été conçu peut être dangereuse et

annulera la garantie du fabricant ou du distributeur. Conser-

vez bien votre récépissé qui est la preuve de votre achat, faute

de quoi votre produit ne risque de ne plus être couvert par la

garantie du fabricant ou du distributeur.

Note concernant les dispositions (Seulement EU)

Quand un symbole avec une poubelle barrée d’une

croix apparait sur le produit, le mode d’emploi, les piles

oulepackdepiles,celasigniequeceproduit,manuel

ou piles doit être déposé chez un représentant compé-

tent, et non pas dans une poubelle ou toute autre dé-

cheerieconventionnelle.Disposerdeceemanière,de

prévenir les dommages pour la santé humaine et les dom-

mages potentiels pour l’environnement. La bonne méthode

d’élimination dépendra des lois et règlements applicables

dans votre localité, s’il vous plaît, contactez votre organisme

administratif pour plus de détails. Si la pile contient des mé-

taux lourds au-delà du seuil réglementé, un symbole chimique

estachéendessousdusymboledelapoubellebarréed’une

croix sur la pile ou le pack de piles.

19

Introduction

Principales caractéristiques

Trente timbres de qualité superbe

LeSP-280ore30sons(ou“timbres”)pleinsd’expressionetde

qualitéépoustouante,dontunsonstéréodepianoàqueuede

concert. Le mode Layer permet de jouer simultanément deux

timbres et le mode Partner permet à deux personnes de jouer sur

une moitié du clavier en utilisant la même plage de notes.

Eets

LeSP-280comporte3eetsnumériques.Ceseetspermeentde

régler la brillance du son (Brilliance), de simuler l’environnement

acoustique d’une salle de concert (Reverb) et de rendre le son plus

ample (Chorus).

Pédale d’eets

La pédale Damper fournie avec l’instrument permet de produire

lemêmeeetdepédaleforte(Damper)quesurunpianoacous-

tique.L’utilisationdelapédalefortepermetd’ajouteruneetde

résonance au son de piano classique et de piano à queue (banque

1etbanque2dePiano1).LapédaleDamperoreenoutreune

fonction mi-pédale qui permet d’appliquer une résonance gra-

duelle selon la pression exercée sur la pédale.

Outrel’eetdepédaleDamper,lepédalier(disponibleenoption)

permetd’utiliserdeseetsdepédaledouceetdepédaledesoutien.

Métronome

Le métronome intégré vous permet de spécifier la mesure, le

tempo et le volume, et vous permet aussi d’employer le son d’une

cloche comme accent.

Fonction de réglage du toucher

La réponse dynamique du clavier est une des caractéristiques les

plus importantes d’un piano, et le SP-280 vous permet de choisir

parmitroistypesdiérentsderéponsedynamique.

Tempéraments

Afin de garantir un jeu authentique dans un vaste éventail de

styles musicaux, le SP-280 vous permet de choisir parmi neuf tem-

péraments, comprenant la gamme tempérée, les tempéraments

purs (majeur et mineur), les tempéraments classiques (Kirnberger

et Werckmeister) ainsi que des tempéraments utilisés dans la

musique traditionnelle d’Inde et du Moyen-Orient. Quand vous

choisissez un son de piano acoustique, l’accord étendu utilisé sur

les pianos est automatiquement sélectionné.

Réglage de la hauteur

LafonctionTransposepermetdemodierlahauteurdutimbre,

tandisquelafonctionPitchControlpermetd’eectuerunaccor-

dagen.

Deux prises pour casque

Les deux prises pour casque (une sur la face avant et une sur la

facearrièreduSP-280)permeentàdeuxpersonnesl’écoutesi-

multanée.

Prises LINE IN/LINE OUT

Quand vous reliez un dispositif audio ou un autre instrument

de musique électronique à la prise LINE IN, le son de l’appareil

connecté est reproduit sur les enceintes du SP-280. En outre, vous

pouvez connecter des retours actifs ou un système d’enregistre-

ment via les prises LINE OUT.

Caractéristiques MIDI

Le SP-280 supporte le protocole MIDI, c’est à dire un protocole

standard qui permet d’échanger des données musicales entre

instruments musicaux et ordinateurs. Le protocole MIDI permet à

deux dispositifs (ou plus) de piloter ou d’être pilotés l’un l’autre ;

le SP-280 peut ainsi fonctionner comme un générateur sonore à 16

parties multitimbres.

Table des matières

Introduction ------------------------------------ 19

Principales caractéristiques -------------------- 19

Parties et leurs fonctions ----------------- 20

Préparatifs et écoute des

morceaux de démonstration

------------- 21

Avant de commencer à jouer ------------------- 21

Écoute des morceaux de démonstration

---- 22

Utilisation du SP-280 pour la lecture -- 23

Jouer un timbre (mode Single) ----------------- 23

Jouer deux timbres à la fois (mode Layer)

-- 23

Jouer à deux (mode Partner)

------------------- 24

Utilisation de pédales

---------------------------- 24

Eets

------------------------------------------------- 24

Le métronome

-------------------------------------- 25

Fonctionnalités supplémentaires ------- 26

Réglage du toucher ------------------------------- 26

Fonction Transpose

------------------------------- 26

Mode de fonctions

-------------------------------- 26

MIDI ----------------------------------------------- 29

Le MIDI, qu’est-ce que c’est ? ----------------- 29

Que peut-on faire avec le MIDI?

-------------- 29

Connexions

----------------------------------------- 29

Mode MIDI

------------------------------------------ 29

Appendice -------------------------------------- 31

Problèmes et solutions--------------------------- 31

Spécications

-------------------------------------- 31

Monter le stand ------------------------------- 32

Précautions à observer pour le montage --- 32

Précautions supplémentaires

------------------ 32

Procédure de montage

-------------------------- 32

Équilibrage des pieds avant

-------------------- 33

À vérier après le montage

--------------------- 33

Installer le pédalier (disponible en option)

-- 33

MIDI Implementation Chart --------------- 99

20

12. Boutonsdetimbres:Ces boutons permettent de choisir

parmi les 30 timbres disponibles (10 × 3 banques). Vous pou-

vez enfoncer deux boutons pour jouer simultanément deux

timbres (en mode Layer, aussi appelé “mode de superposi-

tion”).

13. É c r a n :  Affiche les réglages, comme par exemple ceux du

mode de fonctions et du métronome.

14. BoutonsUP/DOWN:Ces boutons permettent de régler les

valeurs des divers paramètres.

15. BoutonettémoinMETRONOME:Ce bouton sert à activer/

arrêter le métronome. Quand vous utilisez le métronome, le

témoins'allume.Enoutre,vouspouvezmaintenircebouton

enfoncé pour activer le mode de réglage du métronome et ré-

gler divers paramètres.

16. Orificesdemontagedustand:Ces orifices permettent de

monter l’instrument sur le stand fourni.

17. PrisesMIDI(IN,OUT):Bornes pour connecter des disposi-

tifs tels que séquenceurs, claviers, etc..

OUT:

Sortie des données (à connecter à la borne MIDI IN

d’un autre dispositif MIDI).

IN:

Entrée de données (à connecter la borne MIDI OUT

d’un autre dispositif MIDI).

18. PrisePEDAL:CeeprisesertàbrancherlapédaleDamper

fournie.

19. PrisesLINEOUT(L/MONO,R):Sorties Audio. Un système

d’amplicationexternepeutêtrebranchéàcesbornes.(Avec

unsystèmehi-,utilisezlesbornesAUXouLINEIN).Pour

ampliervotreSP-280enmono,branchez-vousàlabornein-

dividuelle L/MONO. Pour réglez le volume de sortie, utilisez

le commande VOLUME.

20. PriseLINEIN:Ceepriseminijackstéréopermetdebran-

cher une source audio. Reliez cette prise à la sortie audio

(sortie AUX) d’une chaîne hifi ou d’un autre instrument de

musique électronique.

Réglez le volume du signal d’entrée sur le dispositif connecté.

21. Prisepourcasque(PHONES):Branchez un casque d’écoute

dotéd’unecheminijackstéréoàceeprise.Laprisepour

casque sur le panneau avant du SP-280 produit le même si-

gnal.

Quandvousbranchezuncasqueàceeprise,lesenceintes

de l’instrument ne produisent aucun son.

22. PriseDC19V: Branchez ici l’adaptateur secteur fourni.

1

2

12

14

3

13

546

8710

11

9

15

Panneau avant

Panneau arrière

20

19 22

21

16

17

18

1. Prisepourcasque( )[panneauavantduSP-280]:Branchez

un casque d’écoute doté d’une fiche minijack stéréo à cette

prise. La prise pour casque sur le panneau arrière du SP-280

produit le même signal. Quand vous branchez un casque à

ceeprise,lesenceintesdel’instrumentneproduisentaucun

son.

2. Interrupteurd’alimentation:Cet interrupteur permet de

mereleSP-280soustensionethorstension.

3. CommandeVOLUME:Règle le volume des haut-parleurs, et

des bornes Output et Phones.

4. BoutonettémoinPIANOSONG:Ce bouton permet d’acti-

ver le mode de morceau de piano. Quand ce mode est actif,

le témoin s’allume. Vous pouvez enfoncer simultanément ce

bouton et le bouton TRANSPOSE pour activer le mode des

morceaux de démonstration de timbres.

5. BoutonettémoinTRANSPOSE:Ce bouton permet de régler

la transposition. Quand vous utilisez la fonction de trans-

position, ce témoin s’allume. Vous pouvez enfoncer simulta-

nément ce bouton et le bouton PIANO SONG pour activer le

mode des morceaux de démonstration de timbres.

6. BoutonettémoinFUNCTION:Ce bouton permet d’activer

le mode de fonctions (Function) et de régler la hauteur, le

tempérament et d’autres paramètres. Maintenez ce bouton

enfoncé pour activer le mode MIDI et régler les paramètres

MIDI. La diode s’allume quand le mode de fonctions du SP-

280 est actif et clignote quand il est en mode MIDI.

7. BoutonTOUCH:Sélectionne la courbe de dynamique du

toucher du clavier.

8. BoutonBRILLIANCE:Ce bouton permet de régler la

brillance du son.

9. BoutonettémoinREVERB:Ce bouton sert à activer/couper

l’eetderéverbération,utilisépourrecréerdiversenvironne-

mentsacoustiques.Quandl’eetestactivé,letémoins’allume.

10. BoutonettémoinCHORUS:Ce bouton sert à activer/couper

l’eetdechorus,utilisépourrendrelesonplusample.Quand

l’eetestactivé,letémoins’allume.

11. BoutonettémoinBANK:Ce bouton permet de choisir la

banque de timbres voulue. Le témoin de la banque active s’al-

lume.

Parties et leurs fonctions

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Korg SP-280 取扱説明書

Korg SP-280 取扱説明書

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