Yamaha PSR-S670 ユーザーマニュアル

This Reference Manual explains advanced features of the PSR-S670.

Please read the Owner’s Manual first, before reading this Reference Manual.

Digital Workstation

Reference Manual

EN

Manual Development Department

Published 05/2015 PO-A0

2 PSR-S670 Reference Manual

Table of Contents

1Voices 3

Voice Types (Characteristics) ............................................ 3

Selecting GM, XG and GM2 Voices................................... 4

Making Detailed Settings for Harmony/Arpeggio ............... 5

Pitch-Related Settings ....................................................... 6

Editing Parameters Assigned to the LIVE CONTROL

Knobs................................................................................. 9

Editing Voices (Voice Set) ............................................... 12

Disabling Automatic Selection of Voice Sets

(Effects, etc.).................................................................... 16

Changing detailed Voice settings (Touch Response,

Sustain, Mono/Poly)......................................................... 17

Adding New Contents—Expansion Packs....................... 18

2Styles 20

Chord Fingering Types .................................................... 21

Style Playback Related Settings ...................................... 23

Memorizing Original Settings to One Touch Setting ........ 25

Creating/Editing Styles (Style Creator) ............................ 26

3Songs43

Editing Music Notation (Score) Settings .......................... 43

Editing Lyrics/Text Display Settings................................. 45

Using the Auto Accompaniment Features with Song

Playback .......................................................................... 46

Song Playback Related Parameters (Guide Function,

Channel settings, Repeat settings) .................................. 47

Creating/Editing Songs (Song Creator) ........................... 50

4 USB Audio Player/Recorder 56

5 Multi Pads 56

Creating Multi Pads (Multi Pad Creator) .......................... 56

Editing Multi Pads ............................................................ 58

6 Music Finder 60

Creating a Set of Favorite Records.................................. 60

Editing Records................................................................ 61

Saving the Records as a Single File ................................ 63

7Registration Memory 64

Editing the Registration Memory...................................... 64

Disabling Recall of Specific Items (Freeze) ..................... 65

Calling Up Registration Memory Numbers in Order

(Registration Sequence) .................................................. 66

8 Mixing Console 69

Editing VOL/VOICE Parameters ...................................... 69

Editing FILTER Parameters ............................................. 70

Editing TUNE Parameters................................................ 71

Editing EFFECT Parameters ........................................... 72

Editing MEQ (Master Equalizer) Parameters................... 75

Editing Master Compressor (CMP) Parameters .............. 76

Block Diagram.................................................................. 78

9 Connections 79

Footswitch/Foot Controller Settings ................................. 79

MIDI Settings ................................................................... 82

Connecting with an iPhone/iPad via Wireless LAN.......... 88

10 Function 90

UTILITY............................................................................ 90

SYSTEM .......................................................................... 94

Index 97

Each chapter in this Reference Manual corresponds to the relevant chapters in the Owner’s Manual.

• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat dif-

ferent from those on your instrument.

• The “Data List” and “iPhone/iPad Connection Manual” documents can be downloaded from the Yamaha website:

http://download.yamaha.com/

• The company names and product names in this manual are the trademarks or registered trademarks of their respective compa-

nies.

Using the PDF manual

• To quickly jump to items and topics of interest, click on the desired items in the “Bookmarks” index to the left

of the main display window. (Click the “Bookmarks” tab to open the index if it is not displayed.)

• Click the page numbers that appear in this manual to go directly to the corresponding page.

• Select “Find” or “Search” from the Adobe Reader “Edit” menu and enter a keyword to locate related informa-

tion anywhere in the document.

NOTE The names and positions of menu items may vary according to the version of Adobe Reader being used.

1

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Voices

Contents

Voice Types (Characteristics) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Selecting GM, XG and GM2 Voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Making Detailed Settings for Harmony/Arpeggio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Pitch-Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

• Fine-tuning the Pitch of the Entire Instrument . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

• Scale Tuning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

• Changing the Part Assignment of the TRANSPOSE Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Editing Parameters Assig ned to the LIVE CONTROL Knobs . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Editing Voices (Voice Set) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

• Editable Parameters in the VOICE SET Displays. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Disabling Automatic Selection of Voice Sets (Effects, etc.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Changing detailed Voice settings (Touch Response, Sustain, Mono/Poly) . . . . . . . . . . . . . . . 17

Adding New Contents—Expansion Packs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

• Installing the Expansion Pack data from the USB Flash Drive. . . . . . . . . . . . . . . . . . . . . . . . . . . .18

• Uninstalling the Expansion Pack data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

• Saving the Instrument Info File to the USB Flash Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

The particular type of Voice is indicated at the upper left of the Voice name in the Voice Selection display.

The defining characteristics of these Voices and their performance advantages are described below.

Voice Types (Characteristics)

Live! These acoustic instrument sounds were sampled in stereo, to produce a truly

authentic, rich sound—full of atmosphere and ambience.

Cool! These Voices use sophisticated programming to capture the dynamic textures

and subtle nuances of electric instruments.

Sweet! These acoustic instrument sounds also benefit from Yamaha’s sophisticated

technology—and feature a finely detailed and natural sound.

MegaVoice These Voices make special use of velocity switching. Each velocity range (the

measure of your playing strength) has a completely different sound.

For example, a guitar MegaVoice includes the sounds of various performance

techniques. In conventional instruments, different Voices having those sounds

would be called up via MIDI and played in combination to achieve the desired

effect. However, now with MegaVoices, a convincing guitar part can be played

with just a single Voice, using specific velocity values to play the desired

sounds. Because of the complex nature of these Voices and the precise veloci-

ties need to play the sounds, they’re not intended for playing from the key-

board. They are, however, very useful and convenient when creating MIDI

data—especially when you want to avoid using several different Voices just for

a single instrument part.

Actual sound maps for the MegaVoices are provided in the “Mega Voices

Map” in the Data List on the website.

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Voices

NOTE MegaVoices are not compatible with other instrument models. For this reason, any Song or Style you’ve created on this instrument using these Voices

will not sound properly when played back on the instruments which do not have these types of Voices.

NOTE MegaVoices sound differently depending on keyboard range, velocity, touch, etc. Hence, if you turn on the [HARMONY/ARPEGGIO] button, change the

transpose setting or change the Voice Set parameters, unexpected or undesired sounds may result.

For a list of preset Voices of this instrument, refer to the “Voice List” in the Data List on the website.

This instrument features Voices provided specially for XG/GM compatibility. These Voices cannot be called

up directly from the VOICE category selection buttons. However, they can be called up as described below.

1 Press one of the VOICE category selection buttons (other than the [EXPANSION/

USER] button) to call up the Voice Selection display.

2 Press the [8 ] (UP) button to call up the Voice categories.

3 Use the Cursor buttons [][][E][F] to select the “GM&XG” (P1) or “GM2” (P2)

folder, then press the [ENTER] button.

4 Use the Cursor buttons [][][E][F] to select the desired Voice category folder, then

press the [ENTER] button.

5 Use the Cursor buttons [][][E][F] to select the desired Voice, then press the

[ENTER] button.

Drums Various drum and percussion sounds are assigned to individual keys, letting

you play the sounds from the keyboard. For information about what sound is

assigned to each key, refer to the “Drum/SFX Kit List” in the Data List on the

website.

SFX Various special effect sounds and percussion sounds are assigned to individual

keys, letting you play the sounds from the keyboard. For information about

what sound is assigned to each key, refer to the “Drum/SFX Kit List” in the

Data List on the website.

Selecting GM, XG and GM2 Voices

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Voices

This lets you make detailed settings, including volume level.

1 Call up the operation display.

[FUNCTION]  TA B [E] MENU 1  Cursor buttons [][][E][F] HARMONY/ARPEGGIO 

[ENTER]

2 Select the desired Harmony/Arpeggio category and type by using the [1 ]–[6 ]

buttons.

3 Use the [7 ] (DETAIL) buttons to call up the detailed setting window.

4 Use the [3 ]–[8 ] buttons to make various Harmony/Arpeggio settings.

Making Detailed Settings for Harmony/Arpeggio

3

2

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When any one of the Arpeggio types is selected, only the parameters indicated by “*” in the list below can

be set. None of the parameters in the list below are available when the Harmony category “Multi Assign”

type is selected.

NOTE The settings for the Arpeggio Quantize function and the Arpeggio Hold function can be made on the display called up via [FUNCTION]  TAB [E]

MENU 1  Cursor buttons [][][E][F] UTILITY  [ENTER]  TAB [E ][F] CONFIG 2 (page 92).

Fine-tuning the Pitch of the Entire Instrument

You can fine-tune the pitch of the entire instrument such as keyboard, Style and Song parts (except the

keyboard part played by the Drum Kit or SFX Kit Voices, and audio playback)—a useful feature when

playing the PSR-S670 along with other instruments or CD music.

1 Call up the operation display.

[FUNCTION]



TAB [

E

] MENU 1



Cursor buttons

[][][E][F]

MASTER TUNE/SCALE TUNE



[ENTER]



TAB [

E

] MASTER TUNE

2 Use the [4 ]/[5 ] buttons to set the tuning in 0.2 Hz steps.

Press both [] and [] buttons (of 4 or 5) simultaneously to reset the value to the factory setting of 440.0

Hz.

[3 ] VOLUME* Determines the volume level of the Harmony/Arpeggio notes generated

by the Harmony/Arpeggio function.

NOTE When you are using certain Voices, such as Organ Voices, in which the TOUCH SENSE DEPTH is

set to 0 in the VOICE SET display (page 16), the volume does not change.

[4 ]/

[5 ]

ASSIGN* Determines the keyboard part to which the effect is assigned.

AUTO: Applies the effect to the part (RIGHT 1/2) for which PART ON/

OFF is on. If the Harmony/Echo category is selected, the RIGHT 1

part is given priority over the RIGHT 2 part when both parts are on.

MULTI: This parameter is available when the Harmony/Echo category is

selected. When both parts are on, the note played on the keyboard is

sounded by the RIGHT 1 part and the harmonies (effect) are divided to

the RIGHT 1 and RIGHT 2 parts. When only one part is on, the note

played on the keyboard and effect are sounded by that part.

RIGHT1, RIGHT2: Applies the effect to the selected part (RIGHT 1 or

RIGHT 2).

[6 ] SPEED This parameter is only available when the “Echo” category (Echo, Trem-

olo, or Trill) is selected. It determines the speed of the Echo, Tremolo, and

Trill effects.

[7 ] CHORD NOTE

ONLY

This parameter is only available when the “Harmony” category is

selected. When this is set to “ON,” the Harmony effect is applied only to

the note (played in the right-hand section of the keyboard) that belongs to

a chord played in the chord section of the keyboard.

[8 ] TOUCH LIMIT It determines the lowest velocity value at which the harmony, echo, trem-

olo, or trill will sound. This allows you to selectively apply the harmony

by your playing strength, letting you create harmony accents in the mel-

ody. The harmony, echo, tremolo, or trill effect is applied when you play

the key strongly (above the set value).

Pitch-Related Settings

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Voices

Scale Tuning

You can select various scales for playing in custom tunings for specific historical periods or music genres.

1 Call up the operation display.

[FUNCTION]



TAB [

E

] MENU 1



Cursor buttons

[][][E][F]

MASTER TUNE/SCALE TUNE



[ENTER]



TAB [

F

] SCALE TUNE

2 Use the [1 ] buttons to select the desired scale, then press the [ENTER] button.

 Preset Scale types

EQUAL

The pitch range of each octave is divided equally into twelve parts, with each half-

step evenly spaced in pitch. This is the most commonly used tuning in music today.

PURE MAJOR, PURE

MINOR

These tunings preserve the pure mathematical intervals of each scale, especially for

triad chords (root, third, fifth). You can hear this best in actual vocal harmonies—

such as choirs and a cappella singing.

PYTHAGOREAN

This scale was devised by the famous Greek philosopher and is created from a

series of perfect fifths, which are collapsed into a single octave. The 3rd in this tun-

ing are slightly unstable, but the 4th and 5th are beautiful and suitable for some

leads.

MEAN-TONE

This scale was created as an improvement on the Pythagorean scale, by making the

major third interval more “in tune.” It was especially popular from the 16th century

to the 18th century. Handel, among others, used this scale.

WERCKMEISTER,

KIRNBERGER

This composite scale combines the Werckmeister and Kirnberger systems, which

were themselves improvements on the mean-tone and Pythagorean scales. The

main feature of this scale is that each key has its own unique character. The scale

was used extensively during the time of Bach and Beethoven, and even now it is

often used when performing period music on the harpsichord.

ARABIC1, ARABIC2

Use these tunings when playing Arabic music.

3

2

The tuning of each note for

the currently selected scale

is shown.

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Voices

3 Change the following settings as necessary.

NOTE To register the Scale Tune settings to Registration Memory, be sure to checkmark the SCALE item in the REGISTRATION MEMORY CONTENTS display

called up via the [MEMORY] button.

Changing the Part Assignment of the TRANSPOSE Buttons

You can determine to which parts the TRANSPOSE [-]/[+] buttons are applied.

1 Call up the operation display.

[FUNCTION]  TAB [ E] MENU 1  Cursor buttons [][][E][F] CONTROLLER  [ENTER] 

TAB [F] KEYBOARD/PANEL

2 Use the Cursor button [] to select “3 TRANSPOSE ASSIGN.”

3 Press the [4 ]/[5 ] buttons to select the desired part assignment.

The assignment can be confirmed by the pop-up display called up via the TRANSPOSE [-]/[+] buttons.

[2 ] BASE NOTE Determines the base note for each scale. When the base note is changed,

the pitch of the keyboard is transposed, yet maintains the original pitch

relationship between the notes.

[3 ]/

[4 ]

TUNE Select the desired note to be tuned by using the [3 ] buttons and tune

it in cents by using the [4 ] buttons.

NOTE In musical terms a “cent” is 1/100th of a semitone. (100 cents equal one semitone.)

[5 ]–

[8 ]

PART SELECT Determines whether the Scale Tune setting is applied to each part or not.

KEYBOARD The TRANSPOSE [-]/[+] buttons affect the pitch of keyboard played Voices,

Style playback (controlled by the performance in the chord section of the key-

board), and Multi Pad playback (when Chord Match is on, and left-hand chords

are indicated)—but they do not affect Song playback.

SONG The TRANSPOSE [-]/[+] buttons affect only the pitch of Song playback.

MASTER The TRANSPOSE [-]/[+] buttons affect the overall pitch of the instrument,

except audio playback.

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Voices

The eight combinations of functions assigned to the LIVE CONTROL knobs are provided by default,

however, you can change the functions as desired from a variety of options.

1 Press the [ASSIGN] button to call up the LIVE CONTROL display.

2 Use the Cursor buttons [][] to select the number (row) of the functions you want to

change.

3 Press one of the [7 ]/[8 ] (ASSIGN) buttons to call up the PARAMETER

ASSIGN window.

4 Use the [1 ]–[4 ] buttons (for knob 1) and the [5 ]–[8 ] buttons (for

knob 2) to select the functions to be assigned.

For information on available functions, see pages 10–11.

5 Press the [EXIT] button to close the PARAMETER ASSIGN window.

6 If necessary, repeat steps 2–5 to change the functions for other numbers.

NOTE The settings here are maintained even when you turn off the power.

NOTE Depending on the panel settings or how you move the knob, you may not notice any change to the parameter value, or the knob may not work properly,

even if you rotate it.

Editing Parameters Assigned to the LIVE CONTROL Knobs

3

2

4

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Voices

 Assignable Knob Functions

Voice/Filter/Cut/R1,R2 Adjusts the cutoff frequency of the filter for the RIGHT 1 and 2 parts. Rotating

the knob to the right makes the sound brighter.

Voice/Filter/Res/R1,R2 Adjusts the resonance of the filter for the RIGHT 1 and 2 parts. Rotating the

knob to the right makes the sound more pronounced.

Voice/Filter/R1,R2 Adjusts the cutoff frequency of the filter and the resonance for the RIGHT 1

and/or 2 parts to change the timbre or tone of the sound.

Voice/Filter/R1

Voice/Filter/R2

Voice/Attack/R1,R2 Adjusts the length of time until the RIGHT 1 and/or 2 parts reach their maxi-

mum level after the key is played. Rotating the knob to the right increases it.

Voice/Attack/R1

Voice/Attack/R2

Voice/Release/R1,R2 Adjusts the length of time until the RIGHT 1 and/or 2 parts decay to silence

after the key is released. Rotating the knob to the right increases it.

Voice/Release/R1

Voice/Release/R2

Voice/Effect/Rev/R1,R2 Adjusts the Reverb depth for the RIGHT 1 and 2 parts. Rotating the knob to the

right makes it deeper.

Voice/Effect/Cho/R1,R2 Adjusts the Chorus depth for the RIGHT 1 and 2 parts. Rotating the knob to the

right makes it deeper.

Voice/Effect/Rev,Cho/R1 Adjusts both the Reverb depth and Chorus depth for the RIGHT 1 or 2 part.

Rotating the knob to the right makes it deeper.

Voice/Effect/Rev,Cho/R2

Voice/Balance/R1,R2 Adjusts the volume balance between the RIGHT 1 and 2 parts. Rotating the

knob to the left increases the RIGHT 1 volume, while rotating it to the right

increases the RIGHT 2 volume.

Voice/Arp/Velocity Adjusts the volume of Arpeggio. Rotating the knob to the right increases it.

Voice/Arp/GateTime Adjusts the length of each note of Arpeggio. Rotating the knob to the right

increases it.

Voice/Arp/UnitMultiply Adjust the speed of Arpeggio. Rotating the knob to the right makes it faster.

Style/Filter/Cutoff Adjusts the cutoff frequency of the filter for the Style. Rotating the knob to the

right makes the sound brighter.

Style/Filter/Resonance Adjusts the resonance of the filter for the Style. Rotating the knob to the right

makes the sound more pronounced.

Style/Filter/Res,Cutoff Adjusts the cutoff frequency of the filter and the resonance for the Style to

change the timbre or tone of the sound.

Style/Effect/Reverb Adjusts the Reverb depth for the Style. Rotating the knob to the right makes it

deeper.

Style/Effect/Chorus Adjusts the Chorus depth for the Style. Rotating the knob to the right makes it

deeper.

Style/Effect/Rev,Cho Adjusts both the Reverb and Chorus depth for the Style. Rotating the knob to the

right makes it deeper.

Style/Retrig/Rate Adjusts the Style Retrigger length. The first part of the current Style is repeated

in the specified length. Rotating the knob to the right decreases it.

Style/Retrig/OnOff Turns the Style Retrigger function on/off. Rotating the knob to the right turns it

on, while rotating it to the left turns it off.

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Voices

Style/Retrig/OnOff,Rate Turns the Style Retrigger function on/off and adjusts its length. Rotating the

knob to the left-most turns the function off; rotating it to the right turns the func-

tion on and decreases the length.

Style/Track-Mute A Turns playback of the Style channels on/off. Rotating the knob to the left-most

position turns on only the Rhythm 2 channel, and the other channels are turned

off. By rotating the knob clockwise from that position, channels are turned on in

the order of Rhythm 1, Bass, Chord 1, Chord 2, Pad, Phrase 1, Phrase 2, and all

channels are turned on when the knob reaches to the right-most position. Turn-

ing the channels on/off lets you easily change the rhythmic feel.

Style/Track-Mute B Turns playback of the Style channels on/off. Rotating the knob to the left-most

position turns on only the Chord 1 channel, and the other channels are turned

off. By rotating the knob clockwise from that position, channels are turned on in

the order of Chord 2, Pad, Bass, Phrase 1, Phrase 2, Rhythm 1, Rhythm 2, and

all channels are turned on when the knob reaches to the right-most position.

Turning on/off the channels lets you easily change the rhythmic feel.

Audio/Volume Controls the Audio playback volume. As you rotate the knob to the right, it

increases.

AUX/Volume Controls the input volume from the [AUX IN] jack. Rotating the knob to the

right increases it.

Balance/Voice,Style Adjusts the volume balance between the Voice and Style playback. Rotating the

knob to the left increases the Style volume, while rotating it to the right

increases the Voice volume.

Balance/Style,M.Pad Adjusts the volume balance between the Style and Multi Pad playback. Rotating

the knob to the left increases the Style volume, while rotating it to the right

increases the Multi Pad volume.

Balance/Audio,AUX Adjusts the volume balance between the Audio playback and sound input from

the [AUX IN] jack. Rotating the knob to the left increases the Audio playback

volume, while rotating it to the right increases the input volume from the [AUX

IN] jack.

Balance/Song,Audio Adjusts the volume balance between the Song and Audio playback. Rotating the

knob to the left increases the Song volume, while rotating it to the right

increases the Audio (USB Audio Player) volume.

Balance/Song,AUX Adjusts the volume balance between the Song playback and sound input from

the [AUX IN] jack. Rotating the knob to the left increases the Song playback

volume, while rotating it to the right increases the input volume from the [AUX

IN] jack.

Balance/MIDI,AudioAUX Adjusts the volume balance between the playback of MIDI data (Song, Style,

Multi Pad) and Audio (USB Audio Player and input from the [AUX IN] jack).

Rotating the knob to the left increases the MIDI volume, while rotating it to the

right increases the Audio volume.

Filter/Voice,Style Adjusts the cutoff frequency of the filter and the resonance for all keyboard

parts and the Style to change the timbre or tone of the sound.

Reverb/Voice,Style Adjusts the Reverb depth for all keyboard parts and the Style. Rotating the knob

to the right makes it deeper.

Chorus/Voice,Style Adjusts the Chorus depth for all keyboard parts and the Style. Rotating the knob

to the right makes it deeper.

Master Tempo Changes the tempo of the currently selected Style or Song. Rotating the knob to

the left makes it slower, while rotating it to the right makes it faster. Setting

range is from 50% of the default tempo value to 150%.

<No Assign> No function is assigned.

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The Voice Set function allows you to create your own Voices by editing some parameters of the existing

Voices. Once you’ve created a Voice, you can save it as a file to internal memory (USER drive) or a USB

flash drive for future recall.

1 Select the desired Voice.

2 In the Voice Selection display, press the [5 ] (VOICE SET) button of MENU 1 to call

up the VOICE SET display.

3 Use the TAB [E][F] buttons to call up the relevant setting page.

For information on the available parameters in each page, see the “Editable Parameters in the VOICE SET

Displays” on page 13.

4 As necessary, use the Cursor buttons [][] to select the item (parameter) to be

edited and edit the Voice by using the [1 ]–[7 ] buttons.

By pressing the [8 ] (COMPARE) button, you can compare the sound of the edited Voice with the

original (unedited) Voice.

5 Press the [8 ] (SAVE) button to save your edited Voice.

For details on the Save operation, refer to “Basic Operations” in the Owner’s Manual.

NOTICE

The settings will be lost if you select another Voice or turn off the power to the instrument without carrying out the Save operation.

Editing Voices (Voice Set)

4

5

3

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Voices

Editable Parameters in the VOICE SET Displays

The Voice Set parameters are organized into five different pages. The parameters in each page are described

separately, below.

NOTE The available parameters differ depending on the Voice.

 COMMON Page

[1 ] VOLUME Adjusts the volume of the current edited Voice.

[2 ]/

[3 ]

TOUCH SENSE Adjusts the touch sensitivity (velocity sensitivity), or how greatly the vol-

ume responds to your playing strength.

DEPTH: Determines the velocity sensitivity, or how much the level of the

Voice changes in response to your playing strength (velocity).

OFFSET: Determines the amount by which received velocities are

adjusted for the actual velocity effect.

[4 ]/

[5 ]

PART OCTAVE Shifts the octave range of the edited Voice up or down in octaves. When

the edited Voice is used as any of the RIGHT 1–2 parts, the R1/R2 param-

eter is available; when the edited Voice is used as the LEFT part, the

LEFT parameter is available.

[6 ] MONO/POLY Determines whether the edited Voice is played monophonically (MONO)

or polyphonically (POLY).

[7 ] PORTAMENTO

TIME

Determines the pitch transition time when the edited Voice is set to

MONO above.

NOTE Portamento is a function that creates a smooth transition in pitch from the first note played on the

keyboard to the next.

0

64 127

64

127

0

64 127

64

127

Actual Velocity for

tone generator

Depth = 127 (twice)

Depth = 64 (normal)

Depth = 32 (half)

Depth = 0

TOUCH SENSE DEPTH

Changes to velocity curve according to

VelDepth (with Offset set to 64)

Received Velocity

(Actual KeyOn speed)

TOUCH SENSE OFFSET

Changes to velocity curve according to

VelOffset (with Depth set to 64)

Actual Velocity for

tone generator

Received Velocity

(Actual KeyOn

speed)

Offset = 96 (+64)

Offset = 127 (+127)

Offset = 64 (normal)

Offset = 32 (-64)

Offset = 0 (-127)

Depends

on offset

Depends

on offset

14 PSR-S670 Reference Manual

1

Voices

 CONTROLLER Page

MODULATION

The [MODULATION] wheel can be used to modulate the parameters below as well as the pitch (vibrato).

Here, you can set the degree to which the [MODULATION] wheel modulates each of the following

parameters.

 SOUND Page

1 FILTER/EG

• FILTER

Filter is a processor that changes the timbre or tone of a sound by either blocking or passing a specific

frequency range. The parameters below determine the overall timbre of the sound by boosting or cutting a

certain frequency range. In addition to making the sound either brighter or mellower, Filter can be used to

produce electronic, synthesizer-like effects.

• EG

The EG (Envelope Generator) settings determine how the level of the

sound changes in time. This lets you reproduce many sound

characteristics of natural acoustic instruments—such as the quick

attack and decay of percussion sounds, or the long release of a

sustained piano tone.

[2 ] FILTER Determines the degree to which the [MODULATION] wheel modulates

the Filter Cutoff Frequency. For details about the filter, see below.

[3 ] AMPLITUDE Determines the degree to which the [MODULATION] wheel modulates

the amplitude (volume).

[5 ] LFO PMOD Determines the degree to which the [MODULATION] wheel modulates

the pitch, or the vibrato effect.

[6 ] LFO FMOD Determines the degree to which the [MODULATION] wheel modulates

the Filter modulation, or the wah effect.

[7 ] LFO AMOD Determines the degree to which the [MODULATION] wheel modulates

the amplitude, or the tremolo effect.

[2 ] BRIGHT.

(Brightness)

Determines the cutoff frequency or

effective frequency range of the fil-

ter (see diagram). Higher values

result in a brighter sound.

[3 ]HARMO.

(Harmonic Con-

tent)

Determines the emphasis given to

the cutoff frequency (resonance),

set in BRIGHT. above (see dia-

gram). Higher values result in a

more pronounced effect.

[4 ] ATTACK Determines how quickly the sound reaches its maximum level after the

key is played. The lower the value, the quicker the attack.

[5 ] DECAY Determines how quickly the sound reaches its sustain level (a slightly

lower level than maximum). The lower the value, the quicker the decay.

[6 ] RELES.

(Release)

Determines how quickly the sound decays to silence after the key is

released. The lower the value, the quicker the decay.

Volume

These frequencies are

“passed” by the filter.

Cutoff

range

Frequency

(pitch)

Cutoff Frequency

Volume

Frequency (pitch)

Resonance

Time

Level

Key on Key off

Sustain

Level

ATTACK DECAY RELEASE

PSR-S670 Reference Manual 15

1

Voices

2 VIBRATO

Vibrato is a quavering, vibrating sound effect that is produced by

regularly modulating the pitch of the Voice.

 EFFECT Page

1 REVERB DEPTH/CHORUS DEPTH/DSP DEPTH/PANEL SUSTAIN

2 DSP

 HARMONY/ARP Page

Same as the display called up via [FUNCTION]  TAB [E] MENU 1  Cursor buttons [][][E][F]

HARMONY/ARPEGGIO  [ENTER], with the exception of the following points:

• The parameters set via the [7 ] (DETAIL) buttons are shown on the top of the display.

•The [8] (COMPARE) and [8 ] (SAVE) buttons are available (see steps 4–5 on page 12).

[3 ] DEPTH Determines the intensity of the Vibrato effect. Higher settings result in a

more pronounced Vibrato.

[4 ] SPEED Determines the speed of the Vibrato effect.

[5 ] DELAY Determines the amount of time that elapses between the playing of a key

and the start of the Vibrato effect. Higher settings increase the delay of the

Vibrato onset.

[1 ]/

[2 ]

REVERB

DEPTH

Adjusts the reverb depth.

[3 ]/

[4 ]

CHORUS

DEPTH

Adjusts the chorus depth.

[5 ] DSP ON/OFF Determines whether the DSP effect is on or off.

This setting can also be made from the VOICE EFFECT [DSP] button on

the panel.

[6 ] DSP DEPTH Adjusts the DSP depth.

If you want to re-select the DSP type, you can do so in the “2 DSP” menu

explained below.

[7 ] PANEL

SUSTAIN

Determines the sustain level applied to the edited Voice when the sustain

effect is on. The sustain effect is turned on/off from the display below.

[FUNCTION]  TA B [E] MENU 1  Cursor buttons [][][E][F]

V

OICE SETTING  [ENTER]  TAB [E] VOICE CONTROL

[1 ]/

[2 ]

CATEGORY Selects the DSP effect category and type. Select a type after selecting a

category.

[3 ]/

[4 ]

TYPE

[6 ] VARI. ON/OFF Turns the DSP Variation on or off for the selected Voice. This setting

can also be made from the VOICE EFFECT [DSP VARI.] button on the

panel.

[5 ]/

[7 ]

DETAIL Calls up a detailed setting display. Press the [5 ] button for editing

the standard parameter value, and the [7 ] button for editing the

Variation parameter value.

[2 ]

–[4 ]

PARAMETER Selects the DSP variation parameter to be set.

[5 ]

/[6 ]

VALUE Adjusts the value of the DSP variation parameter.

Pitch

DELAY

SPEED

DEPTH

Time

16 PSR-S670 Reference Manual

1

Voices

Each Voice is linked to its default VOICE SET parameter settings. Usually these settings are automatically

called up when a Voice is selected. However, you can also disable this feature by the operation in the relevant

display as explained below. For example, if you want to change the Voice yet keep the same effect, set the

EFFECT parameter to OFF (in the display explained below).

1 Call up the operation display.

[FUNCTION]  TAB [E] MENU 1  Cursor buttons [][][E][F] VOICE SETTING  [ENTER]

 TAB [ F] VOICE SET FILTER

2 Use the Cursor buttons [][] to select a keyboard part.

3 Use the [3 ]–[8 ] buttons to turn each item for the selected Part on or off.

When the button is set to ON, the corresponding parameter settings are called up automatically together

with the Voice selection. For information on which parameters are linked to each item, see below.

Disabling Automatic Selection of Voice Sets (Effects, etc.)

[3 ]/

[4 ]

VOICE Corresponds to the parameter settings of the COMMON, CONTROL-

LER, and SOUND pages.

[5 ]/

[6 ]

EFFECT Corresponds to the parameter settings of 1 and 2 in the EFFECT page.

[7 ]/

[8 ]

HARMONY/

ARPEGGIO

Corresponds to the HARMONY/ARP page.

3

2

PSR-S670 Reference Manual 17

1

Voices

1 Call up the operation display.

[FUNCTION]  TA B [E] MENU 1  Cursor buttons [][][E][F] VOICE SETTING  [ENTER]

 TAB [E] VOICE CONTROL

2 Use the [1 ]–[8 ] buttons to make settings for each parameter.

Changing detailed Voice settings (Touch Response, Sustain,

Mono/Poly)

[1 ]/

[2 ]

TOUCH

RESPONSE

Turns the Touch Response of the keyboard on or off. When this is set to

off, the same volume is produced no matter how strongly or softly you

play the keyboard.

On the display called up via the following operations, you can you can

change the Touch Response type. For details, refer to the Owner’s Man-

ual.

[FUNCTION]  TA B [E] MENU 1  Cursor buttons [][][E][F]

CONTROLLER  [ENTER]  TAB [F] KEYBOARD/PANEL

[3 ]/

[4 ]

SUSTAIN Turns the Sustain function on/off. When this is set to on, all notes played

on the keyboard with right-hand part (RIGHT 1 and 2) have a longer sus-

tain.

[5 ]/

[6 ]

PART SELECT Selects the keyboard part to which the MONO/POLY setting (below) is

applied.

[7 ]/

[8 ]

MONO/POLY Determines whether the Voice of the keyboard part selected above is

played monophonically or polyphonically. When MONO is selected, the

part’s Voice is played monophonically (only one note at the time) with last

note priority, letting you play single, lead sounds such as brass instru-

ments more realistically. Depending on the Voice, Portamento may be

produced when notes are played with legato. When POLY is selected, the

part’s Voice is played polyphonically.

NOTE Portamento is a function that creates a smooth transition in pitch from the first note played on the

keyboard to the next.

18 PSR-S670 Reference Manual

1

Voices

Installing Expansion Packs lets you add a variety of optional Voices and Styles to the “Expansion” folder in

the USER drive.

Installing the Expansion Pack data from the USB Flash Drive

The file which contains the bundled Expansion Packs (“***.ppi” or “***.cpi”) to be installed to the

instrument is referred to as “Pack Installation file.” Only one Pack Installation file can be installed to the

instrument. If you want to install multiple Expansion Packs, bundle the packs together on your computer by

using the “Yamaha Expansion Manager” software. For information on how to use the software, refer to the

accompanying manual.

NOTE To obtain the Yamaha Expansion Manager software and its manuals, access the Yamaha Downloads website:

http://download.yamaha.com/

NOTICE

You will need to restart the instrument after installation has been completed. Make sure to save all data currently being edited beforehand,

otherwise it will be lost.

1 Connect the USB flash drive in which the desired Pack Installation file (“***.ppi” or

“***.cpi”) is saved to the [USB TO DEVICE] terminal.

2 Call up the operation display.

[FUNCTION]  TAB [F] MENU 2  Cursor buttons [][][E][F] PACK INSTALLATION 

[ENTER]

3 Use the Cursor buttons [][][E][F] to select the desired Pack Installation file.

4 Press the [6 ] (INSTALL) button.

5 Follow the on-display instructions.

This installs the selected Pack data to the “Expansion” folder in the USER drive.

NOTE When a message appears saying the USER memory has no space available, move the file from USER tab to USB tab, then install the file again. For

instructions on moving files, refer to “Basic Operations” in the Owner’s Manual.

Uninstalling the Expansion Pack data

You can uninstall the Expansion Pack data by carrying out the Reset operation for FILES & FOLDERS (see

page 96).

NOTICE

When you reset FILES & FOLDERS, not only the Expansion Pack data, but all other files and folders in the USER drive are deleted.

Adding New Contents—Expansion Packs

Song, Style or Registration Memory containing Expansion Voices or Styles

Song, Style or Registration Memory containing any Expansion Voices or Styles will not sound properly

or cannot be called up, if the Expansion Pack data does not exist in the instrument.

We recommend that you write down the name of the Expansion Pack when you create the data (Song,

Style or Registration Memory) using Expansion Voices or Styles, so that you can easily find and install

the Expansion Pack when necessary.

PSR-S670 Reference Manual 19

1

Voices

Saving the Instrument Info File to the USB Flash Drive

If you use the “Yamaha Expansion Manager” software to manage the Pack data, you may need to retrieve the

Instrument Info file from the instrument as described below. For information on how to use the software,

refer to the accompanying manual.

1 Connect the USB flash memory to the [USB TO DEVICE] terminal.

NOTE Before using a USB flash drive, be sure to read “Connecting USB Devices” in the Owner’s Manual, chapter 10.

2 Call up the operation display.

[FUNCTION]  TA B [F] MENU 2  Cursor buttons [][][E][F] SYSTEM  [ENTER]  TAB

[E] OWNER

3 Press one of the [1 ]–[3 ] (EXPORT INSTRUMENT INFO) buttons.

4 Follow the on-display instructions.

This saves the Instrument Info file to the root directory in the USB flash drive. The saved file is named

“PSR-S670_InstrumentInfo.n27.”

3

2

20 PSR-S670 Reference Manual

Styles

Contents

Chord Fingering Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

• Chord Types Recognized in the Fingered Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Style Playback Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Memorizing Original Settings to One Touch Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

Creating/Editing Styles (Style Creator) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

• Basic Procedure for Creating a Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

• Realtime Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

• Style Assembly (ASSEMBLY) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31

• Editing the Rhythmic Feel (GROOVE) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33

• Editing Data for Each Channel (CHANNEL) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

• Making Style File Format Settings (PARAMETER) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

• Editing the Rhythm Part of a Style (Drum Setup) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Style Types (Characteristics)

The particular type of Style is indicated at the upper left of the Style name in the Style Selection display. The

defining characteristics of these Styles and their performance advantages are described below.

• Pro: These Styles provide professional and exciting arrangements combined with perfect playability. The

resulting accompaniment exactly follows the chords of the player. As a result, your chord changes and

colorful harmonies are instantly transformed into lifelike musical accompaniment.

• Session: These Styles provide even greater realism and authentic backing by mixing in original chord types

and changes, as well as special riffs with chord changes, with the Main sections. These have been pro-

grammed to add “spice” and a professional touch to your performances of certain songs and in certain

genres. Keep in mind, however, that the Styles may not necessarily be appropriate—or even harmonically

correct—for all songs and for all chord playing. In some cases for example, playing a simple major triad

for a country song may result in a “jazzy” seventh chord, or playing an on-bass chord may result in inap-

propriate or unexpected accompaniment.

• DJ: These Styles can be selected from the category called up via the [DANCE & R&B] button. These con-

tain their own special chord progressions, so you can add chord changes to your performance simply by

changing the root key.

Keep in mind, however, that you cannot specify the chord type, such as major and minor, when using the

DJ Styles.

For the Preset Style List, refer to the Data List on the website.

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