Behringer Model D は、3基の VCO、ラダーフィルター、LFO、そしてユーロラックフォーマットを備えた、本物のアナログシンセサイザーです。3基の VCO はノコギリ波、矩形波、三角波、リバースノコギリ波、ミディアムパルス、ナローパルスの波形を生成でき、それらをミックスして複雑なサウンドを作り出すことができます。ラダーフィルターは、温かみのあるアナログサウンドで知られており、ローパス、ハイパス、バンドパス、ノッチの各モードを選択できます。LFO は、三角波と矩形波の波形を生成でき、フィルターや VCO を変調することができます。ユーロラックフォーマットにより、他のモジュラーシンセサイザーと組み合わせて使用することができます。
また、エフェクティブな音楽制作のために、LFO、エンベロープ、フィルターセクション、さらに重要なオートグライドを含む多くの機能
Behringer Model D は、3基の VCO、ラダーフィルター、LFO、そしてユーロラックフォーマットを備えた、本物のアナログシンセサイザーです。3基の VCO はノコギリ波、矩形波、三角波、リバースノコギリ波、ミディアムパルス、ナローパルスの波形を生成でき、それらをミックスして複雑なサウンドを作り出すことができます。ラダーフィルターは、温かみのあるアナログサウンドで知られており、ローパス、ハイパス、バンドパス、ノッチの各モードを選択できます。LFO は、三角波と矩形波の波形を生成でき、フィルターや VCO を変調することができます。ユーロラックフォーマットにより、他のモジュラーシンセサイザーと組み合わせて使用することができます。
また、エフェクティブな音楽制作のために、LFO、エンベロープ、フィルターセクション、さらに重要なオートグライドを含む多くの機能
MODEL D
Authentic Analog Synthesizer with 3 VCOs, Ladder Filter, LFO and Eurorack Format
¼" TS
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Music Tribe
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Teknik
Lab Gruppen Lake Tannoy
Turbosound TC Electronic TC Helicon
Behringer Bugera Coolaudio
Music Tribe Global Brands Ltd.
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2018
Music Tribe
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2 3MODEL D
1:
MODEL D
Desktop Computer
MIDI Keyboard
Headphones
Studio Monitors
Audio Interface
USB B
MIDI IN
MIDI OUT
USB B
USB A
USB A
Power
Adaptor
Headphones
Power
Adaptor
Expression Pedal
Footswitch
MIDI Keyboard
MIDI OUT
MIDI IN
Keyboard Amplier
4 5MODEL D
MODEL D
1:
Expression Pedal
Footswitch
Headphones
Power
Adaptor
MIDI Keyboard
MIDI OUT
Mixing console
Active Loudspeakers
Laptop Computer
USB B
USB A
MIDI IN
MIDI IN MIDI THRU MIDI IN MIDI THRU MIDI IN MIDI THRU
To next MODEL D
From next MODEL D
MIDI Keyboard
MIDI OUT
Mixing console
Active Loudspeakers
Headphones
6 7MODEL D
MODEL D
2:
(1)
(6)
(7)
(36)
(47)
(46)
(35)
(34)
(8)
(9)
(5)
(33)
(32)
(44)
(42)
(45)
(43)
(31)
(30)
(4)
(2) (3) (17)
(10) (11) (12) (13) (14) (15) (16) (20) (21) (22)
(24)
(25)
(23)
(18) (26) (27)
(37) (38) (39) (40)
(41)
(48)
(49)
(28) (29)(19)
(51)(50)
1234
5678
9101112
13 14 15 16
(52)
(53)
8 9MODEL D
MODEL D
2:
MIDI
(1) USB
USB B
MODEL D
MID
USB MIDI
USB MIDI
MIDI
USB MIDI
MIDI
(2) MIDI IN MIDI
MIDI
5
DIN
MIDI
MIDI
(3) MIDI THRU MIDI
MIDI
MIDI
5 DIN
MODEL D
MIDI
CONTROLLER
(4) OSC3/FILTER EG
3 EG
OSC3
(5) GLIDE
(6) TUNE
1 2 3
OSC3
CONTROL
3
(7) OSCILLATOR MODULATION
3
MOD MIX
(8) MOD MIX
OSC3/FILTER
EG
NOISE/LFO
(9) NOISE (MOD SRC)/ LFO
SRC] LFO
NOISE
LFO
(10) MOD DEPTH
MIDI
(11) WAVE SHAPE
LFO
(12) LFO RATE LFO
LFO
OSCILLATOR BANK
(13) OSC 3 CONTROL
3
OSC3
OSC3
(14) RANGE
6
1 2 3
(15)
2 3
(16) 1 2
3
OSC1
2
OSC3
(17) MOD SOURCE
(18) OSC 1V/OCT
1V OCT
3
1
1
(19) LFO CV
CV
LFO
MIXER
(20) VOLUME
1 2 3
(21) ON/OFF
OSC1
OSC2 OSC3
5
(22) NOISE VOLUME
(23) WHITE/PINK
(24) OVERLOAD
(25) EXT IN VOLUME
MODEL D
(26) LFO
LFO
(27) LFO
LFO
(28) EXT
3.5mm
(29) MIX
MODIFIER
(30)
DECAY TIME
LOUDNESS DECAY
FILTER DECAY
(31) KEYBOARD CONTROL
1 2
1 2
1
⁄
2
⁄
(32) FILTER MODULATION
MOD MIX
10 11MODEL D
(33) FILTER MODE
(34) LOUDNESS CONTOUR
3
ATTACK
DECAY TIME
LOUDNESS DECAY
SUSTAIN
(35)
3
ATTACK
AMOUNT OF
CONTOUR
DECAY TIME
FILTER DECAY
SUSTAIN
(36)
FILTER MODE
CUTOFF FREQUENCY
FILTER EMPHASIS
AMOUNT OF CONTOUR
(37) CUT CV CV
(38) FC GATE FC
(39) FILT CONT
(40) LC GATE LC
(41) LOUD CONT
OUTPUT
(42) A-440
440 Hz
“
”
(43) POWER LED
LED
(44) VOLUME
(45) VOLUME
PHONES
(46) PHONES
3.5 mm TRS
(47) ON
(48) LOUD CV CV
(49) MAIN
3.5 mm
TRS
MODEL D
MODEL D
(50) MAIN OUTPUT
¼ TRS
LOW
HIGH
(51) MIDI CHANNEL MIDI
1 16 MIDI
15
4
MIDI
MIDI SysEx
MIDI
SysEx
MODEL D
Eurorack
(52) POWER
(53) DC INPUT DC
12V DC
100V 240V
50 Hz/60 Hz
AC
12 13MODEL D
MODEL D
3:
“ ”
MODEL D
MODEL D
3.5 mm
3.5 mm
MODEL D
MODEL D USB
MIDI
Windows
MacOS MODEL D
MIDI
MODEL D
MIDI
MIDI
MODEL D MIDI IN 5
DIN
MODEL D
MODEL D
MODEL D 15
MODEL D A-440
440 Hz
MIXER
MODEL D 3
MODEL D
1
1
OUTPUT
MIDI
OSCILLATOR
RANGE
OSC3
OSC3
TUNE
OSCILLATOR-2
-2
-3
FREQUENCY
(FILTER)
CUTOFF FREQUENCY
EMPHASIS
CONTOUR
ATTACK
DECAY
SUSTAIN
2
KEYBOARD
FILTER MODULATION
(LOUDNESS
CONTOUR)
ATTACK DECAY
SUSTAIN
CONTROLLERS
2
LFO
OSC3
MOD MIX
OSC3
MOD MIX OSC3
OSC3
LO
OSCILLATOR MODULATION
OSC3
OSC1
MOD DEPTH
FILTER MODULATION
SysEx
A-440 MODEL D
MODEL D
5
A-440
POWER LED
2
2
2
MODEL D
MODEL D
MODEL D 2
MODEL D
MIDI
7
MODEL D
Poly Chain ON
MODEL D 1
A-440
Power LED
2
2
3
4
4
14 15MODEL D
(EURORACK)
MODEL D
behringer.com
MODEL D
MODEL D
MODEL D
CV
MODEL D
MODEL D SysEx
SysEx
MODEL D
3:
16 17MODEL D
MODEL D System Exclusive Commands
Some parameters in the MODEL D synthesizer can be
changed using MIDI system exclusive (SysEx) commands.
A MIDI utility such as the popular MIDI OX can be used to
send the SysEx command data string to the MODEL D using
the USB MIDI conection between a host computer and
the MODEL D.
SysEx Data Format
The following data format is used when creating a
SysEx message (with the data beginning with F0 and
ending with F7).
F0 00 20 32 aa bb cc dd ee F7
The various items in this SysEx data string are
described below:
Item Description
00 20 32
Manufacturer
SysEx ID number
(Behringer GmbH)
aa Reserved
bb Device ID: 00-0xF (must match hardware
device ID), or 7F to address all devices.
Note: This is the same as the Poly Chain ID.
It is not the MIDI Channel
cc Main parameter number (see Command
Table below)
dd Sub parameter number (see Command
Table below)
ee Parameter value MSB (will be zero unless the
parameter value is greater than 127)
Parameter value LSB (Range is 0 to 127)
(see Command Table below)
Command Table
*Note: If you use SysEx instead of the recommended A-440
method to turn on the Poly Chain, then the Poly Chain
Device ID of other units in the chain is not set automatically.
You have to use SysEx to set the Poly Chain ID of the rst
MODEL D to Device ID=0, the second MODEL D to ID=1,
the third MODEL D to ID=3 and so on. All MODEL D units
must have the same MIDI channel.
Retriggering Style
These examples show the di erence between the old and
new retriggering styles
Example
Old style
(v1.0.5)
New style
(v1.0.6)
Press and hold note A.
Note A is playing.
Then press and hold
note B. Note B is playing
(A stop). Release note A.
Retrigger No Retrigger
Press and hold note A. Note A
is playing. Then press and hold
note B. Note B is playing
(A stop). Release note B.
Retrigger Retrigger
Poly Chain Style
These two tables show the di erence between old and new
poly chain style.
TABLE OF NOTE RESPONSE -- Old poly chain style
Poly chain
Device
no.
How many notes are playing
01234567
1O Note1 Note1 Note1 Note1 Note1 Note1 Note1
2O Note1Note2 Note2 Note2 Note2 Note2 Note2
3O Note1Note1Note3 Note3 Note3 Note3 Note3
4 O Note1 Note1 Note1 Note4 Note4 Note4 Note4
5 O Note1 Note1 Note1 Note1 Note5 Note5 Note5
TABLE OF NOTE RESPONSE -- New poly chain style
Note: Turning on the Poly Chain will a ect the note
priority function
Command Examples
Note: All command parameters should be in
hexadecimal format.
Poly chain
Device
no.
How many notes are playing
01234567
1O Note1 Note1 Note1 Note1 Note1 Note1 Note1
2O O Note2 Note2 Note2 Note2 Note2 Note2
3O O o Note3 Note3 Note3 Note3 Note3
4 O O O O Note4 Note4 Note4 Note4
5 O O O O O Note5 Note5 Note5
Function SysEX Command String
Set MIDI Channel to 13 F0 00 20 32 00 7F 0A 00 00 0C F7
Set Key Priority to last F0 00 20 32 00 7F 0A 01 00 02 F7
Turn on Multi Trigger
(1.05 style)
F0 00 20 32 00 7F 0A 02 00 01 F7
Set Pitch B end
semitone to 11
F0 00 20 32 00 7F 0A 03 00 0B F7
Set MIDI IN Transpose
to +8
F0 00 20 32 00 7F 0A 06 00 14 F7
Set Note C5 as Zero Volts F0 00 20 32 00 7F 0A 07 00 48 F7
Turn on Poly Chain F0 00 20 32 00 7F 0A 08 00 01 F7
Set Device ID to 5 F0 00 20 32 00 7F 0A 09 00 05 F7
Disable MIDI
Channel Switches
F0 00 20 32 00 7F 0A 0A 00 01 F7
Set Modulation Curve
to Medium
F0 00 20 32 00 7F 0A 0B 00 01 F7
Make pitch bend
range e ective
F0 00 20 32 00 7F 0A 0C 00 01 F7
Set poly chain style to
old style
F0 00 20 32 00 7F 0A 0D 00 01 F7
cc (Main) dd
(Sub)
Description (Para
Range)
Default
0xA
Global
Setting
00 MIDI Channel 0 to 15 0
01 Key Priority
(In poly chain mode,
note priority will be
restricted to ’LOW’)
0-LOW
1-HIGH
2-LAST
0- LOW
02 Multi Trigger 0-OFF
1-ON
(1.05 style)
2-ON
(1.06 style)
0- OFF
03 Pitch Bend
semitones
(Pitch wheel range)
E ective when pitch
bend range not
xed. See “OC Pitch
bend mode” below
0 to 12 12
06 MIDI IN Transpose 0 to 24
The range is
-12 to + 12,
so 12 is no
transpose
12
07 MIDI Note Zero Volts 0 to 127 36
08 Poly Chain* see
note below
0-OFF, 1-ON 0- OFF
09 Device ID
(Poly Chain ID)
0-15 0
0A Enable/Disable MIDI
Channel Switches
0- Enable
1- Disable
0-Enable
0B Modulation Curve 0- Soft
1- Med
2- Hard
0- Soft
OC Pitch Bend Mode 0- PitchBend
Range Fixed
1- PitchBend
Range
Settable
0- Fixed
OD Poly Chain Style 0- New Style
1- Old Style
0- New
Style
0xB
Restore Global
Settings
0xE
Start User Pitch
CV Calibration
0xF
Restore Default
CV Calibration
18 19MODEL D
Note: A decimal to hex conversion table is shown below.
If you are using the MIDI Transpose command, then the 3rd
column shows the MIDI IN Transpose that corresponds to
each data value. For example, if you wanted a transpose
of +8 as shown in the table above, then the data sent
is 14 (hex).
Value Value (hex) MIDI Transpose
00 -12
11 -11
22 -10
33 -9
44 -8
55 -7
66 -6
77 -5
88 -4
99 -3
10 A -2
11 B -1
12 C 0
13 D 1
14 E 2
15 F 3
16 10 4
17 11 5
18 12 6
19 13 7
20 14 8
21 15 9
22 16 10
23 17 11
24 18 12
MODEL D Patch Sheet
Patch Number
DATE:
NOTES:
AUTHOR: TITLE:
20 21MODEL D
MODEL D Eurorack Installation
The MODEL D synthesizer can be removed from its factory
chassis and installed into a standard Eurorack chassis
(not supplied). The module width is 70HP.
We recommend that this procedure is undertaken only by
experienced service technicians, to prevent personal injury,
or damage to the unit.
The Eurorack case will need its own suitable power supply
unit to power the MODEL D synthesizer.
A 10-pin connector on the rear of the main PCB of the
MODEL D allows the +12 VDC power supply connection
to be made. A 10-pin to 16-pin adapter ribbon cable is
supplied to connect to your power supply.
Before proceeding, make sure that your
power supply is capable of supplying
+12 VDC, 1 Amp.
Make sure that the connections using the
supplied adapter cable will supply the ground
and power to the correct pins of X23.
Procedure
Follow all steps in the order in which they are presented.
1. Disconnect the power cord and all other
connections to the MODEL D.
2. Undo the 8 screws on the top panel as shown.
There is no need to undo any other screws.
3. Disconnect the two cables from the lower side
of the main PCB of the MODEL D, and remove the
assembly from the chassis.
4. Store the chassis assembly and the power supply
adaptor in a dry safe place.
5. Securely connect the 10-pin end P1 of the
supplied adapter cable to connector X23 on the
Main PCB of the MODEL D.
6.
Make sure your power supply is turned
o and disconnected from the AC mains.
7.
Make sure that your power supply will
supply the following to the pins of
connector X23, as shown in the
diagram above:
Pins Connection
1 and 2 No Connection
3 to 8 Ground
9 and 10 +12 VDC
Disconnect from
Main PCB
400 mm ± 10
12
910
1
15
2
16
Red Stripe
Supplied Eurorack Power Supply Cable, Part # A74-0001-79446
Connect End P1 to Connector X23 on main PCB
Pins 1 and 2
No Connection
X23
X21 No Connection
Pins 3 to 8
Ground
Pins 9 and 10
+12 VDC
P1 P2
8. Securely connect the 16-pin end P2 of the supplied
adapter cable to your power supply, and double
check all connections are correct.
9. Securely install the MODEL D Synthesizer into your
Eurorack, using 8 screws in the front panel.
10. Perform a full test and safety test before using
the MODEL D.
11. The 3.5 mm MAIN OUT connector on the top panel
is used instead of the ¼" rear outputs which are no
longer present.
Setting the MIDI Channel
Once installed in a Eurorack, the MIDI channel number is
automatically set to channel 1 (as the MIDI switches are
no longer present.)
The MIDI channel can be changed using MIDI OX or
a similar MIDI utility on your computer to send MIDI
SysEx commands directly to the MODEL D via the
USB MIDI connection. Here is a brief guide to the
procedure (see the MIDI SysEx pages in this manual for
the actual SysEx codes sent to the MODEL D):
1. Disable the MIDI Channel Switches by sending
the appropriate SysEx command.
2. Change the MIDI Channel by sending
the appropriate SysEx command.
22 23MODEL D
Synthesizer Architecture
Number of voices Monophonic
Type Analog
Oscillators 3 (0.1 Hz to 20 kHz in 6 overlapping ranges)
LFO 1 (0.05 Hz to 200 Hz, up to 300 Hz with external CV input)
VCF 1 switchable low pass or high pass (24 dB/octave slope)
Envelopes VCA, VCF
Connectivity
MIDI In/Thru 5-pin DIN / 16 channels
USB (MIDI) USB 2.0, type B
High output ¼ " TS, unbalanced, max. 0 dBu
High output impedance 1.2 k
Low output ¼ " TS, unbalanced, 30 dB below high output
Low output impedance 1 k
Headphones 3.5 mm TRS, unbalanced, max. -3.5 dBu
Headphones output impedance 8
USB
Type Class compliant USB 2.0, type B
Supported Operating Systems Windows XP or higher
Mac OS X 10.6.8 or higher
Controllers Section
Knobs Tune: -2 to +2
Glide: 0 to 10
Modulation mix: (OSC 3 or lter EG) to (noise/ext mod source,
or LFO)
Modulation depth: 0 to 10
LFO rate: 0 to 10
Switches Modulation source: OSC 3 or lter EG
Modulation source: (noise or external modulation source) or LFO
LFO waveform: triangular or square
Oscillator Bank
Knobs Range (OSC 1, 2, and 3): LO, 32', 16', 8', 4', 2'
Frequency (OSC 2 and 3): -7 to +7
Waveform (OSC 1 and 2): triangular, triangular/saw, saw,
square, wide pulse, narrow pulse
Waveform (OSC 3): triangular, reverse saw, saw, square,
wide pulse, narrow pulse
Switches Oscillator modulation on/o
OSC 3 control (by keyboard) on/o
Mixer Section
Knobs Volume (OSC 1, 2, and 3): 0 to 10
Volume (external input): 0 to 10
Volume (noise): 0 to 10
Switches OSC 1, 2, and 3: on/o
External input: on/o
Noise: on/o
Noise source: pink or white
LED Overload
Filter Section
Knobs Cuto frequency: -4 to +4
Filter emphasis: 0 to 10
Amount of contour: 0 to 10
Attack: 1 ms to 10 s
Decay: 4 ms to >35 s
Sustain: 0 to 10
Switches Filter mode: low pass/high pass
Filter modulation: on/o
Keyboard control 1: on (⁄) or o
Keyboard control 2: on (⁄) or o
Filter decay: on/o
Output Section
Loudness contour
dynamic range:
80 dB
Knobs Volume: 0 to 10
Headphone volume: 0 to 10
Amount of contour: 0 to 10
Attack: 1 ms to 10 s
Decay: 4 ms to >35 s
Sustain: 0 to 10
Switches Main output: on/o
A-440: on/o
Loudness decay: on/o
LED Power
Inputs (TS 3.5 mm)
Modulation source Noise is the modulation source if there is no connection present
Oscillator 1 Control voltage: 1 V per octave
LFO Control voltage: -5 V to +5 V
External input Input impedance: 1 M
Cuto frequency Control voltage: 0 to +5 V controls the cuto frequency
Loudness Control voltage: 0 to +5 V controls the loudness
Filter contour Gate: +5 V input triggers the lter contour
Loudness contour Gate: +5 V input triggers the loudness contour
24 25MODEL D
1.
230 V 120 V 2
2. Music Tribe
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Music Tribe
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3.
Outputs (TS 3.5 mm)
LFO triangular waveform +/-2 V
LFO square waveform +/-2 V
Mixer output max. 0 dBu
Filter contour 0 to +4 V
Loudness contour 0 to +4.6 V
Main audio output max. 0 dBu
Power Requirements
External power adaptor 12 VDC 1000 mA
Power consumption 7 W max.
Environmental
Operating temperature range 5°C – 40°C (41°F – 104°F)
Physical
Dimensions (H x W x D) 90 x 374 x 136mm (3.5 x 14.7 x 5.4")
Module width 70HP
Weight 1.7 kg (3.7 lbs)
Shipping weight 2.7kg (6.0 lbs)
26 27MODEL D
We Hear You
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Behringer Model D は、3基の VCO、ラダーフィルター、LFO、そしてユーロラックフォーマットを備えた、本物のアナログシンセサイザーです。3基の VCO はノコギリ波、矩形波、三角波、リバースノコギリ波、ミディアムパルス、ナローパルスの波形を生成でき、それらをミックスして複雑なサウンドを作り出すことができます。ラダーフィルターは、温かみのあるアナログサウンドで知られており、ローパス、ハイパス、バンドパス、ノッチの各モードを選択できます。LFO は、三角波と矩形波の波形を生成でき、フィルターや VCO を変調することができます。ユーロラックフォーマットにより、他のモジュラーシンセサイザーと組み合わせて使用することができます。
また、エフェクティブな音楽制作のために、LFO、エンベロープ、フィルターセクション、さらに重要なオートグライドを含む多くの機能
関連論文
-
Behringer EURORACK 104 クイックスタートガイド
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-
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Behringer Model D クイックスタートガイド
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Behringer POLY D クイックスタートガイド
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