YM-460
取扱説明書
Owner’s Manual
Руководство пользователя
使用手册
사용설명서
CONCER T
MARIMBAS
YM-460/460F/410D/410/410F/46/41/
2400/2400R
『安全上のご注意』 (2ページ)を必ずお読みください。
Make sure to read the “Safety Precautions” on page 22 and the “PRECAUTIONS” on page 23.
Обязательно прочтите разделы «Меры безопасности» на стр. 40 и «МЕРЫ ПРЕДОСТОРОЖНОСТИ» на стр. 41.
务请阅读第 58 页的“安全注意事项”和第 59 页的“注意事项”。
76 페이지의 “안전 주의사항” 및 77 페이지의 “주의사항” 을 반드시 읽어 주십시오 .
日本語
English
Русский
中文한국어
22
This icon urges you to pay caution (includes dangers and warnings).
This icon indicates actions that are prohibited.
This icon indicates special instructions that should be strictly followed.
Before you use the concert marimba, carefully read the instructions listed below and the owner’s manual.
Cautions when setting the instrument.
Never place the instrument on an sloping, unstable, etc., platform. The instrument may fall or overturn and result in
injury.
Cautions for treatment of the instrument.
Never lean on or climb onto the instrument. The instrument may fall and result in injury.
Do not play or roughhouse around the instrument. Bumping into the instrument may result in injury.
It may also cause instrument may also fall over. Keep children away from the instrument.
If an earthquake occurs, strong shocks caused by the earthquake may overturn the instrument or cause it to move
about. Stay away from the instrument during earthquakes.
Cautions when moving the instrument.
Warning
Disregard of the warnings with this mark or misuse may result in death
or personal injury.
Safety Precautions
Using the Concert Marimba Safely
The concert marimba is a large and heavy instrument that gets used in various places by persons of all ages,
so please obey the following instructions regarding their regular care and placement.
Especially in the case of children, a responsible adult should provide proper instruction on
how to use and treat the marimba before use.
Preventing Injuries
—Make sure that all precautions described below are obeyed—
Icons are used in this section
to promote the safe use of this
product, and to prevent you and
others from harm and property
damage. Please fully understand
the meaning of the icons before
reading the manual.
About
the
Icons
For example:
Do not disassemble.
Hold the instrument
by the frame end and
push forward slowly.
When moving the instrument on its casters, only move across smooth, flat
surfaces. Hold the instrument by its frame end and push forward slowly.
When moving the instrument on its casters.
1. Avoid moving the instrument across surfaces that are sloped, uneven, or
graveled. The concert marimba can collapse and/or get out of control.
2. Do not run with the instrument. The instrument may become impossible
to stop, crash into a wall, and cause serious injury.
3. If the instrument must be lifted, do so with at least two (2) persons. Lift
the instrument by its frame ends using both hands. Holding the rail sec-
tion can result in the instrument dropping or falling off. Never hold the
instrument anywhere other than the frame ends.
Moving the instrument up or down stairs should never be done with the instrument assembled. Doing so is a danger
as parts can fall off, or you can loose balance causing the instrument to fall over. Only move the instrument after it has
been disassembled.
* Approximate weights for concert marimbas are given in the following chart.
YM-41 41 kg (90 lbs 6 oz) YM-410 49 kg (108 lbs) YM-460/2400R 55 kg (121 lbs 4 oz)
YM-46 44 kg (97 lbs) YM-410F 55 kg (121 lbs 4 oz) YM-460F/2400 61 kg (134 lbs 8 oz)
YM-410D 55 kg (121 lbs 4 oz)
23
Caution
Injury or handicaps to persons caused by the disregard of warnings with
this mark or, misuse of the instrument, may result in the loss of personal
property.
Please change cracked tone bars as soon as possible. Cracked tone bars have sharp edges that can cut hands.
If the instrument is often moved, bolts, parts, etc., may become loose. After moving the instrument, check and make
sure all bolts, parts, etc., are rmly fastened. Firmly tighten all loose items.
Do not use the hammer for anything other than playing the instrument. It may be the cause of injury or accidents. Do
not let children strike other, etc., with the mallet. Do not allow such dangerous behavior to take place.
When assembling, be careful not to pinch your ngers or hands. Take special care when assembling rails and resona-
tor pipes. Two persons should carry out this part of the assembly, double-checking as the assembly proceeds.
PRECAUTIONS
Please read the following instructions carefully before using your marimbas.
Assembly Cautions
• Whenassembling/disassemblingtheinstru-
ment, do so with at least two persons and follow
the instructions outlined in this manual. Assem-
bly in the wrong order can cause the pipes to
drop which may result in an injury, impair the
performance functionality of the instrument or
cause noise.
• Adjusting the playing height(seepage 32) on
the YM-410/410F/460/460F/2400/2400R
should be done with at least two persons.
• Afterfinaladjustmentofthelegsthefixing
screws must be tightened securely to prevent
loosening. Looseness may cause the instrument
to shift during performance and can also cause
noise and other problems. Retighten the screws
from time to time.
◆
Installation Location
Use or storage in the following locations may cause
damage, even when packaged.
• Indirectsunlight, suchasnearawindow,orin a
closed vehicle in daytime.
• Nearheatingdevicesorinotherlocationssubjectto
excessive heat.
• Inexcessivelycoldenvironment.
• Inplaceswithexcessivehumidityordust.
• Locationssubjecttovibrations.
◆
Handling
• Never placeanobjectonor leanagainsttheinstru-
ment, as this may cause damage to the tone bars
and frame parts or topple the instrument, which is
extremely dangerous.
• Donotusehandorchestrabellmalletsorotherhard
objects on your marimbas. The resulting dents or
scratches in the tone bars could impair the sound.
(Wood tone bars)
Also avoid hitting the tone bars hard with a hard mal-
let. The tone bars can crack. (Acoustalon tone bars)
◆
Moving and Transporting the Instrument
• Beforemovingthe instrument,makesure thatthe
caster brakes are released. Also make sure to lift the
instrument slightly when moving over rough surfaces.
• Whentheinstrument must be transportedto a dif-
ferent location, disassemble it to the same state as
when it was purchased (see page 26), taking care to
pack each component properly. Disassembly steps
are in the opposite order of assembly.
◆
When Not in Use
• Alwaysengagethecasterbrakes.
◆
Maintenance
• Thetonebarsshould be polished from time totime
using a soft and dry cloth or silicone cloth. Stains that
cannot be removed with a dry cloth may be wiped off
using a small amount of ethyl alcohol. Never use thin-
ner or benzene or a wet cloth for cleaning purplses.
◆
Keep This Manual for Future Reference
• Afterreading, makesure to keep themanualina
safe place.
24
Yamaha Concert Marimba Features
Thank you for purchasing a YAMAHA concert marimbas.
Exhaustive research by Yamaha technicians and craftsmen focusing
on tone quality and playability, has led to the design and creation of
these marimbas, using select, high quality materials, and Yamaha’s
original FRP Acoustalon. We are convinced that you will enjoy play-
ing your instrument that produces spreading and yet deep sounds as
well as rich volume to your content.
This manual describes proper use of YAMAHA concert marimbas.
Please read it thoroughly to ensure that your instrument will give you
enjoyment for a long time.
1. High-Quality Tone Bars
Tone bars are made of rosewood, which delivers an
ideal marimba tone and timbre, and African padauk,
which offers a rich sound that is soft and deep. After
allowing the woods to dry naturally over time, only
the nest select pieces are selected for use in mak-
ing the tone bars.
Type F models use Yamaha’s FRP Acoustalon tone
bars that have a unique semi-hollow design. These
bars deliver a clear sound that is extremely close to
the sound produced by high-quality rosewood. It of-
fers excellent projection, and full volume. Compared
to wood tone bars, Acoustalon is highly weather re-
sistant, being little affected by changes in tempera-
ture and humidity, which can alter the pitch.
2. Fine Tuning
Tone bars are tuned by the highly rened ears and
skills of our technicians and precision strobe tuners
in an environmentally controlled room in which both
temperature and humidity are kept constant. Precise
tuning of the harmonic overtones, which determine
timbre, results in stable pitch and tone without any
unevenness.
3. Easy Assembly/Disassembly
The instrument is designed to offer easy assembly
and disassembly to provide convenient storing and
transport. The YM-460/460F/410D/46/2400/2400R
utilize folding designs with two-section frames and
pipes to provide the utmost in compact convenience.
4. Height Adjustment
(YM-460/460F/410/410F/2400/2400R)
Height adjustable models offer smooth height ad-
justment. Locking screws fit into channels on leg
pipes to eliminate slippage ad looseness.
The YM-460/460F/2400/2400R offers a 5-step
height adjustment that goes from 89cm at its low-
est position, to 97cm at its highest. Since the YM-
410/410F is adjustable in 7-steps, from 76cm to
88cm, it promotes proper playing posture from chil-
dren to adults.
5. Large Casters
Large 100mm-diameter casters offer smoother
transport. (YM-46 and 41 utilize 75mm-diameter
casters).
6. 3-Step Height Adjustment for Resonator
Pipes
Resonator height can be adjusted in 3-steps to
avoid loss of ideal resonance due to temperature
changes. (The YM-41 only provides 2-step adjust-
ment.)
25
NOMENCLATURE
■
YM-460/460F/410/410F/46/41/2400/2400R
* The illustration shows model YM-460.
Suspension cord
Rail
■
YM-410D
Frame end
Reinforcement stay
(Large end)
Reinforcement stay
(Small end)
Accidental tone bars
Accidental tone bars
Natural tone bars
Leg (Small end)
Resonators
(Accidental tone side)
Slant shaft
Frame end
Slide leg
Resonators
(Natural tone side)
Caster
(with brake)
Leg (Large end)
Caster
Caster
(with brake)
Leg (Large end)
Natural tone bars
Rail
Leg (Small end)
Reinforcement stay
(Small end)
Resonators
(Accidental tone side)
Caster
Suspension cord
26
The shipping carton of your marimba should contain the parts shown below.
Before assembling the instrument, confirm that all parts are included as listed.
* In the event that a part is missing, please contact the shop where the instrument was purchased.
CONFIRMATION OF PACKING CONTENTS
q
Natural tone bars
y
Rail (1)
YM-460/460F/46/2400/2400R: Two-section folding type
YM-410/410F/41: One-piece type
e
Resonators (Natural tone side)
YM-460/460F/410/410F/46/2400/2400R:
2 sections plus wing bolts x2
YM-41: One-piece type
w
Accidental tone bars
r
Resonators (Accidental tone side)
YM-460/460F/410/410F/46/2400/2400R:
2 sections plus wing bolts x2
YM-41: One-piece type
t
Reinforcement stay
YM-460/460F/46/2400/2400R: 2 sections
YM-410/410F/41: One-piece type
For bass side
(YM-460/460F/2400/2400R)
For high register side
(YM-460/460F/2400/2400R)
u
Rail (2)
YM-460/460F/46/2400/2400R: Two-section folding type
YM-410/410F/41: One-piece type
Rail clamp
Threaded hole
i
Rail (3)
YM-460/460F/46/2400/2400R: Two-section folding type
YM-410/410F/41: One-piece type
Clamp on both sides
o
Rail (4)
YM-460/460F/46/2400/2400R: Two-section folding type
YM-410/410F/41: One-piece type
YAMAHA logo
!0
Leg (Large end)
YM-460/460F/410/410F/
2400/2400R:
With height adjustment
YM-46/41:
Without height adjustment
!1
Leg (Small end)
YM-460/460F/410/410F/2400/2400R:
With height adjustment
YM-46/41:
Without height adjustment
YM-460/460F/410/410F/46/41/2400/2400R
27
ASSEMBLY
For safety, the instrument should be assembled by at least two persons in a loca-
tion with sufficient space.
We recommend to you to assemble the instrument on a soft rug or carpet.
z
Connect the large and the small end legs using the reinforcement stays.
*
YM-460/460F/410/410F/2400/2400R:
Before proceeding to the next step, make sure that the slide leg fixing
bolts of the large and small end legs are securely fastened.
1-1. Place the large and small end legs and reinforcement stays so that they will be positioned as illus-
trated below after assembly.
YM-460/460F/410/410F/46/41/2400/2400R
Slide leg
xing bolt
Slide leg
xing bolt
Leg (Large end) Leg (Small end)
The tip of each slide leg xing
bolt must be tightly seated in
one of the slide leg notches.
Slide leg
Slide leg
xing bolt
Slide leg
xing bolt
Player side
Bass side
Leg (Large end)
Reinforcement stay
(Large end)
Reinforcement stay
(Small end)
Slant shaft
Leg (Small end)
High register side
Frame end (Large end)
Audience side
28
E E
ASSEMBLY
1-2. YM-460/460F/46/2400/2400R: Connect the reinforcement stays at the center. Align the end of the
xing bolt and the holes in the reinforcement stays and tighten the xing bolt securely.
* Insert the support using the reference hole close to the hole for the screw as a guide.
Reinforcement stay
(Small end)
Reference hole
Screw hole
Reinforcement stay
(Large end)
Reinforcement
stay
Notch
Fixing bolt
Fixing bolt
Leg (Large end)
Reinforcement stay
Tighten
Notch
Leg
1-4. In the same way, install the reinforcement stay to the small end leg.
(There is no marking on the small end joint.)
1-3. Insert the reinforcement stay with its notch facing up into the lower joint of the large end leg as far
as it will go (aligning the notch with the xing bolt) and tighten the xing bolt securely.
(A mark “E” is printed on the reinforcement stay and the large end joint.)
YM-460/460F/410/410F/46/41/2400/2400R
29
A
B
C
D
ASSEMBLY
x
Insert the rails (2) and (3) into the frame ends of the legs.
2-1. First, insert the rail (2). Make sure that the end of the rail with the tone bar posts spaced further
apart is positioned on the bass side.
A mark “B” is printed on the large end face of the rail (2) and the groove section of the frame end
of the large end leg.
* Do not insert one side of the rail all the way down first, but push both sides into grooves alternately little
by little until both sides are inserted fully and stop.
2-2. After conrming that legs on the left and right sides are vertical, use the
screw to connect the end of the stay to the hole for attaching the stay in
the long frame (2) and rmly tighten the screw.
* The YM-410 and 410F have two (2) holes. When leg height is set low, use the
hole closer to the center of the instrument, and when the leg height is high,
use the outer hole and tighten the screw firmly.
High register side
Tone bar posts
Rail (4): With YAMAHA logo. Logo side facing the audience.
(1)
(2): Hole for attaching the stay. The side with the threaded hole should face the audience.
(3): Both sides have clamps attached. The side with the shorter clamp should face the player.
Bass side
Frame end
Rail (2)
Slant shaft
2-3. Next, in the same way, insert the rail (3) securely.
A mark “C” is printed on the large end face of the
rail (3) and the groove section of the frame end of
the large end leg.
2-4. Engage the short rail clamp located at the center
of the rail (3) with the rail (2).
Player side
Audience side
Tone bar height can be adjusted at this point. (Refer to
n
on page 32.)
YM-460/460F/410/410F/46/41/2400/2400R
30
ASSEMBLY
c
Attach the resonators.
3-1. Assemble the resonator pipes of the YM-460/460F/410/410F/46/2400/2400R. Make sure that the
natural tone and accidental tone sides are properly assembled. All pipes on the natural tone side
have bottoms attached.
3-2. Insert the resonators into the resonator holders on the frame ends in the same way as the rails.
Place the bass side of the resonators into the center grooves on the resonator holder.
* Make sure not to confuse the natural tone resonators and accidental tone resonators.
* Take care not to bump the resonators against the legs, etc.
A : For a higher temperature
B :
For a temperature around 23°C (73.4°F)
C : For a lower temperature
Resonators
(Natural tone side)
Resonators
(Accidental tone side)
* The resonators are factory adjusted so that the optimum resonance level is obtained at 23°C (73.4°F) If
desirable resonance is not available due to the temperature lower or higher than 23°C (73.4°F), adjust
setting of the resonators. Move the resonators to fit into shorter grooves when the temperature is higher and
into longer grooves when the temperature is lower.
Temperature Grooves to use
Higher Short groove (“A” in the figure below)
Around 23°C (73.4°F) Center groove (“B”)
Lower Long groove (“C”)
Resonator holder
YM-460/460F/410/410F/46/41/2400/2400R
31
ASSEMBLY
v
Insert the rails (1) and (4) into the frame ends of the legs.
4-1. Insert the outer rails (1) and (4) in the same way as the inner rails (2) and (3).
A mark “A” is printed on the large end face of the rail (1) and the groove section of the frame end
of the large end leg, and a mark “D” for the rail (4).
b
Set the tone bars.
5-1. While adjusting the long frame, engage the rail clamp on rail (2) and rail (3) with rail (1) and rail (4),
respectively.
Rail (4)
Rail (3)
Rail clamp
Rail (1)
Rail (2)
Rail clamp
5-2. Set the natural tone bars rst.
With one person holding the suspension cords on the bass side and the other holding the suspen-
sion cords on the treble side securely with both hands, gently place the tone bars on the rails.
Align each tone bar individually and hook its cord onto the corresponding tone bar post.
After conrming that the cord is secured to every tone bar post, x the tone bars by pulling the
right and left cords forward from the large end side and hooking the two springs into each other.
* When setting the tone bars, use care not to cause any damage to them.
Small end
Suspension cord
Large end
Springs
Suspension cord
YM-460/460F/410/410F/46/41/2400/2400R
32
ASSEMBLY
n
Adjust the height of the tone bars.
Reverse the assembly procedure going from steps
b
→
v
→
c
and remove the resonators and the
stay xing bolts attached to the rail section (2) so that the stays can be moved.
With two persons, hold the instrument under the frame on both bass and treble sides, and loosen the
wing screws that lock the slide legs in place.
After determining the desired height, tighten the wing bolts so they t into the channels on the slide
legs rmly xing the legs in place. Use the next channel above as a guide to make sure the tone bars
are parallel with the oor.
Upon completion of assembly, check to make sure that each bolt is tightened securely.
Do not touch the notched part during
height adjustment to avoid injury.
Align notch with
upper ange.
Slide leg
When a slide leg fixing bolt is tightened in between two notches, there is a danger
of the slide leg slipping. Always make sure that the slide legs are held securely.
Make sure that this procedure is performed by at least two persons.
* Never attempt to adjust the height with the tone bars in place. It is very dangerous. Always make
sure that those parts are removed as described in the procedure above before adjusting the
height.
YM-460/460F/410/410F/2400/2400R Only
YM-460/460F/410/410F/46/41/2400/2400R
33
CONFIRMATION OF PACKING CONTENTS
YM-410D
The shipping carton of your marimba should contain the parts shown below.
Before assembling the instrument, confirm that all parts are included as listed.
* In the event that a part is missing, please contact the shop where the instrument was purchased.
q
Natural tone bars
w
Accidental tone bars
e
Resonators (Natural tone side)
r
Resonators (Accidental tone side)
t
Reinforcement stay
For bass side
For high register side
y
Rail (1)
!0
Leg (Large end)
!1
Leg (Small end)
u
Rail (2)
Rail clamp
Threaded hole
i
Rail (3)
Clamp on both sides
o
Rail (4)
YAMAHA logo
34
ASSEMBLY
For safety, the instrument should be assembled by at least two persons in a loca-
tion with sufficient space.
We recommend to you to assemble the instrument on a soft rug or carpet.
z
Connect the large and the small end legs using the reinforcement stays.
1-1. Place the large and small end legs and reinforcement stays so that they will be positioned as illus-
trated below after assembly.
1-2. Connect the reinforcement stays at the center. Align the end of the xing bolt and the holes in the
reinforcement stays and tighten the xing bolt securely.
* Insert the support using the reference hole close to the hole for the screw as a guide.
Reinforcement stay
(Large end)
Reinforcement stay
(Small end)
Screw hole
Reference hole
Tighten
YM-410D
Bass side
Leg
(Large end)
Frame end
(Large end)
Reinforcement stay
(Large end)
High register side
Slant shaft
Reinforcement stay
(Small end)
Audience side
Player side
Leg (Small end)
Stay mount
35
ASSEMBLY
1-3 Insert the reinforcement stay with its notch facing
up into the stay mount hole of the large end leg
as far as it will go (aligning the notch with the x-
ing bolt) and tighten the xing bolt securely.
Leg (Large end)
Stay mount
Fixing bolt
1-4. In the same way, install the reinforcement stay to the small end leg.
(There is no marking on the small end joint.)
Notch
Reinforcement stay
Tighten
Notch
Fixing bolt
Reinforcement stay
EE
Leg
YM-410D
36
ASSEMBLY
YM-410D
x
Insert the rails (2), (3) and (4) into the frame ends of the legs.
2-1. First, insert the rail (2). Make sure that the end of the rail with the tone bar posts spaced
further apart is positioned on the bass side.
A mark “B” is printed on the large end face of the rail (2) and the groove section of the
frame end of the large end leg.
* Do not insert one side of the rail all the way down first, but push both sides into grooves alter-
nately little by little until both sides are inserted fully and stop.
Slant shaft
Rail (2)
Audience side
Bass side
Player side
High register side
Tone bar posts
A
B
C
D
(1)
(2): Hole for attaching the stay. The side with the threaded hole should face the audience.
(3): Both sides have clamps attached. The side with the shorter clamp should face the player.
Rail (4): With YAMAHA logo. Logo side facing the audience.
2-2. After conrming that legs on the left and right sides are vertical, use
the screw to connect the end of the stay to the hole for attaching
the stay in the long frame (2) and rmly tighten the screw.
2-3. Next, in the same way, insert the rails (3) and (4) securely.
A mark “C” is printed on the large end face of the rail (3) and the
groove section of the frame end of the large end leg, and a mark “D”
for the rail (4).
Frame end
2-4. Engage the short rail clamp located
at the center of the rail (3) with the
rail (2).
37
A : For a higher temperature
B :
For a temperature around 23°C (73.4°F)
C : For a lower temperature
* The resonators are factory adjusted so that the optimum resonance level is obtained at 23°C (73.4°F). If
desirable resonance is not available due to the temperature lower or higher than 23°C (73.4°F), adjust
setting of the resonators. Move the resonators to fit into shorter grooves when the temperature is higher and
into longer grooves when the temperature is lower.
Temperature Grooves to use
Higher Short groove (“A” in the figure below)
Around 23°C (73.4°F) Center groove (“B”)
Lower Long groove (“C”)
ASSEMBLY
YM-410D
c
Attach the resonators.
3-1. Assemble the resonator pipes. Make sure that the natural tone and accidental tone sides
are properly assembled. All pipes on the natural tone side have bottoms attached.
3-1. First, lower the accidental resonator pipes from above the instrument between the frame
sections, and into the rubber resonator holder. Next set the natural tone resonator pipes in
the rubber resonator holder. Set the bass side of the resonator pipes into the center grooves
on the resonator holder. Make sure that the pipes are set between the tone bar posts.
* Make sure not to confuse the natural tone resonators and accidental tone resonators.
* Take care not to bump the resonators against the legs, etc.
Resonators
(Natural tone side)
Resonators
(Accidental tone side)
Resonator holder
38
ASSEMBLY
YM-410D
v
Insert the rail (1) into the frame ends of the legs.
4-1. Insert the outer rail (1) in the same way as the inner rails (2), (3) and (4).
A mark “A” is printed on the large end face of the rail (1) and the groove section of the frame end
of the large end leg.
b
Set the tone bars.
5-1. While adjusting the long frame, engage the rail clamp on rail (2) and rail (3) with rail (1) and rail (4),
respectively.
n
Once again, confirm that all screws are tightened firmly.
5-2. Set the natural tone bars rst.
With one person holding the suspension cord on the bass side and the other holding the suspen-
sion cord on the treble side securely with both hands, gently place the tone bars on the rails.
Align each tone bar individually and hook its cord onto the corresponding tone bar post.
After conrming that the cord is secured to every post, x the tone bars by pulling the right and left
cords forward from the large end side and hooking the two springs into each other.
* When setting the tone bars, use care not to cause any damage to them.
Small end
Large end
Springs
Suspension cord
Suspension cord
Rail clamp
Rail (4)
Rail (2)
Rail (3)
Rail clamp
Rail (1)
39
SPECIFICATIONS/SCALE RANGE
●
SCALE RANGE
* The contents of this manual apply to the latest specications as of the publishing date. To obtain the latest manual,
access the Yamaha website then download the manual le. Since specications, equipment or separately sold
accessories may not be the same in every locale, please check with your Yamaha dealer.
■
YM-460/460F/2400/2400R
●
Range:
A
25
– C
76
(4-1/3 octave)
●
Bars:
YM-460/2400R: Rosewood,
Open Pore Finish
YM-460F/2400: Acoustalon (FRP),
Brown Urethane Finish
●
Bar sizes
:
YM-460/2400R:
58 – 38 mm (2.2 – 1.5") wide
2
5 – 21 mm (0.98 – 0.83") thick
YM-460F/2400:
58 – 38 mm (2.2 – 1.5") wide
23 mm (0.91") thick
●
Resonator
:
Aluminum Alloy Tube
Light Gold Acrylic Coating
●
Frame
:
MICA black nish
Two-piece folding, Disassembled type
●
Leg sections
:
Steel Pipe with Black Leather Satin Finish
(with Adjustable Height)
●
Dimensions (W x D x H):
197 x 88 x 89 – 97 cm
(77.6" x 34.6" x 35 – 38" )
●
Weight:
YM-460/2400R: 55 kg (121 lbs 4 oz)
YM-460F/2400: 61 kg (134 lbs 8 oz)
●
Casters:
100mm Diameter Casters
YM-410D/410/410F/41
YM-460/460F/46/2400/2400R
■
YM-410D/410/410F
●
Range:
C
28
– C
76
(4 octave)
●
Bars:
YM-410D: Rosewood,
Open Pore Finish
YM-410: Rosewood,
Open Pore Finish
YM-410F: Acoustalon (FRP),
Brown Urethane Finish
●
Bar sizes
:
YM-410D/410:
58 – 38 mm (2.2 – 1.5") wide
25 – 21 mm (0.98 – 0.83") thick
YM-410F: 58 – 38 mm (2.2 – 1.5") wide
23 mm (0.9") thick
●
Resonator
:
Aluminum Alloy Tube
Light Gold Acrylic Coating
●
Frame
:
YM-410D: Brown Urethane Matte Finish
Two-piece folding, Disassembled type
YM-410/410F: Black Finish, Disassembled Type
●
Leg sections
:
YM-410D: Wood with Brown Urethane Matte
Finish and Brown Leather
YM-410/410F: Steel Pipe with Black Leather
Satin Finish (with Adjustable Height)
●
Dimensions (W x D x H):
YM-410D: 183 x 83 x 88 cm
(72" x 32.7" x 34.6" )
YM-410/410F: 183 x 83 x 76 – 88 cm
(72" x 32.7" x 29.9 – 34.6" )
●
Weight:
YM-410D/410F: 55 kg (121 lbs 4 oz)
YM-410: 49 kg (108 lbs)
●
Casters:
100mm Diameter Casters
■
YM-46/41
●
Range:
YM-46: A
25
– C
76
(4-1/3 octave)
YM-41: C
28
– C
76
(4 octave)
●
Bars:
African Padauk, Open Pore Finish
●
Bar sizes
:
YM-46: 58 – 38 mm (2.2 – 1.5") wide
24 – 22.5 mm (0.95 – 0.89") thick
YM-41: 53 – 38 mm (2.2 – 1.5") wide
24 – 22.5 mm (0.95 – 0.89") thick
●
Resonator
:
Aluminum Alloy Tube
Light Gold Acrylic Coating
●
Frame
:
YM-410D: Black Finish, Two-piece folding,
Disassembled Type
YM-41:
Black Finish, Disassembled Type
●
Leg sections
:
Steel Pipe with Black Leather Satin Finish
●
Dimensions (W x D x H):
YM-46: 189 x 84 x 86.5 cm
(74.4" x 33.1" x 34.1" )
YM-41: 176 x 80 x 85 cm
(69.3" x 31.5" x 33.5" )
●
Weight:
YM-46: 44 kg (97 lbs )
YM-41: 41 kg (90 lbs 6 oz)
●
Casters:
75mm Diameter Casters
WU03920
版次 ：
1811 R2
Manual Development Group
© Yamaha Corporation
Published 11/2018
发行
PO-A0
/
