Behringer MOTOR 61 クイックスタートガイド

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MOTÖR 61 / MOTÖR 49
61/49-Key USB/MIDI Master Controller Keyboard with
Motorized Faders and Touch-Sensitive Pads
2 MOTÖR 61 / MOTÖR 49 3
¼" TS
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MUSIC Group
MIDAS KLARK TEKNIK LAB GRUPPEN
LAKE TANNOY TURBOSOUND TC ELECTRONIC
TC HELICON BEHRINGER BUGERA DDA
MUSIC Group IP Ltd.
© MUSIC Group IP Ltd. 2016
MUSIC Group
music-group.com/warranty
4 5MOTÖR 61 / MOTÖR 49
MOTÖR 61 / MOTÖR 49
1:
Studio System
Studio/ Live System
USB Powered Mode*
Expression Pedal
Foot Switch
Power Adapter
USB A
Desktop
USB B
Laptop
USB B
USB A
* No Motorized Faders, LEDs and Display are dimmed
Expression Pedal
Foot Switch
MIDI IN
External Sound Module
Audio Out to PA system
or Studio Monitors
MIDI OUT
USB A
USB B
Laptop
Power Adapter
6 7MOTÖR 61 / MOTÖR 49
MOTÖR 61 / MOTÖR 49
2:
(4)
(FADER TOUCH –
SHIFT, FOCUS)
CC
MIDI
(GLOBAL/MIDI/CHANGE CONTROL)
(FADER SHIFT)
(5) (ARPEG)
(EDIT/ARPEGGIATOR/STYLE)
A (A LATCH)
(6)
(OPERATION MODE)
MIDI MIDI
MIDI
MIDI
MC
MIDI
MC
MC
MIDI
MIDI MC
Mackie
Control
MC
MC
MIDI DAW Mackie Control Surface
2 MIDI
(7) (TEMPO)
2 BPM 1
BPM
DATA
BPM
(8) ± (OCTAVE ±)
0
±
(9) (PITCH BEND)
(10) (MODULATION)
MIDI
GLOBAL/ MIDI/CHANGE
CONTROL CC
(11)
49 61
(12) (DATA)
(13) (BACK, FWD)
DATA
(14) (FADER BANKS)
8 4
8
4
4
MIDI
MIDI
(15) (ENCODER
BANKS) 8
4
(1)
(PRESETS)
(GLOBAL) (EDIT)
(PROGRAM CHANGE)
4
LCD
DATA
(BACK) (FWD)
(GLOBAL/DEVICE)
(2) (PRESET)
(DATA)
(EDIT)
(GLOBAL)
MIDI
LCD
(EDIT)
(P CHNG)
2
1
2
(3) (TIME DIVISION)
<<< / >>>
(9)
(10)
(11)
(14)
(12)
(13)
(15)
(16)
(21)(20)(19)(17) (18)
(1)
(2)
(3)
(5)
(7)
(8)
(4)
(6)
Important Note:
Please refer to the MC
Mode Assignment table
on page 16 when using
the unit in MC Mode
8 9MOTÖR 61 / MOTÖR 49
(22)(23)(24)(25)(26)(27)(28)(29)
(16) (PAD BANKS) 8
4
(17) DAW
60 mm
MIDI
CC
CC
MC
DAW
MIDI
(FADER BANK)
4
9
(18)
DAW
<< >>
(STOP)
(PLAY)
(LOOP)
(RECORD)
(19) 13 LED
MIDI MC
MIDI
(ENCODER BANK)
4
(20)
8
CC
MIDI
MIDI
(PAD BANK) 4
(GLOBAL/PADS)
(GLOBAL/PADS/COLOR)
16
(21) (F VELO)
(V VELO)
(D BEAT)
(REPEAT)
(TIME DIVISION)
(TEMPO)
MOTÖR 61 / MOTÖR 49
(22) EXPR
¼
MIDI
(GLOBAL/MIDI/CHANGE CONTROL)
(23) (SUSTAIN)
¼
(24) MIDI (MIDI OUT) MOTÖR
MIDI
5 DIN
(25) MIDI (MIDI THRU/
MERGE) (THRU)
(MERGE) 2
(GLOBAL/MIDI/
MIDI THRU MODE)
MIDI (MIDI THRU)
MOTÖR MIDI
USB
MIDI MIDI
MOTÖR
MIDI
MIDI MIDI
MIDI (MIDI MERGE)
MOTÖR MIDI
USB
MIDI MOTÖR
MIDI MOTÖR
MIDI
(26) MIDI (MIDI IN)
MIDI MOTÖR
MIDI
(27) USB
USB B
MOTÖR
USB MIDI
MIDI
USB MIDI (USB MIDI IN)
USB MIDI (USB MIDI OUT)
(OUT) (THRU)
MIDI USB
(GLOBAL/MIDI/USB OUT MODE)
(28)
AC
MOTÖR
USB
USB
(29) (POWER) MOTÖR
10 11MOTÖR 61 / MOTÖR 49
MOTÖR 61 / MOTÖR 49
3:
MOTÖR
MOTÖR
DAW
8
9
60 mm 8
MOTÖR MIDI
MOTÖR MC
MOTÖR USB
MIDI
USB
LED
DAW MOTÖR
MIDI
DAW
DAW
MOTÖR
MOTÖR
DAW
DAW
DAW
DAW
DAW
1
DAW
MOTÖR 1
MOTÖR DAW
9-16
DAW 9-16
DAW
(FADER SHIFT)
(FADER FOCUS)
DAW MOTÖR
(GLOBAL)
(EDIT) MOTÖR
MIDI
(GLOBAL/ MIDI/CHANGE CONTROL)
DAW
MOTÖR
(EDIT/ PRESETS)
64
(EDIT/PRESETS/ PRESET OVERVIEW)
GLOBAL/DEVICE/FIRMWARE
behringer.com MOTÖR
(OCTAVE)
12 13MOTÖR 61 / MOTÖR 49
MOTÖR 61 / MOTÖR 49 Display Menus
If you move the Expression Pedal, while in
this CHANGE CONTROL menu, you can choose
it to send a CC message, or to operate as
one of the following: an expression pedal,
pitch bend, mod wheel, or volume control.
If you press the Sustain Pedal,
you can choose it to send a CC message,
Note message, or to operate as one of the
following: sustain pedal, play/stop, record
on/o , Arpeggiator on/o , or Arp Latch.
5. MIDI THRU MODE – select the MIDI MERGE/
THRU port to be THRU or MERGE.
6. USB OUT MODE – select between OUT,
THRU, and MERGE operation.
7. TRANSPORT MODE – rotate the DATA knob to
select the assignment of the transport buttons
from: MMC, MIDI, MMC+MIDI, MIDI Control,
or MIDI Note.
PADS
1. PAD VELOCITY – select from three pad-velocity
options (Soft, Medium, and Hard).
2. FIXED VELOCITY – select the desired  xed
velocity fom 0 to 127.
3. AFTER TOUCH SENSITIVITY – select the
desired sensitivity from OFF, 1 to 10. Always
select OFF if not needed (reduces MIDI tra c).
4. COLOR – Select a pad and then choose from
16 possible backlight colors. Each pad can be a
di erent color.
FADERS
1. MOTOR ON/OFF – turns the fader motors on
or o .
2. TOUCH ON/OFF – turns the fader touch
sensitivity on or o .
3. MOTOR CALIBRATE – starts a routine to
calibrate the fader motors, and the faders
will slide up and down once. This is the same
as when the MOTÖR keyboard is turned on.
(It only happens if the MOTÖR keyboard is
powered by the supplied power adapter.)
4. MOTOR CONSISTENCY – this concerns
smoothness and mechanical noise reduction
when controlling the motors. This menu lets
you choose between consistency ON or OFF.
ENCODERS
1. ACCELERATION – changes the response curve
of the encoder output from 0 (no acceleration),
to 10 (maximum acceleration applied).
2. LED RING MODE – move an encoder to select
it, and then choose from 5 di erent illumination
modes of the LED ring: Single, Pan, Fan,
Spread, Trim. Each encoder can have a di erent
LED ring mode. Choose a display mode that suits
your use of the encoders, for example you could
be using some as trim controls, and some as
pan controls.
KEYBOARD
1. VELOCITY SENSITIVITY – select from four
keyboard sensitivity options (O , Soft, Medium,
and Hard). If OFF is selected, then you can adjust
the FIXED VELOCITY from 0 to 127.
2. KEY AFTERTOUCH – select the desired
aftertouch sensitivity from OFF, 1 to 10.
Always select OFF if not needed (reduces MIDI
tra c). The higher the aftertouch number you
choose, the more extreme the variations in the
aftertouch value as you change the pressure.
DEVICE
1. FIRMWARE INFO – displays the current
 r m w a r e v e r s i o n .
2. LCD CONTRAST – changes the contrast setting
of the LCD screen. The display can also be
negative (setting 0).
3. POWER SAVING – allows you to switch on
the same mode which is standard in USB bus
power mode (if no power adapter is connected
and power is provided from computer via USB).
When ON, it disables fader motors, fader touch,
and dims all LEDs and the display.
4. BRIGHTNESS – adjust the LCD backlight and
LED brightness.
5. RESET SETTINGS – this will reset all presets
and global settings. Caution: Use this carefully
as all of your saved presets will be erased and
the global settings set to their default
factory value.
EDIT MENU
PRESETS
1. SAVE/COPY PRESET – save the current preset
to its current number, or copy to a di erent
number from 1 to 64.
2. DELETE PRESET – delete the current preset.
3. RENAME PRESET – rotate the DATA knob
to select letters, then press to move to the
next space. Repeat until the title looks good.
Press the FWD button to save and exit.
4. PRESET OVERVIEW – lists all 64 preset
locations (8 at a time), including “Empty”
presets (free memory places). Turn the DATA
knob to select, and press the knob to
load a desired preset. Note: Empty presets
cannot be loaded.
5. SYSEX TX – allows you to send ALL presets or
a SINGLE preset to your computer via the USB
connection. Use the DATA knob to select YES
or NO.
ARPEGGIATOR
This only a ects the keyboard, allowing
keys that are pressed to be turned into
tempo-synchronized sequences. The arpeggiator
cycles through the notes being held by the user, in a
certain order, based on the Style variable:
1. STYLE
1. UP – notes play from lowest held to highest,
no matter what order keys are pressed.
2. DOWN – notes play from highest held to
lowest, no matter what order keys are pressed.
3. ORDER – notes play in the order keys
were pressed.
4. INCLUDE – notes play from lowest to
highest and back down. End notes are
re-triggered at the direction change.
5. EXCLUDE – notes play from lowest to
highest and back down. End notes are not
re-triggered at the direction change.
6. RANDOM – notes play in random order,
no matter what order the keys are pressed
(may include retriggering of notes).
7. CHORD – All held notes play at the same
time (polyphonic). All notes play in a chord,
and repeated according to the arpeggiator
timing variables. All except CHORD are
monophonic sequences.
2. GATE
NOTE GATE – select how long notes play by
turning the DATA knob. The longer the gate
time (shown in musical notation), the longer
the notes are held. The display bar also
indicates where the di erent note values
(1/16T, 1/8, etc.) are placed.
3. RANGE
ARP SEQUENCE RANGE – adjusts the octave
range of the arpeggiator notes. Range goes
from 0 (only the pressed notes are repeated)
to +3 (arpeggio notes go over +3 octaves).
4. SWING
ARP SWING AMOUNT - Swing moves the even
notes in the sequence by a certain number
of milliseconds. Higher values lengthen the
interval between odd and even notes, even-to-
odd intervals are correspondingly shortened.
5. SPLIT
ALL – the arpeggiator is applied to the entire
keyboard, regardless of any split.
RIGHT SIDE ONLY – the arpeggiator is applied
to the right hand side of the keyboard split.
LEFT SIDE ONLY the arpeggiator is only
applied to the left hand side of the keyboard split.
NOTE: RIGHT SIDE ONLY or LEFT SIDE ONLY only
operate if the KEYBOARD SPLIT has been set
to ON. See the KEYBOARD SPLIT section
PAD NOTE REPEAT
The pad note repeat function is selected by pressing
the REPEAT button next to the pads. It allows you
to hold down a pad, and trigger the note output
multiple times, as long as the pad remains pressed.
This menu allows you to adjust the pad note
repeat e ects.
1. GATE – the longer the gate time (shown in
musical notation), the longer the repeat notes
are held.
2. SWING – Swing moves the even notes in the
Note Repeat sequence by a certain number
of milliseconds.
3. BUTTON BEHAVIOR – toggles the REPEAT
button between LATCH and
MOMENTARY action.
TRANSPOSE
This shifts the keyboard note values up or down by
semitones. Turn the DATA knob to change the value
through a range of ±12 semitones.
KEYBOARD SPLIT
This splits the keyboards MIDI output, allowing
playback of multiple instruments (such as a bass on
the left hand and strings on the right).
1. SPLIT ON/OFF – turns the keyboard split on or
o and select the lower octave from -5 to +5.
2. SET UP SPLIT – select the split point of the
keyboard by pressing the desired key on the
keyboard. Then select the lower MIDI channel
from 1 to 16, and select the lower octave fom
-5 to +5.
NOTE: The upper part uses the GLOBAL
MIDI channel.
P.CHNG MENU
There are 2 options: PAD ASSIGN or SINGLE SEND
PAD ASSIGN
This menu assigns  xed program change
commands to the pads. The following steps are
available for each pad (in each PAD BANK):
1. Select PAD – press the PAD you would like to
assign a program change command to.
2. MIDI OUT – select from USB+MIDI, MIDI,
or USB.
3. MIDI CHAN – select the MIDI channel on which
the program change command should be sent.
Choose from 1 to 16, ALL, GLOBAL Channel,
or OFF.
4. Select TYPE – you can send a simple program
change command (PGM CHNG) or a
program change in a speci c sound bank
(BANK+PGM CHNG).
5. Select MSB (if BANK+PGM CHNG had been
selected in step 4).
6. Select LSB (if BANK+PGM CHNG had been
selected in step 4).
7. Select NUMBER – (Program Change
command 0-127).
8. Select FIX if a single speci c sound should
be sent out, INC or DEC if each pad press
should step upwards or downwards in the
sound bank.
After a program change command has been
assigned to a pad using these options, it can be sent
as follows: Press the P.CHNG button and press the
pad (or the appropriate BANK and then the pad),
and the command will be sent. You can also
press other pads at this time. Press PRESET,
GLOBAL, or EDIT buttons to return the pad to its
original operation.
SINGLE SEND
This allows you to set up a single program change
message and send it instantly to an attached DAW
or synth. Follow these steps to set up a single send:
1. Select PGM CHNG, or BANK+PGM CHNG.
2. Select MIDI OUT port (USB+MIDI, MIDI, USB).
3. Select MIDI CHANNEL (1-16, ALL,
GLOBAL CH, OFF).
4. Select MSB (if BANK+PGM CHNG had been
selected in step 1).
5. Select LSB (if BANK+PGM CHNG had been
selected in step 1).
6. Select NUMBER (Program Change
command 0-127).
7. Press DATA knob to con rm, and press again to
send this single program change command.
8. Press P CHNG button to return to the main
menu, where you can make settings for an
additional single program change to send out.
Alternatively press PRESET (or any other
MAIN MENU button, apart from P. CHNG)
to return to the original pad operation.
PRESET MENU
This is the default screen when the keyboard is
turned on. It shows the currently-selected preset’s
number and name, the last sent MIDI event, the octave,
current Tempo BPM, time division value, velocity/
aftertouch meter, MIDI or MC mode, and MIDI channel.
First press the DATA knob, then turn the knob to scroll
through the available (non empty) preset names,
then press again to select the desired preset.
NOTE: You can only select/scroll through presets,
if any user presets have previously been created.
To do so, save/copy a preset using the EDIT\PRESETS\
SAVE/COPY PRESET menu.
The MOTÖR keyboard comes with 64 memory places
for your own user presets with individual naming.
You can see a list of all presets in the EDIT menu:
EDIT\PRESETS\PRESET OVERVIEW.
GLOBAL MENU
MIDI
1. MIDI PANIC – use this if your host
software is su ering from stuck notes or
synchronization issues.
2. GLOBAL CHANNEL – select the global
MIDI channel, from 1 to 16.
3. MIDI CLOCK – set the BPM-based features
(arpeggiator, note repeat) to run o the
internal clock, an external MIDI clock, or an
external USB clock.
4. CHANGE CONTROLthis is only active in MIDI
mode: Move a desired control such as a fader,
encoder, pad, foot control, mod wheel, or
transport button, and then change its parameters:
MIDI OUT – select from MIDI, USB, or
USB+MIDI.
MIDI CH – select from 1-16, ALL,
GLOBAL CH, or OFF
CC NUM – from 0-127 (there will be a
warning if this is already in use)
SET START VALUE – from 0 to 127
SET END VALUE – from 0 to 127
Note: Continuous controls have CC
assignment only, but press/touch elements,
such as transport buttons, pads, the
sustain switch or the fader touch function,
have 2 options, either CTRL CHNG or
NOTE MESSAGE with di erent menu options
14 MOTÖR 61 / MOTÖR 49 15
MOTÖR 61 MOTÖR 49
Global
Display Backlit LCD
Menus Preset, Global, Edit, Program Change
Presets 64 user presets
Modes MIDI or Mackie Control (MC)
Controls
Keyboard 49 or 61 semi-weighted full-size keys, with velocity and aftertouch
Encoders 8 rotary controls with LED collar
Faders 9 motorized faders, 60 mm, touch-sensitive
Pads 8 backlit pads with velocity and pressure sensitivity
Modulation Wheel
Pitch Bend Wheel
Transport Backlit buttons (REW, FWD, STOP, PLAY, LOOP, REC)
Connectors
MIDI In/Out/Thru 5-pin DIN
Expression ¼ " TS
Sustain ¼ " TS
USB USB 2.0, type B
Power Supply
Type 12V AC/DC adapter or USB powered
Power consumption 18 W max.
USB powered 400 mA
Adapter powered 2 A
Physical
Dimensions (H x W x D) 88 x 996 x 305 mm (3.5 x 39.2 x 12.0") 88 x 831 x 305 mm (3.5 x 32.7 x 12.0")
Weight 7.1 Kg (15.7 lbs) 6.1 Kg (13.4 lbs)
MC Mode Assignment Table
MOTÖR MC
Faders 1-8 Faders 1-8
Master Fader (9) Master Fader (9)
Encoders 1-8 V-Pots 1-8
Pads 1-8
No MC mode assignment
(Pads keep the original assignments from the “Standard MIDI Mode”)
Transport Section (<<, >>, Stop, Play, Loop, Rec) Transport Section (<<, >>, Stop, Play, Cycle, Rec)
Sustain Pedal User Switch 1 (rear input)
Expression Pedal External Control (rear input)
Pitch Bend Wheel No MC Mode assignment (keeps “Pitch Bend”)
Modulation Wheel No MC Mode assignment (keeps original assignment from “Standard MIDI Mode”)
Fader Banks 1-8 V-POT Assign Track
Fader Banks 9-16 V-POT Assign Send
Fader Banks 17-24 V-POT Assign Pan/Surround
Fader Banks 25-32 V-POT Assign Plug-IN
Encoder Banks 1-8 V-POT Assign EQ
Encoder Banks 9-16 V-POT Assign Instrument
Encoder Banks 17-24 FADER BANKS Bank <
Encoder Banks 25-32 FADER BANKS Bank >
Pad Banks 1-8 No MC Mode assignment (same function as in “Standard MIDI Mode”)
Pad Banks 9-16 No MC Mode assignment (same function as in “Standard MIDI Mode”)
Pad Banks 17-24 No MC Mode assignment (same function as in “Standard MIDI Mode”)
Pad Banks 25-32 No MC Mode assignment (same function as in “Standard MIDI Mode”)
Keys + all other buttons/controls No MC mode assignment
The actual MC-Mode functions are shown on gray background in the illustration below:
Fader Bank Select for
Faders F1 to F8
Assignment of the
In MC Mode
Encoders E1 to E8
SENDTRACK
INSTRUMEQ
BANK><BANK
PLUG-IN
PAN/SURR
1716 MOTÖR 61 / MOTÖR 49
1.
230 V 120 V
2
2. MUSIC Group
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MUSICGroup
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Behringer MOTOR 61 クイックスタートガイド

カテゴリー
MIDIキーボード
タイプ
クイックスタートガイド
このマニュアルも適しています

他の言語で