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TRUE ANALOG SYNTHESIZER

USER MANUAL

TRUE ANALOG SYNTHESIZER

USER MANUAL

UNO Synth

Contents

2

Table of Contents

English 1

Table of Contents 2

Introduction 4

Inthebox 4

RegisteryourUNOSynth 5

Precautions 5

1 – Installation and setup 7

2 – Turning the unit ON/OFF - Calibration process 9

3 – Overview 10

4 – Front panel interface 11

4.1–SoundEditor 12

4.1.1–OscillatorRow 12

4.1.2–FilterRow 13

4.1.3–EnvelopeRow 14

4.1.4–LFORow 14

4.2–MasterSection 15

4.2.1–Display 15

4.2.2–TempoKnob 16

4.2.3–VolumeKnob 16

4.2.4–DataButtons 16

4.2.5–PresetButton 16

4.2.6–Octave 16

4.2.7–Glide 16

4.2.8–Scale 16

4.2.9–DelayTimeandMix 17

4.2.10–AlternateFunctions 17

4.2.11–ArpeggiatorandSequencer 18

4.2.12–TransportFunctions 18

4.3–Performancecontrols 18

4.3.1–PerformanceButtons 19

4.3.2–Keyboard/16StepButtons 19

4.3.3–HOLDButton 20

5 – Presets 21

5.1–LoadingaPreset 21

5.2–StoreaPreset 21

5.3–FactoryPresets 22

6 – The Arpeggiator 23

7 – The Sequencer 25

7.1–StepRecording 25

7.2–Real-TimeRecording 27

UNO Synth

Contents

3

7.3–StepEditRecording 28

7.4–Deletingasequence 29

7.5–SequencerLengthandDirection 29

7.6–KeyboardPriority 29

8 – MIDI Implementation 30

8.1–General 30

8.2–ControlExternalDeviceswithUNOSynth 30

8.3–ControlUNOSynthfromExternalDevices 30

8.4–ConnectingUNOSynthtoacomputerviaMIDI 30

8.5–ConnectingUNOSynthtoacomputerviaUSB 31

8.6–SettingtheMIDIChannel 31

8.7–SettingtheSyncMode 31

8.8–MIDISoftThru 31

8.9–MIDIInterfaceMode 31

8.10–MIDIImplementationChart 32

9 – Specifications 36

10 – Troubleshooting 38

11 – Support 39

11.1–UserArea 39

UNO Synth

Introduction

4

Introduction

ThankyouforpurchasingUNOSynth.

Inthebox

Yourpackagecontains:

• UNOSynth

• USBcable

• 4AABatteries

• MIDIcables

• QuickStartGuide

• RegistrationCard

UNO Synth

Introduction

5

RegisteryourUNOSynth

Byregistering,youcanaccesstechnicalsupport,activateyourwarrantyandreceivefreeJamPoints™whichwill

beaddedtoyouraccount.JamPoints™allowyoutoobtaindiscountsonfutureIKpurchases!Registeringalso

keepsyouinformedofallthelatestsoftwareupdatesandIKproducts.

Registerat:www.ikmultimedia.com/registration

Precautions

Locations

Usingtheunitinthefollowinglocationscanresultinamalfunction.

• Indirectsunlight

• Locationofextremetemperatureorhumidity

• Excessivelydustyordirtylocations

• Locationsofexcessivevibration

• Closetomagneticfields

Power Supply

PleaseuseonlytheUSBcableprovidedwiththeunit,andconnectthesamecabletoacorrectUSBportinthe

deviceorpoweradapter.

UNOsynthworkswithbothNi-MHandAlkaline.Ni-MHbatteriesaretestedtolastabout4hoursofcontinuous

use,whileAlkalinebatterieslastabout3hoursofcontinuoususe.

Interference with other electrical devices

Radiosandtelevisionsplacednearbymayexperiencereceptioninterference.Operatetheunitatasuitable

distancefromradiosandtelevisions.

Handling

Toavoidbreakage,donotapplyexcessiveforcetotheknobsandcapacitivecontrols.

Care

Iftheexteriorbecomesdirty,wipeitwithacleananddrycloth.Donotuseliquidcleanerssuchasbenzeneor

thinner,orcleaningcompoundsofflammablepolishes.

Keep this manual

Afterread,pleasekeepthismanualforlaterreference.

Keep foreign matter out of your unit

Neversetanycontainerwithliquidinitnearthisunit.Ifliquidgetsintotheunit,itcouldcauseabreakdown,fire,

orelectricalshock.

UNO Synth

Introduction

6

Becarefulnottoletmetalobjectsgetintotheequipment.Ifsomethingdoesslipintotheunit,unplugtheUSB

cable,thencontactyournearestIKMultimediadealerorthestorewheretheequipmentwaspurchased.

Specification subject to change

Theinformationcontainedinthismanualisbelievedtobecorrectatthetimeofprinting.However,IKMultimedia

reservestherighttochangeormodifyanyofthespecificationswithoutnoticeorobligationtoupdateexisting

units.

UNO Synth

1- Installation and setup

7

1 – Installation and setup

Pleasenote:Topreventmalfunctionandequipmentfailure,alwaysturndownthevolumeandturnoffallthe

unitsbeforemakinganyconnections.

UNOSynthcanbepoweredbytheUSBbusorbyinternalAAbatteries.

USB:WhenconnectedtoanUSBhost(MAC,Windows),alltherequiredpoweristypicallyprovidedbythehost.

Iftheconnectedhostisnotcapabletoprovidetherequiredpower,batteriesmaybeneeded(forexample,using

aniOSdevicewithacameraconnectionkit).

IMPORTANT:IfthepowerswitchissettotheBatterypositionbutUSBpowerisconnected,notethatthelow

battery“BAT”indicatorwillnotappearonthedisplaywhenthebatteriesreachalowlevel.Buttheunitwillstill

beunderbatterypowerandwilleventuallyshutoff.SettheswitchtotheUSBpositiontoavoidthis..

1 - Power switch

Thisswitchturnsthepoweronandoff.Theunitcanbepoweredby4AAbatteriesorbyUSB.

Ni-MHbatteriesaretestedtolastforabout4hoursofcontinuoususe,whileAlkalinebatterieslastabout3hours

ofcontinuoususe.

2 - Micro USB port

ConnecttheUNOSynthtoaHostsuchasaMac/PCoraniOSdevicewithaLightningtoUSBCameraAdapter

orpowersupply(forexampleaUSBpoweradapterorUSBpowerbank).

3 - MIDI IN/OUT ports

TheMIDIportsworkswiththeincluded2.5mmmicroplugstoMIDIDINadapters.

4 - Audio IN

ConnectanotherUNOunitoranyexternalmonoaudiosource.

UNO Synth

1- Installation and setup

8

5 - Audio OUT

ConnecttheUNOSynthoutputtoanexternalamp,mixeroraudiointerfaceortoyourheadphoneswithstereo

mini-plughere.

6 - Knobs Behavior

UNOSynthknobbehavioruses“AbsoluteMode”bydefault.Thismeansthattheknobvalueisrecalledusing

theabsolutevalueofthepositionoftheknobwhenedited(i.e.:turnapotandthevaluejumpsimmediatelyfrom

thestoredvaluetotheeditedvalue).

Theother2modesarePass-ThroughandRelative.InPass-ThroughMode,turningtheknobhasnoeffect

untilaftertheeditedvalueequalsthepresetvalue(or“passesthrough”thestoredvalue).InRelativeMode,the

changesarerelativetothestoredsettingandthefullvaluerangeoftheknobisnotavailableuntileitherthe

minimumormaximumvalueandtherespectivelowerorupperlimitoftheknob’stravelisreached.

UNO Synth

2- Turning the unit ON/OFF - Calibration process

9

2 – Turning the unit ON/OFF - Calibration process

WhentheunitispoweredON,itautomaticallystartsthefirsttuningandcapacitancesensingcalibration.During

thecalibrationthedisplaywillfirstshowastatic“UNO,”thenblink“CAL.”Attheendofthecalibration,itwill

displaythefirmwareversion.Theunitwillthenbereadyforuseandthelastusedpresetwillbeloadedand

indicatedonthedisplay.

Donotpressbuttonsorputobjectsontheunitduringthecalibrationasthiswillincorrectlycalibratethe

capacitnancesensingsystem.Incaseofincorrectcalibrationofthecapacitancesensingsystem,pleasepower

offtheunit,andthenturnitonagaintorepeattheprocess.

Variousnoisesandcalibrationsoundsmightbeaudibleduringthestartupoftheunit,sowerecommendturning

thevolumedownwhilestartingup.

UNO Synth

3 – Overview

10

3 – Overview

UNOsynthisapowerfulandportablemonophonicsynthesizerwithfeaturesthatchangethemeaningof

“completeinstrument”forthepricerange.Itisaninstrumentthatwillbecomeknownforitssoundandflexibility,

readyforcreativeartiststhatneedinspiration.



Raw,warm,tightandeverythingin-between,thismonophonicbeastisthefirstofitskindthankstotheeasy

andpowerfulanalogarchitectureandthecomplexdigitalcontrols.ThesyntharchitectureprovidedbySound

MachinesbasedontheIKMultimediadesignpresentsananalogaudiopathwithadigitally-controlledengine

withthesefeatures:

• 2analogoscillatorspervoicewithcontinuouslyvariablewaveshapesincludingtriangle,sawandsquare

withpulsewidthmodulation

• Noisegenerator

• 2-poleanalogmultimodefilterthatcanbesettoLP,HPandBPwithoverdrive

• 2digitalenvelopes,oneforthefilterandonefortheamplitude

• 1digitalLFOwithsine,triangle,sawup,sawdown,square,randomandsample-and-holdshapes

• 5performancebuttonsforinstantmusicalarticulations

• A10-modearpeggiator

• Apowerful3-modesequencerwithparametersequencingandparametersteprecording

• Adigitaldelay

• Capacitancesensingkeyboardwithsmartscalecapabilities

• AudioinputtoconnectanotherUNOunitoranyaudiosource

• 20factorypresetsand80userpresets

• FullyMIDIcontrollable

UNO Synth

4 – Front panel interface

11

4 – Front panel interface

Thesynthhas3mainsections:theSoundEditor,theMasterSectionandthePerformanceControls.

UNO Synth

4 – Front panel interface

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4.1–SoundEditor

Thesoundeditorsectionusesamatrixof4buttonsand4knobstomodifythesynthesisparametersinreal-

time.However,thesoundeditingcapabilitiesofthesyntharenotlimitedtothematrix,andwiththehelpofMIDI

ContinuousControllers,itispossibletoadditionalsynthparameters(seeMIDIimplementationchartformore).

Hereisthedescriptionofeachrowofthesoundprogrammingmatrix.

4.1.1–OscillatorRow

Theoscillatorsgeneratethebasicsoundofasynthesizer.

TheUNOsynthhastwoanalogoscillatorsandanoisegenerator.Bothoscillatorshavecontinuouslyvariable

waveformsthatgofromtriangletosawtosquareandthenvariablepulsewidthsquarefrom50to98%.

TheOSCrowcontainsthesecontrols:

TheWAVE1andWAVE2controlscontinuouslychangethewaveformoftheoscillatorstartingfromtriangleat

theminimumsettingtosquarewithitspulsewidthat98%atthemaximumsetting.

UNO Synth

4 – Front panel interface

13

Tochangethetuningoftheoscillators,asemitoneanddetunecontrolforeachoscillatorisavailable.The

controlsarelabeledTUNE1andTUNE2.Fromthecenterpositionoftheknob,detunetheoscillator+/-100

cents.Thenattheouterextremes,thetuneadjustmentswitchestoquantizedsemitonestotransposethe

oscillator.

ToadjustthelevelsofOSC1,OSC2andthenoisegenerator,holdtheOSCbuttonfor1secondunitltheOSC

LEDstartsblinking.NowtheknobsadjustthevolumesforOSC1,OSC2andNoise.

Theoscillatortuningisdigitallycontrolled.Thetuningisupdatedatstartupandthenautomaticallyduring

momentsofinactivity.YoucanalsotunetheoscillatorsmanuallybypressingtheALT+TUNEbuttons.

4.1.2–FilterRow

Thefiltercolorsthesoundoftheoscillatorsinasynthesizer.

TheUNOfilterisa2-polemultimodefilter.Itfiltersfromthecutofffrequencyat12dBperoctave.

TheUNOSynthhasadedicatedfiltercutoffknob.TurningCUTOFFisthemostimmediateandeffectivewaysto

changethesound.

ThentheFILTERrowcontainsthesecontrols:

MODE:selectsbetweenLowPass(LP)wherehighsabovethecutofffrequencyarereduced,HighPass(HP)

wherelowsbelowthecutofffrequencyarereducedandBandPass(BP)wherebothhighsandlowsaroundthe

cutofffrequency(theselected“band”)arereduced.

RES:adjusttheresonanceofthefilterwhichistheleveloftheresonantpeakatthecutofffrequency.

DRIVE:adjuststheamountofsaturationappliedtothesoundgoingfromsubtleoverdrivetodistortion.

ENV AMOUNT:setstheamountthatthefilterenvelopewillmodulatethefiltercutofffrequencywithboth

positiveornegativevaluesavailable.TheFilterEnvelopeisapowerfultoolandanessentialpartofthesoundof

asynthesizer.Itssettingsandamountletsyoucreatealltypesofsounds.

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4.1.3–EnvelopeRow

Envelopesaremodulationsourcesinasynthesizerthatcreateshapesthatchangethefiltercutofffrequency,the

amplitude(volume)oreventheoscillatorshape.

TheUNOSynthhastwoseparateenvelopes,oneforthefilterandonefortheamplitude(volume).Thepanel

providesAttackandDecaycontrolsfortheFilterEnvelopeandAttackandReleasecontrolsfortheAmplitude

Envelope.



FullADSRcontrolsareeditableviaMIDIcontinuouscontrollers(MIDICC).SeetheUNOSynthMIDI

ImplementationChartforthespecificCCnumbers.

4.1.4–LFORow

LFOstandsforLowFrequencyOscillator.TheLFOisacyclicalmodulationsourcethatcanmoduletheoscillator

pitchorshape,thefiltercutofffrequencyandtheamplitudeofthesynth.



TheUNOSynthLFOisnotonlyawaytocreatemovingsoundtextures,it’salsothesourceforauser-friendly

performancetoolwithinstantarticulationeffects.

Thereare7LFOwaveforms:Sine,Triangle,FallingSawtooth,RisingSawtooth,Square,RandomandSample-

and-Hold.

TherateoftheLFOgoesupto30Hzandcanbesettofreerunortosyncwiththemastertempousingjustone

knob:Thefirst75%oftheknob’stravelsettheindependentfreerunspeedoftheLFO,andthelast25%ofthe

knob’stravelsyncstheLFOtothemastertempousingnotevaluesstartingwith1/1(wholenote)andcontinuing

with½(halfnote),¼(quarternote),1/4d(dottedquarternote),1/4t(quarternotetriplet),1/8,1/8d,1/8t,1/16,

1/16dand1/16t.

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ThePitchandFiltercontrolssettheamountthattheLFOmodulatesthemasterpitchandthefiltercutoff.

TheLFOmodulationisalsoroutedtothePulseWithModulationandWaveshaperofbothoftheVCOs,andto

theperformancebuttonscalledTremolo,WahandVibrato.

TherelativeamountsofmodulationareeditableviaMIDIcontinuouscontrollers(MIDICC).

SeetheUNOSynthMIDIImplementationChartforthespecificCCnumbers.

4.2–MasterSection

TheMastersectioniswhereyouaccessmoregloabalparametersthatareidentifiedbybuttonswiththered

outline,thedisplaywhichshowstheparametervalues,andtheTEMPOandVOLUMEknobs.

4.2.1–Display

Thisdisplaysthevaluesforparametersselectedbyusingtheknobsandbuttons.

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4.2.2–TempoKnob

Thisknobsetsthetempoforthesequencerandthearpeggiator.NotethatifthesyncissettoUSBorexternal,

thetempoknobwillworkasnotevalueselectorinunitsfrom1/4to2x.

4.2.3–VolumeKnob

Thisknobadjuststheoutputvolume.

4.2.4–DataButtons

TheUPandDOWNbuttonsadjustthevalueforthefunctionsselectedusingthebuttonswiththeredoutline.

Thesebuttonsalsomovebetweenstepsduringthestep-by-steprecordingofasequence.

4.2.5–PresetButton

ThePRESETbuttonisthe“homeposition”oftheinstrument’sinterface.Itcannotbedeselected.Whenthe

PRESETbuttonisactive,youcanmovebetweenthe100presetsstoredinthesynthusingthedatabuttons.

ThePRESETbuttonalsoletsyoustorepresetsbypressingandholdingit.SeeChapter5forfurtherinfo.

4.2.6–Octave

Thisbuttonselectstheoctaveofthekeyboardusingthedatabuttons.

4.2.7–Glide

Thisbuttonselectstheamountofportamentoor“slew”betweenheldnotesusingthedatabuttons.

4.2.8–Scale

This button quantizes the tone generator to different musical scales using the natural note keys (white keys). The

default setting is Chromatic where incoming note data will not be converted.

Press SCALE, and only one LED on the keyboard will be lit which indicates the currently selected key. Press

another note in the first octave of the keyboard to change the key.

Use the data buttons to select the musical scale.

When a scale other than Chromatic is selected, the accidental note keys (black keys) on the keyboard will be

disabled, and you can use only the bottom 16 keys to play the chosen scale in the selected key. This makes it

possible to gliss across the bottom part of the keyboard with ease and play only the notes in the chosen scale.

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TheavailableScalesare:

• CHR:Chromatic

• MAJ:Major

• MIN:Minor

• 1:MajorPentatonic

• 2:MajorBlues

• 3:MinorPentatonic

• 4:MinorBlues

• 5:MinorHarmonic

• 6:Mixolydian

• 7:Dorian

• 8:Klezmer

• 9:HungarianGypsy

• 10:SpanishGypsy

• 11:Japanese

• 12:South-EastAsian

4.2.9–DelayTimeandMix

TheDELAYandMIXbuttonsadjustthedelaytimeandthedelaymixamountusingthedatabuttons.Notethat

thefeedbackamountofthedelayisfixed.

NotethattheFeedbackamountisfixed.

4.2.10–AlternateFunctions

TheALTbuttonletsyouselectalternateandglobalfunctions.Thevaluescanbechangedwiththeup/down

buttons.Onceyouarefinishedadjustingthealternatesettings,pressALTagaintoexit.

METRONOME:enablesordisablestheaudiometronomeclickduringtherecordingofthesequence.

SYNC:adjuststheMIDIClocksettings.ThedefaultisInternalwheretheinternaltempooftheUNOSynthis

used.ThedatabuttonsalsoallowtheselectionofexternalMIDIandexternalUSBwheretheUNOSynthwill

synctoincomingMIDIClock.

MIDI:selecttheMIDIchannelsoftheUNOSynthbetween1and16usingthedatabuttons.Thedefaultis

channel1.WhenthebuttonLEDisgreen,theselectionisrelativetheMIDIINchannel.PresstheMIDIbutton

again,andtheLEDwillbecameorange:nowtheselectionreferstotheMIDIOUTchannel.

TUNE:startstheautomatictuningofthesynth.Ifduringthecalibrationthebuttonispressedagain,itwillstop

thecalibration.PleasenotethatwhenSEQorARPisactive,thisfunctionisdisabled.

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4.2.11–ArpeggiatorandSequencer

ThesearethecontrolsfortheArpeggiatorandSequencer.

ARP:activatesthearpeggiator

SEQ:activatesthesequencer

DIR:WhentheARPbuttonisactive,theDIRectionbuttonletsthedatabuttonssettheorderinwhichtheheld

notesarearpeggiated.Thereare10differentarpeggiatormodes.WhentheSEQbuttonisactive,theDIRection

buttonletsthedatabuttonsmovebetween3sequenceplaybackmodes:Forward,BackwardandForward-

Backward.

RANGE:whentheARPbuttonisactive,theRangebuttonletsthedatabuttonssettherangeofthearpeggiator

inoctaveswitharangeof1to4.WhentheSEQbuttonisactive,theRangebuttonletsthedatabuttonssetthe

Rangeofthesequencebetween1and16steps

4.2.12–TransportFunctions

Thetransportfunctionsarepartofthesequencer.Theyworkonlywhenthesequencerisactive.

PLAY:startsandstopsthesequencer.

REC:pressedaloneenablessteprecordingofthesequencer,pressedwithPLAYactivatethereal-time

recordingofthesequence,andpressedwithALTactivatetheStep-Editrecording.

4.3–Performancecontrols

Performancecontrolsareusedtoplayandarticulatethepresets.Theyincludethekeyboardandthe

performancebuttons.

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4.3.1–PerformanceButtons

Theperformancebuttonsprovideinstantmusicalarticulationsthatcanbeusedwithliveplayingorwhilethe

arpeggiatororsequencerarerunning.NotethattheLFOdrivestheVibrato,WahandTremoloeffects.Sothe

selectedLFOwaveformandrateintheLFOrowaffectsthebehavioroftheseperformancebuttons.

TheamountofmodulationfortheperformancebuttonsiseditableviaMIDIcontinuouscontrollers(MIDICC).

Thebuttonsare:

VIB:bipolaroscillatorpitchmodulationformusicalvibrato.ThevibratorateandwaveshapearesetintheLFO

section.

WAH:filtermodulationforwahwah-styletimbralchanges.ThewahwahrateandwaveshapearesetintheLFO

section.

TREM:negativeamplitudemodulationoftheVCAfortremolo.Thetremolorateandwaveshapearesetinthe

LFOsection.

DIVE:appliesthefilterenvelopedecaytooscillatorpitchwitharangeof2semitonestocreateabenddownto

theplayedpitch.

SCOOP:appliesthenegativefilterenvelopedecaytooscillatorpitchwitharangeof2semitonestocreatea

benduptotheplayedpitch.

4.3.2–Keyboard/16StepButtons

Thekeyboardisa27-notecapacitancesensingdevicethatcanbeplayedbyjustswipingafingeroverit.This

makestheUNOsynthveryeasytouseandalsoextremelyportable.Bysettingaparticularscale,itgetseven

easierasonlythebottomkeysareused.Thecreatesthepossibilityforeveryonetoplayinkeyandexperiment

withsolos,strangeriffsorjustforfun.

The16“white”keysinthebottomrowalsorepresentthe16stepsofthesequencerwhichhasitsownseparate

chapter.

Keyboard

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