Leica SF 58 ユーザーマニュアル

ブランド: Leica

モデル: SF 58

タイプ: ユーザーマニュアル

編者的話

A message from the editor

2009年首季LEICA宣佈推出多種嶄新產品，令各LEICA FANS雀躍不矣，今期為大家逐一

介紹。去年10月宣佈推出的Leica Pradovit D1200投影機終於上市了，為讓各LEICA會員親

身體驗其光學影像，我們將連同英國著名音響器材B&W及AV雙周舉辦欣賞會，活動

以小組型式舉行，參加名額有限，詳情見第26頁。而我們亦於永成攝影及狄龍影音

的專業影音陳列室展出Leica Pradovit D1200，在場更有專人介紹產品，詳情見第24頁。

希望大家多多支持~!

今期通訊，編輯部為版面設計上作出了改革，務求令會員有耳目一新的感覺。希望

大家喜歡~!

To the joy of Leica fans, Leica announced the launch of a number of brand new products in

the first quarter of 2009, and this edition we introduce all of them to you. The Leica Pradovit

D1200 projector, first announced last October, is finally available, and to enable all Leica

members to personally experience its optical imagery, we have teamed up with AV Biweekly

and celebrated British manufacturer B&W to organise an appreciation event. This activity will

be held in small group format with limited numbers of participants. See page 26 for details.

We will also be exhibiting the Leica Pradovit D1200 in the dedicated AV show rooms of Wing

Shing Photo Supplies and Delon Photo & Hi-Fi Centre. Specialist staff will be on hand to

introduce the products. See page 24 for details. Your support would be much appreciated!

I should also inform you that our editorial department has revised our layout design, in order

to give the magazine a fresh feeling. We hope you like it!

Anthony

帶著徠卡去攝獵

春天，是綠色的。大地充滿朝氣，萬物也被滋養，生生不息。我們雖被經濟的大氣

候籠罩著，但大自然卻給予我們正面和希望的訊息。同時，也喚醒著我們，叫我們

要出外走走，看看四時之變化。

在這春日裡，德國徠卡相機公司推出了M8.2 Saferi限量版綠色機身，正有著“狩

獵”的意思，配合多款徠卡新品及活動，我們一起帶著徠卡去攝獵吧！

Hunting for photos with your Leica

The first green shoots of spring are showing themselves. The ground is swelled with mois-

ture, nourishing every living thing, and the world teams with life. We may be stuck with the

current economic climate, but nature can still give us messages of hope and optimism. At

the same time, it can also awaken us. It exhorts us go out and walk around, and to see the

changes all about us.

Leica Camera AG latest M8.2 Safari Limited Edition is so named for precisely this reason in

addition combines with several Leica new products and activities. Let’s go out and hunting

with Leica in that green season.

Cherry

狩獵版相機套裝 4

The LEICA M8.2 ‘Safari’

豪華版尊貴套裝 6

Exclusive special edition luxury set

最精巧、最輕便的數碼投影機 8

LEICA Pradovit D-1200

頂級專業閃光燈 10

LEICA SF 58 Professional high-end flash

外置觀景器 12

LEICA BRIGHT LINE FINDER M 18 mm

徠卡超廣角鏡 12

LEICA SUPER-ELMAR-M 18mm/f3.8 ASPH.

限量真皮相機套 13

Ever ready Case “Mocha”

Photo Gallery 14

Bobby Lee and His Leica M

Leica M8.2 & M8 Firmware 提升 19

Firmware Version 2.004

數碼攝影色彩管理輕鬆行 20

Color Management In Digital Photography

徠卡體驗計劃2009第一季 22

Leica Test Drive Program Sec.1 2009

Leica Pradvoit D-1200巡迴展 24

Testing Show

誘發黑色魅力Leica Pradvoit欣賞會 26

Leica X B&W X AV BiWeekly 2008

如對會員通訊有任何建議或希望與其他會員分享使用LEICA的拍攝

心得，歡迎郵寄或電郵至 [email protected]給我們!

If you have any comments regarding the newsletter or experiences of photog-

raphy that you would like to share with other members, please write or email

us at: [email protected]

PRINTED IN HONG KONG

A PUBLICATION OF SCHMIDT MARKETING (HK) LTD

CMY

DC Photo-Delsey Corium OCT.pdf 3/10/09 10:50:19 AM

德國徠卡相機公司宣佈推出LEICA M8.2 Edition “Sa-

fari”狩獵限量版套裝，每款套裝內包括：LEICA

M8.2“Safari”橄欖綠色機身、LEICA ELMARIT-M 28mm

f/2.8 ASPH 銀色鏡配金屬銀色遮光罩、E39 UV/IR銀

色濾鏡、Billingham Combination Bag M“Safari”橄欖

綠相機袋及“Safari”真皮相機帶。

全球限量500套

Leica M8.2 Edition“Safari”是專為追求獨特、刺激

而又同時想保持低調的攝影追求者所設計。橄欖

綠的特別版機身，徠卡只曾生產過兩次。第一次

是1960年Leitz提供給德國聯邦國防軍“Bundeswe-

hr”，為隱蔽式監視及記實攝影時所用。第二次

就是1977 / 78年的LEICA R3“Safari”。時至今日，

這兩款特別版型號的相機，已成為極之珍貴的相

機收藏品。

相機：LEICA M8.2“Safari”

機身頂蓋、底板、機背以及機身皮革 “Vulkanit”

都造成橄欖綠，與“Safari”狩獵的意思相互呼

應。　頂蓋刻有傳統Leica商標，機身上所有可活

動的按鈕都造成銀色，與銀色的鏡頭保持一致

性。相機規格則與M8.2完全相同。

鏡頭：LEICA ELMARIT-M 28mm f/2.8 ASPH

輕巧、靈活多變、可適用在各種攝影場合的

28mm鏡頭，特別鑄造銀色限量版，並只與“Sa-

fari”搭配作套裝組合。以鋁金屬鑄造的鏡身，

能使重量維持在180克，與黑色版鏡身的重量相

同，輕巧靈活。配以金屬鑄造的銀色遮光罩，堪

稱完美配搭！

Billingham Combination Bag M“Safari”相機袋

英國相機袋製造商 B i l l i n g h a m ，特別為L E IC A

M8.2“Safari”製造了同樣是橄欖綠的相機袋。相

機袋以防水物料“FibreNyte”造成，配以棕褐色的

肩帶，與“Safari”徠卡相機組成完美套裝。內裡

活動式層格可依照不同相機及鏡頭作出調整。

相機肩帶：奢華真皮Leica相機肩帶

棕褐色真皮肩帶，底層為防滑皮革，可防止相機

從肩膀下滑。肩帶中央刻有Leica經典圓形商標，

兩邊則以明顯的縫紉線作點綴。從設計到製造，

都可見徠卡的用心設計。

Leica M8.2 Edition“Safari”狩獵限量版套裝全球

限量發行500套。2009年2月起發售，每套售價

HK$75,000 。

With the special edition LEICA M8.2 ‘Safari’, Leica

Camera AG, Solms presents a camera set with an ol-

ive green outdoor look. This exclusive special edition

is limited to 500 cameras worldwide.

The LEICA M8.2 ‘Safari’ set includes a LEICA M8.2

camera body in olive green paint finish and a silver

anodised LEICA ELMARIT-M 28 mm f/2.8 ASPH. lens

with a metal lens shade in classical design and a silver

E39 UV/IR filter. The technical specifications of both

camera and lens are identical to those of the stand-

ard models. A premium quality, real leather carrying

strap completes this unusually finished set. The strap

is made of brown calfskin leather and is embossed

with a subtle Leica logotype. The LEICA M8.2 ‘Safari’

edition also includes a matching camera bag. The Brit-

ish camera case and bag specialists, Billingham, have

created a matching camera bag in olive green with

brown trim especially for the ‘Safari’ edition. The bag

offers sufficient room for the set, additional lenses

and accessories.

The LEICA M8.2 ‘Safari’ edition camera model is in a

durable olive green paint finish that is characterized

by a particularly comfortable feel and grip. The vul-

canite leathering of the camera body also follows the

colour scheme of the top plate, the base plate and

the camera back. This special paint finish lends the

camera an appearance ideal for outdoor use and un-

derlines the camera’s status as an unobtrusive tool

for reportage photography.

The controls of the LEICA M8.2 ‘Safari’ edition are

silver chromed and thus create a visual harmony with

the silver finish of the LEICA ELMARIT-M 28 mm f/2.8

ASPH. lens. Thanks to its particularly compact design

and construction, a weight of only 180 grams and its

outstanding optical qualities, this extremely versatile

lens is one of the most popular lenses of the Leica

rangefinder system.

The special edition LEICA M8.2 ‘Safari’ is not the

first Leica camera produced with this unusual colour

scheme. The olive green finish was previously used

for two other Leica camera models: in the 1960s, ol-

ive green-painted Leica M cameras were supplied to

the military and used for unobtrusive surveillance and

documentary photography. The second olive green

camera model, the Leica R3 ‘Safari’, first introduced

in 1977/1978, is today a much sought after and valu-

able collectors’ item.

The LEICA M8.2 ‘Safari’ edition will be available

from February 2009. The Suggested Retail Price is

HK$75,000.-

New special edition.

The LEICA M8.2 ‘Safari’

狩獵版相機套裝

LEICA PRODUCT

德國徠卡相機公司隆重推出LEICA D-Lux 4 鈦金屬

限量版，獨特的機身更突顯徠卡相機的尊貴豪

華氣派。

首部鈦金屬DC 限量10,000部

LEICA D-Lux 4 鈦金屬限量版是繼LEICA M7, LEICA

MP鈦金屬機身及LEICA M6TTL鈦金屬版之後，成為

首部擁有鈦金屬版的輕便數碼相機。

銀灰色的LEICA D-Lux 4 鈦金屬限量版，外型簡潔，

獨特的機身外殼詮釋著徠卡奢華的風格，定必成

為各地收藏家的收藏之選。豪華版的LEICA D-Lux

4流露出一份奢華感覺的同時，相機的功能同樣

保持徠卡獨有的風格及特性，由金屬鑄造的機

身，內藏優異品質與卓越功能，與標準版的D-Lux

4同出一徹。高質的用料使無論在任何情況下，

都成為攝影師極可信賴的攝影工具。

LEICA D-Lux 4鈦金屬版與標準版擁有一致的相機規

格，故此，LEICA D-Lux 4的專業配件如手柄，外置

觀景窗，CF22閃燈都完全符合鈦金屬版使用。

小型LEICA M

徠卡優越光學鏡頭及其直覺式的簡易操作，讓

LEICA D-Lux 4成為一部真正的“小型”相機。其專

業的相機規格可媲美專業級數碼相機。輕巧，快

速的性能，給予攝影師極大的彈性，發揮無限創

意，記錄瞬間影像。

LEICA D-Lux 4 鈦金屬版全球僅限量發行10,000套。

２００９年１月起發售，每套配有同樣鈦金

屬版的真皮相機套。貨號為18371，每套售價

HK$9,500。

Exclusive special edition luxury set:

LEICA D-LUX 4 in titanium finish with a matching

leather case

Leica Camera AG, Solms presents an exclusive

special edition of the LEICA D-LUX 4 Titanium.

A further premium quality camera edition in an

elegant finish. The LEICA D-LUX 4 Titanium now joins

the special titanium limited editions of the LEICA

M7 and LEICA MP and a titanium colored LEICA M6

TTL as the first Leica digital camera with the satin

finish of anodized titanium. This special version of

the LEICA D-LUX 4 Titanium is limited to only 10,000

cameras worldwide.

The silver-grey of the LEICA D-LUX 4 Titanium has an

unmistakeably exclusive look that makes this special

edition an elegant collector’s piece with its own par-

ticular expression of luxury. The camera body of the

titanium edition has a particularly luxurious look and

feel, but still remains light and extremely resilient.

Thus, the LEICA D-LUX 4 Titanium has a metal body

that has been constructed with the same precision

and attention to detail as the standard models, and

the exclusive use of the highest quality materials in

its construction guarantees users absolute reliability

in every situation.

The technical features of the LEICA D-LUX 4 Titanium

are identical to those of the standard models. For

instance, the wide range of accessories for the LEICA

D-LUX 4, such as the handgrip, the auxiliary finder

or the LEICA CF 22 compact flash unit (available

from February 2009) are all fully compatible with

the titanium edition. Thanks to its high-performance,

fast precision lens and its intuitively designed operat-

ing concept, the LEICA D-LUX 4 is a true system

camera in a ‘compact’ form. Moreover, thanks to its

impressive specifications, it can even hold its own in

comparisons with professional models. In terms of

photographic creativity, it knows no limits. Together

with lightning-fast image processing and compact,

refined looks, this compact camera also offers its us-

ers enormous flexibility when it comes to capturing

those unique moments in unforgettable pictures.

From January 2009, the camera will be available in a

set together with a premium quality, titanium-colored

leather case. The suggested retail price is HK$9,500.

LEICA D-LUX 4 in titanium

Exclusive special edition luxury set

豪華版尊貴套裝

LEICA PRODUCT

LEICA Pradovit D-1200投影機是由徠卡照相機公司

推出的第一款高端數碼投影機，它的機身由高品

質的鎂合金制成，外形優雅、性能卓越。其精巧

而輕便，重量不足3.5千克，是世界上這一級別投

影機中最小巧、最輕便的投影機。LEICA Pradovit

D-1200投影機menu設計清晰，並為主要功能額外

設計遙控裝置，使得操作更加簡便。LEICA Pradovit

D-1200功能強大、而多樣，應用範圍包括從高質

量大格式的數碼圖片投影到用全幅高清影像播放

電影、私人視頻錄像、電視節目和電子遊戲。由

於投影機工作時特別安靜，因此觀看相片或電影

都會成為整個家庭的美好享受。

徠卡照相機公司投影機產品經理 B j ö r n D i e t -

zler說：“自1925年以來，幻燈機就已經成為徠

卡產品家族中不可或缺的一部分。無論是業餘攝

影師，還是用多媒體進行演示的演講者都非常欣

賞徠卡幻燈機和鏡頭的精確性和卓越光學品質。

從開始冒險進入數碼投影機領域之初，徠卡就將

還原優異影像的投影機納入到徠卡光學產品系列

中，為徠卡攝影師提供出色的產品，可以將精美

的影像完美地的再現。所有的產品都源自徠卡，

因此不同產品之間可以很好協作。”

結合得克薩斯設備公司的DLP 顯示技術，LEICA

Pradovit D-1200配置了最佳的色彩管理，可以在

16:10的格式中真實再現影像。這一反射芯片技術

使得實際分辨率可以達到1920 x 1200像素。即使

在真實影像設定中，對比度超過2500:1，亮度可

達1400流明。

LEICA Pradovit D-1200 投影機使用的鏡頭是LEICA

VARIO-ELMARIT-P f/2.8-3.1/33-42 mm/59 mm-74 mm

(equiv.)/t.r. 1.6-2.0:1 高速鏡頭，確保了極高的亮

度和對比度。投影機可用的光學投影距離是1-

15米，所需屏幕寬度大約是0.5-6.8米。投影對角

線從0.6到11米。因此投影圖像能夠最佳地適用於

不同類型的房間。

LEICA Pradovit D-1200配備了最新的燈泡技術。

220W的飛利浦FusionPlus VIDI UHP 燈泡在標准模式

下大約可以使用3000個小時，在高功率模式下大

約可以使用2000個小時。運行時的噪音低於28分

貝，可以保證投影時的安靜環境。

LEICA Pradovit D-1200投影機提供了各種播放設備的

連接端口，除了輸入端口外，還提供了用於連接

台式電腦、筆記本電腦、DVD、Blu-Ray或高清晰的

DVD播放器、高清晰便攜錄像機或高清晰電視接

收器的HDMI1.3和DVI數碼接口。除了這些常用的組

合和S 視頻接口外，還提供了LAN和VGA 電纜連接

端口。

LEICA Pradovit D-1200投影機現已到港，建議零售價

HK$93,200 (貨號:38000)

The LEICA PRADOVIT D-1200 presented by Leica

Camera AG, Solms is the first digital Leica projector

for high-end applications, a high performer in an el-

egant body of high-quality magnesium. With its extra

compact size and weight of less than 3.5 kilograms,

it is the world’s smallest and lightest projector in this

class. The LEICA PRADOVIT D-1200 features a clearly

designed menu and an additional remote control for

the main functions, making operation even easier.

The application potential of the LEICA PRADOVIT D-

1200 is wide and varied, ranging from high-quality

large-format projection of digital photos to showing

films in full HD quality, private video recordings and

television programs and playing PC games. Thanks to

the projector’s extremely quiet running, viewing is an

enjoyable experience for the whole family.

“Projectors have been an integral part of Leica’s prod-

uct range ever since 1925. Not only ambitious ama-

teur photographers, but also speakers giving evening-

filling multimedia shows appreciate the precision and

optical quality of Leica projectors and their lenses. By

venturing into digital projection, Leica has added the

final link to its performance chain, providing provides

Leica photographers with outstanding products for

excellent photography and brilliant reproduction – all

from a single source and therefore ideally attuned to

each other,“ says Björn Dietzler, Product Manager for

Projection at Leica Camera AG.

Integrating D(igital)L(ight)P(rocessing) Display tech-

nology from Texas Instruments, the LEICA PRADOVIT

D-1200 has optimally matched color management for

photorealistic image reproduction in 16:10 format.

This reflecting chip technology enables an actual

resolution of 1920 x 1200 pixels. Even at the photore-

alistic setting, the contrast ratio is more than 2500:1

with a brightness of about 1400 ANSI lumen.

The LEICA VARIO-ELMARIT-P f/2.8-3.1/33-42 mm/59

mm-74 mm (equiv.)/t.r. 1.6-2.0:1 high-speed lens of

the LEICA PRADOVIT D-1200 ensures superb bright-

ness and contrast. The optics can be used in a projec-

tion range from 1 to 15 meters, which is equivalent

to a screen width between about 0.5 and 6.8 meters.

The picture diagonals run from 0.6 to 11 meters. The

projected image can therefore be optimally adapted

to many different types of rooms.

The LEICA PRADOVIT D-1200 is equipped with the

latest lamp technology. The 220W FusionPlus VIDI

UHP lamp from Philips has a working life of approx.

3000 hours in standard mode and about 2000 hours

in high-power mode. The pleasantly quiet operating

noise is under 28 dB, ensuring a restful evening of

projection.

The Pradovit D-1200 offers various options for con-

necting playback devices. Besides a component input

port, it provides HDMI1.3 and DVI digital interfaces

for linking a computer, laptop, DVD, Blu-ray or HD-

DVD player, HD camcorder or HDTV receiver. Besides

the customary composite and S video interfaces,

there are also ports for LAN and VGA cables.

The LEICA PRADOVIT D-1200 is on sale now, the sug-

gested retail price is HK$93,200. (Product code:38000)

LEICA Pradovit D-1200

最精巧、最輕便的數碼投影機，真實再現精美影像

The smallest and lightest digital projector in its class for photorealistic reproduction

LEICA PRODUCT

New: LEICA SF 58

Professional high-end flash unit for highest performance

and system compatibility 頂級專業閃光燈配合徠卡相機的專業系統。

兼容未來的相機系統

LEICA SF 58是有史以來最頂級的徠卡閃光燈，它

結合所有專業閃燈必備的元素以及對未來系統的

支援性，包括徠卡R系單鏡反光相機，M系連動

測距相機，S型專業相機在內，皆適用這款智慧

型閃燈。透過USB與電腦連線，SF58可更新最新

firmware，確保更多的相機支援。

高性能帶來拍攝自由

結合高閃光指數58（IS0100/21°）可傾斜和旋轉

的閃光燈反射器，可直接或間接閃光，為攝影師

提供一套良好光線運用的無限可能性。

亮度和靈活性

通過系統控制的集成副反射器，可增亮陰影以

及保持高光層次。此外，徠卡SF 58閃光燈提供

24mm到105mm的涵蓋範圍，通過內置的廣角擴散

器可以涵蓋到18mm。閃燈反射會自動依據現場光

作調整，當然也可以手動調較。

直覺式設計，操作簡易

從現在起使用閃光燈進行拍攝比以前任何時候都

要簡單。自動閃燈功能如TTL或自動以及自動強制

閃光，都會自動偵測相機參數並作同步化，只要

按下快門，便可達到最佳曝光平衡效果。

閃光燈具有自動對焦矩陣測光(Autofocus-Matrix-Me-

tering)功能，即使在弱光下也能夠精準地對焦。

直覺簡單的按鈕及清晰的點鉅陣顯示屏(Dot-Martix-

Display)，使攝影師只需集中精力關注最重要的工

作。

高效率值得信賴

高效能的電源管理系統讓閃光燈在快速和連續操

作下，都能保持穩定性能。同時，閃光燈備有過

熱控制系統，為閃光燈提供保護作用。

拍攝專業閃光照片

新型徠卡SF 58還具有兩種不同的閃光選項（標準

或柔和），適用於多種攝像應用。通過同步遙

控閃光功能(slave function) ，閃燈可彼此透過無線

連結，Leica SF 58為富有創造力的攝影師展現最大

可能性。

總之，徠卡SF58是一款高性能的閃光設備，是專

業攝像師不可缺少的工具，帶來了無限的創造

力。Leica SF 58 閃光燈由2009年4月發售，貨號為

14488，建議零售價HK$6,600。由購買日期起可享

有2年保修期。

Leica Camera AG, Solms, presents a new flash unit

combining the highest performance and system com-

patibility in one high-end flash unit – the LEICA SF 58.

The maximum guide number of 58 (ISO 100/21°) of

the new flash unit enables high light output and of-

fers ideal opportunities for indirect flash illumination

thanks to its fully swivelling reflector. Its integrated,

system-controlled secondary reflector maintains im-

age brilliance and simultaneously lightens shadows

and highlights. For photographers, this means more

creative freedom in the use of light and more flexibil-

ity, even under difficult lighting conditions. A diffuser

for softer illumination, particularly recommended for

portrait photography, is available as an optional ac-

cessory.

The LEICA SF 58 is suitable for use with all Leica

rangefinder and SLR cameras and can also be used

with the new Leica S-system. The flash unit is spe-

cifically dedicated for use with Leica system cameras

and simplifies flash photography with each camera

type. The LEICA SF 58 is equipped with an integrated

USB port to allow convenient uploading of firmware

updates. This feature ensures absolute compatibility

with future generations of Leica cameras.

The LEICA SF 58 flash unit features a wide zoom

range of 24–105 mm and an integrated wide-angle

diffuser to extend the field of view by 18 mm. Depend-

ing on the focal length of the lens in use and the sen-

sor format, the flash reflector setting is automatically

controlled and also features a manual adjustment

option.

Thanks to its numerous technical features, the LEICA

SF 58 enables photographers to capture profession-

ally exposed images independent of any existing light-

ing conditions. For instance, the unit features auto-

matic functions such as TTL or automatic flash mode,

as well as automatic fill-in flash. In addition, the new

LEICA SF 58 offers a choice of two lighting profiles

(Standard and Soft) that allow optimum adaptation to

various lighting situations. High performance energy

management guarantees flash photography at the

highest speed and constancy, and at the same time

an overheating protection function regulates the flash

frequency when necessary.

Intuitive controls and a user-friendly operating con-

cept ensure simple handling of the LEICA SF 58. All

relevant parameters can be easily set with the four

soft keys of the unit. The clearly structured, illumi-

nated dot-matrix display allows photographers to

concentrate on the essentials.

The LEICA SF 58 is available from authorised Leica

dealers from April 2009. Product Code is 14488 and

HKSRP $6,600.-

LEICA PRODUCT

LEICA SUPER-ELMAR-M 18mm/f3.8 ASPH.超廣角鏡，是徠卡短焦距鏡頭中的新成員。

它擁有18mm超大視角，但仍然保持輕巧體積，同時提供優越的影像品質。超

廣角常見的變形和漸暈都控制得非常好。毫無疑問，超廣角是徠卡的強項。全

新M 系配件18mm外置觀景器將同步推出。

特點：

安裝在M8數碼相機，18mm相當於全片幅的24mm，為M8一機一鏡組合帶來更好

的攝影方式。安裝在所有 M系的菲林相機，同樣帶來出色的影像。短焦距的

18mm廣角鏡將帶給攝影師全新的視野。適用在各種場合，從報導攝影、風景

攝影、到建築攝影，都可符合超廣角愛好者的需求。在3.8的全開光圈下，細緻

的對比度及解析力足以稱雄。使用最大光圈3.8拍攝，最近對焦範圍從5吋到無

限遠，都涵蓋在景深範圍內。

適用配件

特別生產全新18mmUV/IR濾鏡，適用於安裝鏡頭與遮光罩之間。為了適用於更

多種類的濾鏡，提供E77濾鏡轉座，使用時需取下遮光罩。

外置觀景器

LEICA BRIGHT LINE FINDER M 18 mm

LEICA SUPER-ELMAR-M 18mm/f3.8 ASPH.

A matching LEICA BRIGHT LINE FINDER M 18 mm is also available for the new

LEICA SUPERELMAR-M 18 mm f/ 3.8 ASPH. lens. Used in conjunction with the

new lens, it shows the precise framing of the field of view, and is distinguished

by its vibrant, high-contrast image. Due to a concave mirror in the optics (hence

the term ‘mirror viewfinder’), part of the incoming light is used to brightly il-

luminate the frame for the field of view – in the same way as in the viewfinder of

Leica M cameras.

The finder has parallax compensation markings for close-up distances below 2

m, and also markings for the slightly smaller image field of LEICA M8 models.

It is, therefore, equally suitable for use with film (24 x 36 mm) and for digital

photography (18 x 27 mm).

The entire optical system of the finder has a high-quality multi-layer coating to

guarantee optimum viewing under all conditions. Its high-quality metal body

is designed and finished in the popular, classic look of its predecessors of the

fifties and sixties, but are milled from solid brass with the latest technology, and

then finished in silver-chrome or black paint to match the cameras. The eyepiece

is rubberised to reliably protect spectacles against scratching.

LEICA 18mm 觀景器由全金屬鑄造，外型充滿五六十年代的復古風格。並以

最新的技術，在黃銅的物料鍍上黑漆及銀色塗層。

特點：

．觀景器內有明亮線框，透過鏡片可看到準確並清晰景像。

．對焦在2公尺之內提供視差補償。

．新增較細小的線框，以便M8數碼相機的片幅使用(18x27mm)

．同時也適用於M系菲林相機 (24x36mm)。

．多層鍍膜光學技術能適合任何環境使用。

．典雅細小的外型設計。

．優質的金屬外殼物料。

．橡膠眼罩，避免刮花眼鏡。

．附真皮的皮套。

限量真皮相機套

Ever ready Case “Mocha”

全新LEICA D-Lux 4 Mocha Ever Ready Case 限量版真皮相機套，深啡色的相機皮套，採用優質的小羊皮製造，底部付有螺絲以固定機身，拍攝時只

需揭開皮套前端，便可輕易捕捉瞬間影像。

LEICA D-Lux 4 Mocha 深啡色相機皮套，與黑色的D-Lux 4 機身配成一對，顯得和諧有致，甚稱完美配搭。

LEICA D-Lux 4 Mocha 附有銀色包裝盒，並收藏在刻有徠卡商標的絨布袋內。

Leica D-Lux 4 Mocha Ever ready Case 全球限量3,000 個，2009 年3月開始發售，貨號為18705，建議零售價HK$2,000.-

Leica Camera AG would like to present you the mocha coloured LEICA D-Lux 4 ever ready case.

As with the black case that is delivered with the Titanium set, the mocha coloured case is also made of finest premium calfskin. The beautiful finished

case can been fixed with a screw to the LEICA D-Lux 4 and easily be converted to take photos directly out of it.

The dark tanned leather of the case shows a fine contrast to the black LEICA D-Lux 4 and creates a well harmonized combination.

The case will be delivered in a silver carton box together with a protection pouch made of velour with the Leica logo on a leather batch attached to it.

From March 2009, LEICA D-Lux 4 Every ready Case “Mocha” is limited to 3,000 sets. The suggested retail price is HK$2,000.-

With the LEICA SUPER-ELMAR-M 18 mm f/ 3.8 ASPH., Leica Camera AG, Solms, expands their range of short focal-length lenses for the Leica M System with another

compact wide angle lens. This newly developed lens is characterised by its outstanding image quality and particularly compact size. A new finder, the LEICA BRIGHT

LINE FINDER M 18 mm, to match this lens is the latest addition to the Leica rangefinder system accessories range.

The LEICA SUPER-ELMAR-M 18 mm f/ 3.8 ASPH. is ideal for a wide range of applications from expansive reportage images to landscapes and architectural photogra-

phy. When used on digital Leica M models, the LEICA M8 and LEICA M8.2, the slightly smaller format of the sensor increases the effective focal length to the 35 mm

format equivalent of 24 mm. This means that the new lens is also a particularly practical and useful wide-angle lens for digital M photography. In addition, the lens can

also be used on all analogue Leica M camera models, and its extremely short focal length of 18 mm opens up numerous new opportunities for composition and creative

expression.

The fundamental parameters of vignetting and distortion traditionally encountered in super wide-angle lenses have been so well corrected in the case of the LEICA

SUPER-ELMAR-M 18mm f/ 3.8 ASPH. that they play no role at all in practice. This results in extremely sharp, crystal-clear and uniformly exposed images from corner

to corner. Due to the outstanding contrast and reproduction of details, the initial aperture of 3.8 can be used without any limitations. Even wide open, the depth of field

extends from infinity to 1.2 metres. Stopping down is only necessary as a means to further increase the depth of field.

The LEICA SUPER-ELMAR-M 18 mm f/ 3.8 ASPH. is constructed with eight lenses in seven groups. Thanks to the use of one aspherical element, aberrations were able

to be corrected to a hardly detectable minimum.

The LEICA SUPER-ELMAR-M 18 mm f/ 3.8 ASPH. also features a patented, screw-on rectangular lens hood that makes an essential contribution to its compact size. The

lens will be available at authorised Leica dealers from March 2009.

貨號

Product Code

12022(黑Black)

12023(銀Sliver)

建議零售價SRP

HK$6,600

貨號Product Code

11649

建議零售價SRP

HK$21,500

貨號Product Code

18705

建議零售價SRP

HK$2,000

LEICA PRODUCT

認識Bobby Lee，是始於去年10月舉辦Leica Day的

其一場的講座，Bobby 以Leica 用家的身份，分享

他與Leica 的拍攝體驗，見他侃侃而談，好像順手

拈來。事實上，這位在初中時已立志當攝影師，

1985年成立自己的工作室至今，三十多年攝影經

驗，叫他談攝影，當然不是難事。難得與這位健

談的攝影師碰頭，當然要找他細談。且看他的攝

影旅程，又會否引起你也拿起Leica 來抓拍一翻！

C：在Leica Day 當日你所展示的作品，似乎拍攝的

地點都是在中國偏遠的山區，為何會有這次的攝

影之旅？

B : 對，這輯相片是我在2003年跟「香港救助兒童

會」到中國西北山區小學作評估時攝的。那時，

在朋友的介紹下，剛剛認識了這個機構的負責

人，而剛巧他們又需要一位攝影師隨行，去紀錄

他們在國內的工作。那時我又正好完成了手上的

工作，加上希望給自己一些挑戰，所以便答應義

務為他們紀錄這個旅程。

C : 為何會選擇Leica 相機隨行？

B : 當時並沒有多加考慮便決定使用Leica M6相機。

主要原因是在缺乏支援（差不多每天都在山區路

上）的情況下，機械相機永遠是最可靠的。再者

Leica M6機身以至鏡頭的設計都十分輕巧，我只需

要一個中形的相機袋，便可裝下三部M6加６支鏡

頭（21mm f/2, 28mm f/2, 35mm f/2, 50mm f/2, 50mm

f/1 及 90mm f/2.8）。菲林方面我就帶備了200卷

100度及400度的正片（即幻燈片）。

C : 帶三機六鏡的原因何在？

B : 主要原因是每到一所學校都要七至十小時的

車程，所以真正留在校內的時間都十分之短，加

上小朋友的神情可能只是一剎那，所以最理想是

省去換鏡頭的時間。兩部機一長（50mm）一短（

28mm）便不會失去拍攝機會。另一部M6則裝上

400度菲林以便在光線轉變時（由室外走進室內

時）不會浪費菲林及時間。

至於超長焦距鏡頭又如何呢？我採用了當時很多

戰地記者常用的組合：M6相機為主打，再加一

部最簡單輕便的單鏡反光機連一支70-200mm變焦

鏡。在十一日的行程中（由甘肅出發經清海最後

到西藏）九成的時間都使用M6拍攝。

C： Leica 相機有何獨特之處，能幫助你完成這次

的攝影之旅？

B：這個旅程最大不同之處是在拍攝的心態上，

我要完全配合周邊的環境，不可以強加或更改拍

攝當時的內容。所以我盡量不與小朋友互動。

但很多時小朋友的表情只出現一殺那。　Leica

Rangefinder疊影對焦系統的其中一個好處就是在極

短的時間內對焦。好像在我其中一幅名為＜眼睛

＞的作品中，當時我在其中一所山區學校的飯堂

內，拍攝小朋友用膳的情況，一回頭便看到一大

班眼裡充滿好奇的小童在窗外留意我的舉動！我

利用了紅色窗廉布作引子，玻璃窗上的水漬及小

童擠在窗外構成甚有層次的效果。

整個過程都只是數十秒之間的事。Rangefinder相機

疊影對焦系統的其中一個好處，就是可在極短的

時間內對焦。

又例如在另外一張<七個>的作品中，是一間簡陋

的房間內，我被放在檯上的飯碗及破舊的水壼吸

引。當時的環境光線不太足夠，但Leica 相機沒有

反光鏡的活動部份，所以便可用極慢之快門速度

（1/4秒）手持相機拍攝。

還有，就是徠卡鏡頭的超大光圈鏡頭也可彌補光

線不足的情況。但在此值得一提的是，我一向認

為Noctilux-M 50mm f/1，除了是一支適合光線不足

的超大光圈鏡頭外，更是一支擁有長焦距淺景深

的標準鏡。好像我在名為＜小天使＞的作品中，

就是在有限之距離拍攝凸出的效果。

C：我知道你是資深的攝影師，可否分享一下你

在構圖上的心得？Rangefinder 相機如何助你構

圖？

構圖的心得很難只從三言兩語中道出，最好是拿

著相片來解說。

編者按：（此時，Bobby 拿著他的一幅作品解說

他為何要這樣影，當時的環境及背後的故事等

等。果真不是三言兩語可說完。我們笑說要請

Bobby 來公司解說一翻，來一個導償團。）當然

Rangefinder 系統是有助我在構圖上的處理的。

第一，Rangefinder相機的特點是其對焦系統。攝影

師所看的就是觀景窗看到的事物，不會受光圈值

的限制，不會在對焦時遇到光線不足的困難。這

一點在黑暗環境下rangefinder 尤其有優勢。不過

也正因如此，一些單反的用家便較難掌握景深的

控制。

第二個特點也是在取景上之分別。單鏡反光相機

在設計上，觀景器只能看到100%拍攝景像。所以

攝影師無從得知觀景窗以外的事。而Rangefinder觀

景器的框線外都留有一定的空間，以便攝影師捕

捉到的畫面以外的環境變化！正因如此，我建議

大家在取景時，不用看viewfinder的另一隻眼最好

是張開的，那便可以留意到取景器其中一面正在

發生的事（例如有人正走進構圖中）！

再說它在機械上的構造，M機的快門是直接由快

門按鈕啟動。所以快門返應比單鏡反光機來得快

和直接。這個特點對追求捕捉到決定性一刻（de-

cisive moment）是十分重要。加上機身省去反光鏡

箱的裝置，拍攝時特別靈靜及穩定。

<七個>”Seven Stuff”

<小天使>”Little Angels”

Photo Gallery

MINOX PRODUCT

We first got to know Bobby Lee at a seminar he gave

as part of Leica Day in October 2008. He was relaxed

as he chatted casually about his experience of pho-

tography as a Leica user, but in fact this man, who had

already set his sights on a career as a photographer

in junior middle school, has been running his own stu-

dio since 1985. With more than 30 years experience,

talking about photography is certainly no challenge

for Bobby Lee, and having had the good fortune to

encounter a photographer so willing to discuss his

work, we had to find an opportunity for a more in-

depth conversation. Moreover, perhaps a look at his

photographic journey will inspire you to pick up your

Leica and get snapping!

B = Bobby C = Cherry

C: The works you showed at Leica Day seemed to

mostly have been taken in remote mountain areas of

China. What prompted you to make this photographic

journey?

B: That’s right. This collection was taken on a trip with

“Save the Children Hong Kong” to conduct assess-

ments of primary schools in the mountains of north-

west China. At that time, a friend had just introduced

me to the director of the charity, and it happened that

they needed a photographer to go with them and help

record their work in the interior. I had just finished

my last job, and I was also looking to give myself a

challenge, so I agreed to record this journey for them

as a volunteer.

C: Why did you choose a Leica camera to accompany

you on the trip?

B: It didn’t take much deliberation to decide to use

a Leica M6. The main reason was that in a situation

without any support (we were travelling through the

mountains virtually every day), mechanical cameras

are always more reliable. Also, the M6 body and

lenses are very light and neatly designed, so with only

one medium-size camera bag I was able to take three

M6 bodies and 6 lenses (21mm f/2, f/2, 28mm f/2,

35mm f/2, 50mm f/2, 50mm f/1 and 90mm f/2.8).

In terms of film, I used 200 rolls of 100 ISO and 400

ISO positives (slide film).

C: Why did you bring three bodies and six lenses?

B: The main reason is that it took 7-10 hours by car

or bus to reach each school, so the actual time we

spent in the school was very limited, added to which

children’s expressions sometimes last for only the

briefest of moments, so the best thing is to minimise

the time spent changing lenses. With long (50mm)

and short lenses (28mm) on two different cameras,

you’re not likely to miss the chance to get a good shot.

I loaded the other M6 with 400 ISO film to avoid wast-

ing film and time when the light changed (e.g.: going

from outdoors to indoors).

What did I do in terms of super-long lenses? I used

a combination that a lot of war photographers used

at the time: the M6 camera as the main tool, com-

plemented by the most basic SLR with a 70-200mm

zoom. I shot with the M6 for about 90% of the time

on the 11 day trip (starting out from Gansu, passing

through Qinghai and ending up in Tibet).

C: What unique features of Leica cameras helped you

to complete this photographic odyssey?

B: The biggest difference with this trip was in terms of

the attitude to the photography itself. I had to fully ac-

commodate the local environment, there was no way

to force impose or re-shoot the events of a particular

moment. For this reason, I did my best to interact

with the kids, but a lot of the time the children’s faces

would only be there for a split second. One of the

advantages of the Leica Rangefinder’s superimposed

image focus system is that you can focus in an ex-

tremely short time. For example, in one image called

“The Eyes”, I was photographing the children eating in

the dining room of a school in the mountains; when

I turned around I saw a whole class of children fol-

lowing my movements from outside the window, their

eyes just bursting with curiosity. I used the red curtain

on the window as an introduction, while the water on

the window glass and the children crowding around

outside the window produced a very layered effect.

The whole process took only ten seconds or so. One

of the advantages of rangefinders’ superimposed

image focus system is that you can focus in an ex-

tremely short time.

Another example would be a shot called “Seven

Stuff”. I was drawn in by the rice bowls and worn out

flasks sitting on the table in this dilapidated building.

There wasn’t really enough light at the time, but the

Leica doesn’t have the moving parts of an SLR, so you

can use extremely slow shutter speeds (1/4 second),

even when holding the camera.

The ultra-wide apertures of Leica lenses also help to

compensate for poor light, but it’s worth mentioning

at this point that I have always thought of the Noc-

tilux-M 50mm f/1 as not just a great wide-aperture

lens for poor lighting conditions, but more importantly

as a standard lens with great depth of field. Just as

in my photograph entitled “Little Angels”, you can

see the effect really stands out even at a very limited

distance.

C: You are a very experienced photographer, so do

you have any insights on composition you can share

with us? How do rangefinder cameras help you to

compose images?

B: Insights into composition... that is a difficult thing

to explain in a few words. The best thing would be to

look at a photo and explain it.

Editor’s note: (At this point Bobby brought out one of

his photographs and explained why he shot it the way

that he did, the circumstances at the time, the story

behind it and so on. His explanation was inevitably

more than a few words, and we joked with him that we

should invite him to explain it at the office and give an

art appreciation course.)

Of course, the rangefinder system helps me to deal

with image composition.

The first feature of rangefinder cameras is their focus-

ing system. The photographer see what is in the view-

finder, which is not restricted by the aperture of the

lens, and thus the various focusing problems caused

by poor light conditions. This means that rangefinders

are at an especially great advantage in dark environ-

ments. It is also precisely for this reason that some

SLR users find it relatively difficult to control depth

of field.

The second feature is in terms of how they frame

the image. SLR cameras are designed so that 100%

of the viewfinder image is what will be shot, and so

the photographer has no way of knowing what is go-

ing out outside the frame. With a rangefinder, there

is still some space outside the borders of the view-

finder frame, so that the photographer can keep his

eye on changes in the environment that are outside

the frame. I recommend that people also keep the

eye that is not looking through the viewfinder open,

so that they can see what is happening on the other

side of the viewfinder (such as people walking into

your shot!).

Also, in terms of their mechanical construction, the

shutter on M-series cameras is operated directly by

the shutter button, which means that the shutter

reacts faster and more directly than on SLRs. This

feature is very important for capturing the decisive

moment. Added to this, the body doesn’t need all the

devices that are required on an SLR, so it is quieter

and more stable when you are shooting.

Bobby Lee’s Bio:

初中時巳愛上攝影並立志當攝影師，甚至交功課也是用自己拍攝的照片代替剪報。

中五畢業後曾兩次考獲美國的Brooks Institute 及英國的愛丁堡理工學院入學資格，但兩次都因外來因素

而未能成行。於是從當助手開始商業攝影生涯。

1976 年開始跟隨 Mr. Benno Gross 及 Mr. Dinshaw Balsara 當助手。1985 年，Bobby Lee Photography Ltd. 正式

成立。80年中期由廣告攝影轉型至企業攝影 (corporate photography)，為客戶拍攝的年報曾多次在Interna-

tional ARC Awards中獲獎。

1996年，再次拾起 Leica M6 尋找自己的攝影風格。2003年跟隨「香港救助兒童會」到中國西北山區紀

錄學童的生活狀況，從中得到很大的樂趣及啟發──在有限的資源中盡力去紀錄及創作，這才是「真

攝影」（Pure Photography）。2004年開始跟不同的攝影器材生產商合作舉辦講座及工作室。對象主要是

業餘攝影愛好者及中學生，主力在介紹技術之餘希望在推廣攝影文化。

Bobby的工作理念；在日常工作中相信團隊精神，工作上得到之獎項其實是經客戶，美術指導，助手以

至接送拍攝隊伍的司機合作所得來的成果。

Bobby fell in love with photography while in junior middle school and was determined to become a photogra-

pher, to the extent that he even used his own photos as substitutes for newspaper clippings when doing home-

work. After graduating from Form 5, he passed the entrance exams on two occasions for both Brooks Institute

(US) and Edinburgh Polytechnic (UK), but outside events rendered him unable to follow through on these plans

in both cases. For this reason, he entered the world of commercial photography as an assistant.

He began working as assistant to Mr Benno Gross and Mr Dinshaw Balsara in 1976. In 1985, Bobby Lee Pho-

tography Ltd. was formally incorporated. Through the 80s, he gradually switched from advertising photography

to corporate photography, winning a prize at the International ARC Awards for a client’s annual report.

In 1996, Bobby went back to his Leica M6 and began to create his own photographic style. He followed “Save

the Children Hong Kong” on a 2003 trip to the mountains of northwest China to record children’s living condi-

tions, from which he gained a great deal of enjoyment and inspiration. Doing one’s best with limited resources

to record and create is what is known as “Pure Photography”. In 2004, Bobby started collaborating with

various photographic equipment manufacturers to hold seminar and workshops. These events were mainly

targeted at amateur enthusiasts and middle school students, and focused on teaching technical skills, as well

as on developing photographic culture. Bobby’s philosophy of work is to have faith in team spirit in everyday

work; any awards he has received for his work are actually the fruits of working together with everyone from

clients, aesthetic directors and assistants to even the drivers that shuttle the team back and forth.

<女仔房>”The Girl’s Room”

< > “The Eyes”

後記：　

正如Bobby 自己所說，拿著相片說故事，才會動聽的。筆者聽他說了一個下午，一幀相片裡果然是充滿

故事，從構圖到按下快門的一刻，看似充滿計算，卻又似乎順手拈來，或許這就是功力的所在吧。既

然如此精彩，當然要與興華拓展會員分享。

After word:

Just as Bobby says, the story is more powerful when you have the photograph in your hands. After spending an

afternoon listening to Bobby, I am more aware that a photograph is filled with stories; from composition to the

moment the shutter button is depressed, each photo seems to be meticulously calculated, and yet he makes it

seem as easy as falling of a log. Perhaps this is where the real skill lies. If you have something this amazing, then

you simply must share it with other Schmidt members!

Bobby Lee Exhibition

由即日起至2009年6月30日，興華相展廊將展出Bobby Lee這次在中國西北山區的作品。每張相片付

有Bobby 構圖解說，且看他如何透過圖片說故事。

The Schmidt Marketing Gallery will be exhibiting Bobby Lee’s work from his recent trip to the mountains

of northwest China from today until 30 June 2009. Each image will be accompanied by Bobby’s composi-

tional explanation, so you can see how he tells stories through his photographs.

聽Bobby說徠卡，何不親身體驗徠卡相機的獨特攝影經驗？「徠卡相機體驗計劃2009第一季」現在

接受報名，詳情請參看第22頁。

Now you have heard Bobby talking about his Leica, why not experience the unique photographic experi-

ence of Leica cameras for yourself? The “Leica Test Drive Program 2009 Sec 1” is now open for registra-

tion. Please see page 22 for details.

Bobby Lee 在 Leica Day 分享他與Leica 的拍攝體驗。

Bobby Lee sharing his photographic experience with Leica

on Leica Day.

Bobby 與筆者暢談了一個下午。

Bobby talked to our reporter for the whole afternoon.

<新的班房>”New Classroom”

LEICA NEWS

最新M8 & M8.2 韌體Firmware 2.004現可在Leica 方網站“Updates”內下載。在更新韌體

前，請仔細閱讀網上的操作說明。

http://en.leica-camera.com/photography/m_system/m8/download-121_10.html

Firmware 2.004將為您的M8/M8.2作出下列改善：

徠卡新鏡６位元數碼編碼掃描功能：　

Firmware 2.004可閱讀徠卡最新發佈的Leica Noctilux-M 50mm f/0.95 ASPH 及 Leica Super-

Elmar-M 18mm f/3.8 ASPH.。為新鏡提供正確的資料傳輸及光學修正。

新增快門上絃的寧靜設定：延遲快門上弦的時間點

為了回應各Leica M8 用家的要求，把只在M8.2的寧靜快門上絃功能，通過Firmware

2.004加入到Leica M8，使所有M8用家也享受到這個功能帶來的好處。

這個功能的特點是，將快門上絃的時間延遲；即是快門上絃的動作將不會在快門關掉

時立即進行，而是當拍攝者在放開快門鈕的一刻，快門上絃的動作才進行。這有利於

攝影師在寂靜的環境下進行拍攝，然後轉移至合適的環境才作快門上絃。這個功能可

在菜單內的最後選項中，在“高級”一項中找到。

注意：

1. 當完成更新韌體2.004後，將不可回復較前的韌體版本。

2.“用戶個人設定”內資料將被清除，用戶需再次設定。

3. 當使用Leica M21mm f/1.4, M24mm f/1.4及M50mm f/0.95時，最大光圈值將不能正確顯

示 EXIF 檔內。

The new firmware version 2.004 for the LEICA M8 & M8.2 is available on the Leica

homepage under the link “UPDATES”. Please read the instructions carefully on how to

update your camera.

(http://en.leica-camera.com/photography/m_system/m8/download-121_10.html)

This update adds the following improvements to your camera:

Detection of 6-bit coding for new M lenses:

The 6-bit coding and the correction profiles of the new Leica M lenses LEICA NOCTILUX-M

50mm/f0.95 ASPH. and LEICA SUPER-ELMAR-M 18mm/f3.8 ASPH. have been imple-

mented.

Discrete Mode for all LEICA M8 cameras:

Since the Market introduction of the LEICA M8.2 we have received numerous requests from

customers, asking for the delayed shutter cocking action in combination with the LEICA M8.

Therefore with the new firmware 2.004, the Discreet-Mode is available on all LEICA M8. At

the lower end of the Menu list a new menu point Advance“ has been added with the options

Standard“ and Discreet“.

Notes:

a. It is not possible to “downdate” LEICA M8 and M8.2 cameras to previous firmware

releases, once the version 2.004 has been installed.

b. Saved User Profiles will be deleted during the update process and have to be set again

after updating the camera.

c. The maximum aperture value of the lenses M 21mm/f1.4, M24mm/f1.4 and 50mm/f0.95

are not displayed correctly in the EXIF-Files.

Leica M8 & M8.2

Firmware2.004 提升

數碼攝影究竟是否已經成熟呢？早幾年還不好

說，因為很多影齡較資深的玩家仍很抗拒數碼，

但時至今日在不同的攝影聚會中所留意到的是很

多前輩都在談論及分享數碼器材的使用經驗，有

些更比年輕一輩所了解的還要多。這個可能是由

於同時經歷過菲林及數碼年代的關係，明白到其

各自的優點，把知識貫通所至。但更令筆者驚訝

的是居然有些老前輩跟筆者討論有關數碼的色彩

處理問題，其對攝影的認真態度實在令人欽佩。

相片色彩控制及重現在菲林年代一直都是一門艱

深的學問，舉個例子當我們把拍攝好的底片送到

沖印店放晒，最終出來的照片顏色一般都會是跟

我們所見的拍攝情景有距離，至於相差多少則要

視乎放相師傅的功力及葯水的狀態等。相比起菲

林，數碼為我們帶來的方便不單止隨影隨看、便

於儲存，還為我們提供了一個簡易及實用的平台

去讓色彩管理得以實現。要實現色彩管理，我們

必須了解以下的一些基本知識。

在數碼攝影的流程中，影像通過鏡頭到達相機內

的感光元件然後被記錄在記憶卡裡，當完成拍攝

後把記載了影像的記憶卡放進電腦內提取出影像

檔案，此時電腦螢幕便成為我們正式欣賞相片內

容的設備。相信大家可能都遇過沖印或打印出來

的照片的色彩跟螢幕有明顯的差距，或者同一個

影像檔在不同螢幕上顯示出不一樣的色彩，到底

螢幕的狀態是否有標準呢？是否每台螢幕的光度

及色溫都一致呢？螢幕的狀態絕對影響我們的

欣賞，更甚者會影響我們之後對相片作調整的

決定；例如螢幕太光的話，會令我們把照片調

得過暗，螢幕色溫太高的話便會令我們把照片

調成偏黃……等等。其實用於觀賞相片及執相的

話，標準的螢幕色溫應為6500K，亮度應設在100

– 120cd/m2左右。適當地使用色度計去校正螢幕

（圖1），令它達到標準，可減低錯誤判決而糾

錯顏色的風險。

數碼影像檔記錄著的是一連串的RGB數據，但相

同的RGB數值在不同的螢幕上會有不同的演繹，

例如一個RGB值為(255,0,0)的紅色在兩個不同顯示

器上可能會有如圖２的差異；如要令到顯示器一

顯示出跟顯示器二相同的這個紅色的話，便需要

使用另一組RGB數值，舉例為(204, 62, 60) ，如圖

３所示。由此可見RGB這個色彩表達方法並不可

用來作準確的色彩表示。

從這個例子中大家可能留意到螢幕二沒有螢幕一

那麼鮮艷，換句話說螢幕二的色域比螢幕一細。

色域乃一個影像設備能夠重現顏色的範圍，色域

越大代表可重現更多色彩；當螢幕經過校準後，

會產生一個特性檔（ICC檔案），透過支援色彩管

理的軟件（例如Photoshop），不同的設備便能夠

進行色彩的溝通；就以上述螢幕一及二為例，因

為螢幕一的色域比螢幕二大，所以螢幕一可以透

過色彩轉換去模擬出螢幕二的顏色來，當然它們

都需要校準後才可以進行色彩轉換。

到目前為止，我們應該對色域、設備特性檔等有

初步了解，如要進行色彩管理，首先從相機上的

色彩空間設定先著手，以Leica M8/M8.2為例，在

相機上可以選擇設定的色彩空間計有AdobeRGB,

sRGB及ECIRGB，如拍攝的檔案格式設定為Jpg的

話，在機身上選定的色彩空間會被一併存入相片

檔案內，事後如要修改的話可能會對影像質素有

影響；如拍攝的檔案格式設定為RAW的話，則在

後製時再選定色彩空間也可以（圖４及圖５），

並不會破壞原來影像的質素。至於要選擇那個色

彩空間取決在於我們最終要把相片輸出到什麼

設備上，如果是一般沖印機的話，那選擇sRGB比

較好，如果是較高階的噴墨打印機的話（6色或

以上），選擇AdobeRGB會比較好，如印刷的話，

ECIRGB會比好，至於放上網際網絡上分享的話，

亦可以選擇AdobeRGB，因現在有些出名的瀏覽器

例如Firefox都已支援色彩管理，所以大家可放心地

數碼攝影色彩管理輕鬆行

Color Management In Digital Photography – An Easy Approach

Sam Ng (Technical Marketing Manager, Asia Pacific)

圖1/ Fig. 1

圖2/ Fig. 2

圖3/ Fig. 3

把相機內或後製時的色彩空間設成AdobeRGB。大

家可以參考圖6及圖7，選擇互相接近的色域會得

到較理想的色彩對應效果。AdobeRGB及sRGB兩個

色彩空間的色域比較見圖８。通過以上的選擇及

設定便可簡易地實行了攝影色彩管理了。

Is digital photography already matured ? Since there

were quite a lot of veterans still prefer analogue

and resisted to take the change few years ago, it’s

hard to tell at the moment. However, we can easily

observe these veterans are now actively sharing their

experience in using their digital devices during some

gatherings. Some of them even raised questions

about the color handling and reproduction issues to

me which surprised me.

Color control and color reproduction on photograph-

ic papers were the advanced topics in traditional film

age, a common phenomenon is the color inconsist-

ency between the prints from photo labs and the

scene spot, the level of color difference may vary

from lab operator to operator and related to the con-

ditions of the chemicals as well. Compare to the film

photography, digital photography not only brings us

conveniences such as instant review and archive, but

also provide a practical and simple platform for pho-

tographers to realize color management. We must

know the basic knowledge of color management in

the following paragraphs in order to realize it.

In the digital capturing workflow, the image we are

capturing is first passing through the lenses and

reach the image sensor unit inside the camera,

then it will be transformed to data and recorded to

memory card, so photographers can retrieve the im-

ages after loading to the computer. From this point,

the computer monitor plays an important role in be-

ing the reference device for us to review the images.

I think most of the photographers may have experi-

ence that the prints they got from a minilab cannot

be matched with their displays; or the same image

files exhibit quite different in colors between several

monitors. This may lead us to question whether a

monitor’s condition is standard or to be specific,

the luminance level and white point are the same

for each monitor ? The condition of a monitor can

affect the quality of viewing, and it can also alter our

judgment in the image manipulations, for example,

if the luminance level of the monitor is too high, we

will adjust the image to become darker than it should

be or if the color temperature is too high, we may

add warm cast to it and thus make it yellowish. For

photo viewing and retouching purpose, the standard

luminance level should be around 100-120 cd/m2

and the color temperature of the monitor should be

set to 6500K. With the help of a monitor calibrator

(Fig. 1), we can have our monitor run in standard

condition, without exposing ourselves to uncon-

trolled environment which may lead to inappropriate

alteration of our images.

The image file contains series of RGB values, with

the same RGB string doesn’t guarantee the same

color can be reproduced in 2 different monitors.

For example, if we send an RGB value of pure red

(255,0,0) to 2 different monitors (monitor 1 and

monitor 2), normally we will observe 2 different reds

from them (Fig. 2). The fact is that if we need to

make monitor 1 to show the same red as monitor 2,

we need to send another RGB string to it, as shown

in Fig. 3. This scenario indicates that RGB is not a

reliable way to reproduce color from device to device

accurately, as it is so called device-dependent color

space.

From this example you may notice that the monitor 2

is not as saturate and vivid as monitor 1, which imply

that the color gamut of monitor 1 is larger than moni-

tor 2. Color gamut is the ability that a device can

reproduce colors, the wider the color gamut a device

is, the more colors it can reproduce. Once the moni-

tor has been calibrated, an ICC profile that contains

its characteristics is produced, color communication

between devices can take place with the use of color

management supported software such as Adobe

Photoshop. With the above example of monitor 1

and monitor 2, since the color gamut of monitor 1 is

larger than monitor 2, we can use monitor 1 to simu-

late the color of monitor 2 via color conversion under

certain color management supported software, of

course, the monitor must be calibrated prior to the

simulation.

So far, we discussed basics of color gamut, color

space and device ICC, if you need to implement color

management in your digital photography workflow,

the first thing to do is to set the appropriate color

space on your digital camera. Take Leica M8/ M8.2

as an example, there are 3 choices of color space

available in these cameras, namely AdobeRGB, sRGB

and ECIRGB. If we are shooting in jpg format, the

selected color space will be embedded in the image

file, any change of color space in the post may affect

the quality of the image. In case of shooting in RAW

format (DNG file in Leica M8/ M8.2 for instance), we

can easily reassign any of the available color spaces

(Fig. 4 and Fig. 5) in software without sacrificing the

image quality. The choice of color space depends

on the output destination of our images, if we will

send the image files to mini lab to make the prints,

sRGB is decent enough; for 6-colors or above inkjets

output purpose, AdobeRGB is more suitable; if we

need to ride on the offset printers, ECIRGB is de-

signed to do the job; the most common practice for

majority of photographers to utilize their photo files

is to share them on the internet, we can also use

AdobeRGB since the recent update of some popular

web browsers (such as Firefox) can support color

management so as to overcome the sRGB limit. Fig.

6 and 7 illustrate the selection of right color space

can have a closer match to reproduce the colors. Fig.

8 shows the comparison between the color gamut of

AdobeRGB and sRGB.

圖4/ Fig. 4

圖5/ Fig. 5

圖6/ Fig. 6

圖7/ Fig. 7

圖8/ Fig.8

Color Management

徠卡體驗計劃2009第一季

Leica Test Drive Program Sec.1 2009

有沒有想過，在一個假日裡，帶著徠卡去攝獵，帶著徠卡去觀看世界？

徠卡相機帶給你的，將會是獨特而寧靜的攝影經驗。你將會發現，你與人和環境之間的關係拉近了！你將會發現，你

看到的世界，將會是更多，更遠和更深的層次。為了讓你體會更多，我們再次推出「徠卡體驗計劃」。由即日起至

2009年6月30日，我們將提供下列器材。讓你在一個假日裡，感受另一種攝影文化，看更清晰和更遠的世界。

來，體驗徠卡！你將會發現更多驚喜！

Have you ever thought of taking a Leica out hunting for great photos on a day off, or taking a Leica with you to see the world?

A Leica camera will give you a uniquely silent photographic experience. You will come to realise that you are just a little bit closer

to the people and the world around you; you will find that the world you see is made up of more numerous, more expansive and

deeper layers than you ever imagined.

In order to help you experience more, we bring you the Leica Test Drive Program, which runs from now to 30 June, 2009. We will

provide you with the equipment listed below, so that you can gain a sense of a different kind of photographic culture, as well as a

clearer and more expansive world.

Come along and experience Leica - more wonderful surprises await you!

體驗日期：由即日起至2009年6月30 日

Program dates: Today to 30 June 2009

器材組合：（每人每季只可選擇一組器材）

Equipment sets: (Each person can only select one set of equipment per period.)

體驗時限：每次為期6天 (逢星期四至二)

Program time limits: 6 days per section (Thursday to Tuesday)

參加辦法：請把申請表格內的資料，電郵至 [email protected] / 傳真至852-2968 0682 / 寄回興華拓展有限公

司客戶服務中心－香港鰂魚涌海灣街1 號華懋交易廣場13樓。註明：參加「徠卡體驗計劃」。

How to participate: Please complete the form below and send it by email to patrickliu@schmidtmarketing.com / fax it to 852-

2968 0682 / return it by post to Schmidt Marketing, 13/F, Chinachem Exchange Square No.1 Hoi Wan Street Quarry Bay Hong

Kong. Mark correspondence clearly with “Leica Test Drive Program”.

Leica M 系相機 / Leica M Camera

Leica M8/M8.2 Digital camera

Leica Summarit-M

(任選一支 One lens only)

35mm f/2.5 50mm f/2.5 75mm f/2.5 90mm f/2.5

按金

Deposit

HK$40,000.-

Leica MP (0.72) camera

Leica 望遠鏡 Leica Binocular

Leica Ultravid 10x42 HD Leica Ultravid 10x25 BR Leica Ultravid 8x20 BR

按金

Deposit

HK$10,000.-

3B & 3C

HK$3,500.-

體驗需知：

1. 本公司收到參加表格後，將回覆參加者的試用日期。試用日期將以收到申請的先後作出安排。

2. 參加者需於指定日期的辦公時間內 (上午8:30am – 12:30pm 及下午1:30pm – 5:30pm)親自到達本公司，到取或交回借用的器材。

3. 於借用產品時，參加者需填寫詳細的個人資料，並出示有效的身份証明文件，及以信用咭繳交按金。

4. 於借用產品時，本公司將提供約15分鐘的產品介紹。

5. 試用為期6天，由星期四至星期二。限期過後仍未能交回所有器材及配件，將沒收按金。

6. 參加者必須親自交還器材，不可由他人代領或交回，如遇此情況，本公司將拒絕借出器材或退回按金。

7. 試用期間，如遺失器材或配件，需以建議零售價賠償。如有人為損壞，需繳付維修費用，估價期間將保留按金，直至繳清維修費用為止。

8. 體驗計劃只包括器材，並不包括記憶卡及菲林。

9. 試用期間，電池如耗盡，請自行充電(可鋰電池)或購買(鋰電)。

Program essentials:

1. The company will inform participants of the dates of their test drive after this form is received. Dates will be determined on a first come, first served basis.

2. Participants must come in person to the company’s offices during office hours (mornings 8:30am-12pm, afternoons 1:30pm-5:30pm) on the assigned date to collect or return all loaned

equipment.

3. When borrowing equipment, participants must complete the detailed personal information form, show valid identification documents and pay the deposit with a credit card.

4. The company will give a product briefing lasting approximately 15 minutes when the products are borrowed.

5. The test drive period is 6 days, from Thursday to Tuesday. If all equipment and accessories are not returned before the deadline, the company may confiscate the deposit.

6. Participants must personally return all equipment; no other person may be entrusted to collect or return equipment, and the company may refuse to loan the equipment or refund the

deposit should such circumstances arise.

7. If any equipment is lost during the test drive period, the participant must pay compensation equivalent to the current suggested retail price (SRP). If any person damages the equipment, the

repair charges must be paid and the deposit shall be retained while estimates are conducted, and shall not be refunded until such costs are paid in full.

8. The test drive program only includes instruments; no memory cards and film will be included.

9. Should the batteries fail during the test drive period, participants are requested to recharge or replace the batteries themselves.

Leica Test Drive Program Sec.1 2009 / 徠卡體驗計劃　2009第一季

參加表格Application Form

參加者姓名：（英文全名）

English Full Name

（中文全名）

Chinese Full Name

電話Tel 電郵E-mail

選用的器材：

Selected Test Drive:

1A Leica M8/M8.2