Owner’s Manual
Congratulations!
You are the proud owner of a Yamaha PortaTone. Your PortaTone is a
high-quality musical instrument that incorporates advanced Yamaha digital
technology and many versatile features. In order to obtain maximum per-
formance and enjoyment from your PortaTone, we urge you to read this
Owner’s Manual thoroughly while trying out the various features de-
scribed. Keep the Owner’s Manual in a safe place for later reference.
CONTENTS
BEFORE YOU BEGIN
.............................................
1
Power Supply
.......................................................
1
Setting Up the Music Stand
...................................
1
Maintenance
..........................................................
1
NOMENCLATURE
...................................................
2
Top Panel Controls
................................................
3
Rear
Panel
Connectors
........................................
3
SELECTING AND PLAYING VOICES
................
4
SUSTAIN
5
...................................................................
DUAL (PSR-300 only)
................................................
5
TRANSPOSE
............................................................
5
THE SPLIT MODE
...................................................
6
RHYTHM ACCOMPANIMENT
...............................
7
AUTO ACCOMPANIMENT
...................................
9
Single Finger Accompaniment
.............................
9
Fingered Accompaniment
..................................
10
AUTO HARMONY..
...............................................
11
THE CHORD MEMORY
........................................
11
Recording
............................................................
11
Bank Playback
.....................................................
12
Chain Playback
...................................................
12
SONG BOOK
..........................................................
13
MOVING UP TO MIDI
(PSR-300 only)
.................
14
A Brief Introduction to MIDI
.................................
14
PSR-300 MIDI Settings & Functions
..................
15
TROUBLESHOOTING
..........................................
17
SPECIFICATIONS
................................................
18
FINGERING CHART
.............................................
19
“SONG BOOK” SCORES
....................................
23
“Sing,” “Happy Birthday to You,” “Something,” and “Edelweiss,” included in the PSR-200/300 SONG BOOK, are published for Yamaha Corporation by Hal Leonard Publishing Corporation.
BEFORE YOU BEGIN
Power Supply
Your PSR-200 or PSR-300 will run either from batteries or
an optional power adapter. Follow the instructions below ac-
cording to the power source you intend to use.
Using Batteries
Six 1.5V D size (SUM-1 or R-20) or equivalent batteries
must first be installed in the battery compartment.
Before replacing the batteries, make sure that the power is turned off.
During battery replacement the memory will be backed up for approxi-
mately 1 minute.
1.
Open the battery compartment cover located on the instru-
2.
ment’s bottom panel.
Insert the six batteries, being careful to follow the polarity
markings on the cabinet.
3.
Replace the compartment cover, making sure that it locks
firmly in place.
* The included batteries are for testing purposes. Their service life might
be considerably shortened due to storage conditions, etc.
Caution:
1. When the batteries run down, replace them with a complete
set of six new batteries. NEVER mix old and new batteries.
2. Do not use different kinds of batteries at the same time.
3. In case electrolyte has leaked into the battery compartment,
wipe it off completely before installing new batteries.
4. To prevent possible damage due to battery leakage, remove
the batteries from the instrument if it is not to be used for an
extended period of time.
Auto Power OFF
To prevent unnecessary battery drainage, the PSR-200/PSR-
300 features an Auto Power OFF function that automatically
turns the power OFF if the instrument is not used for
approximately 10 minutes.
The Auto Power OFF function does not operate when the
PSR-200/PSR-300 is powered from an optional AC Power
Adaptor, as described below.
Using An Optional AC Power Adaptor
Plug the DC output cable from an optional Yamaha PA-3,
PA-4, or PA-40 AC Power Adaptor into the DC IN jack on the
rear panel of the PSR-200/PSR-300, then plug the AC Power
Adaptor into a convenient wall AC power socket.
The internal batteries are automatically disconnected when
an AC Power Adaptor is used. Disconnect the AC Power
Adaptor when not using your PSR-200/PSR-300.
Use ONLY a Yamaha PA-3, PA-4, or PA-40 AC Power Adaptor to
power your instrument from the AC mains. Other adaptors may
cause serious damage to your PSR-200/PSR-300.
Setting Up the Music Stand
Insert the bottom edge of the music stand into the slot
located at the rear of the PSR-200/PSR-300 control panel.
Maintenance
Location
Avoid exposure to direct sunlight or other sources of heat.
Never leave it inside a car where it can get very hot. It may
cause discoloration or deformation. Vibration, excessive
dust, cold, low or high humidity can also cause malfunction.
Handling
Avoid rough handling. Don’t drop or jolt the PSR-200/300
as this can damage the internal circuitry. Pressing too hard
on keys or controls may lead to malfunctions. When cords
are plugged into the rear panel jacks, pay particular attention
not to apply excessive force to them since this may damage
the terminals.
Cleaning
Clean the exterior with a soft, dry cloth. Using chemical
solvents will damage the finish.
Interference Through Electromagnetic Fields
Do not use your PSR-200/300 close to television sets or
other equipment receiving electromagnetic signals as this
could cause interference noise in the other appliance.
Service and Modifications
Your PSR-200/300 contains no user serviceable parts.
Opening it or tampering with it in any way can lead to elec-
trical shock as well as damage. Refer all servicing to quali-
fied YAMAHA personnel.
YAMAHA is NOT responsible for damage caused
by improper use.
1
NOMENCLATURE
PSR-200
PSR-300
2
Top Panel Controls
[POWER] Button
.........................................................................
page 4
[MODE]Button
..................................................................
page
6,9,10
[MASTER VOLUME] Control
..................................................
page
4
[ACCOMPANIMENT VOLUME]Buttons
.........................
page 8,
10
[TRANSPOSE] Buttons
...........................................................
page
5
[TEMPO] Buttons
..........................................................
page 7,
10,
11
[SPLIT POINT CHANGE] Button
..................................
page 6,
9,
10
[INTRO/FILL
IN]
Button
..............................................
page 8,
9,
10,
12
[SYNCHRO START/ENDING] Button
.................
page 7, 8, 9,
10,
12
[START/STOP] Button
........................................
page
7,8,9,10,12
[VOICE/STYLE] Button
..................................................
page
4,
6,
7
Numeric VOICE/STYLE Buttons
......................................
page
4,7
[DUAL VOICE] Button (PSR-300 only)
...................................
page
5
[SUSTAIN] Button
.....................................................................
page 5
[AUTO HARMONY] Buttons
................................................
page
11
[CHORDMEMORY]Buttons
.....................................
page
11,12,13
[SONG BOOK] Buttons
..................................................
page
13,14
MULTIDISPLAY
.........................................................
page
4
~
11,13
VOICE LIST
...............................................................................
page
4
STYLE LIST
...............................................................................
page
7
SONG LIST
...............................................................................
page
13
Rear Panel Connectors
DC IN Jack
The DC output cord from an optional Yamaha PA-3, PA-4, or PA-40 AC
Power Adaptor should be plugged in here when the PSR-200 or PSR-300 is to
be powered from the AC mains supply (refer to “Power Supply” on page 1 for
more details).
HEADPHONES/AUX. OUT Jack
A standard pair of stereo headphones can be plugged in here for private prac-
tice or late-night playing. The internal speaker system is automatically shut off
when a pair of headphones is plugged into the HEADPHONES jack. The
HEADPHONFS/AUX. OUT jack can also be used to deliver the output of the
PSR-200/PSR-300 to a keyboard amplifier, stereo sound system, mixing console
or tape recorder.
MIDI IN and OUT Connectors (PSR-300 only)
The MIDI IN connector receives MIDI data from an external MIDI device
which can be used to control the PSR-300. The MIDI OUT connector transmits
MIDI data generated by the PSR-300 (e.g. note and velocity dam produced by
playing the keyboard).
More details on MIDI are given in “MOVING UP TO MIDI” on page 14.
3
SELECTING AND PLAYING VOICES
1.
Press the [POWER] button to turn the power ON. The
MULTI DISPLAY will light when the power is ON.
2.
Slide the [MASTER VOLUME] control to a position
about half way between the “MIN” and “MAX” setting.
You can set this control for the most comfortable vol-
ume level after you begin playing.
3.
If the VOICE indicator is not lit, press the [VOICE/
STYLE] button once so that it does light. The number of
the currently selected voice will appear on the MULTI
DISPLAY when the VOICE indicator is lit.
4.
Select any of the PSR-200/PSR-300’s 100 voices by using
one of the following methods:
Voice Selection Method 1:
Choose one of the 100 voices — numbered “00”
through “99” — shown on the VOICE LIST then enter its
number using the numeric VOICE SELECT buttons. To
select “ELECTRIC ORGAN 1” (number 12), for example,
first press “1” and then “2.” The number “12” should then
appear on the MULTI DISPLAY.
Instrument
Key
Instrument
Symbol
C#1
G#3
D#1
Bass Drum A#3
Crash Cymbal
F#1
Bass Tom
C#4 Splash Cymbal
G#1
Lo Tom
D#4
Ride Cymbal
A#1
Mid Tom
F#4
Synth Lo Tom
C#2
Hi Tom
G#4
Synth Mid Tom
D#2
Snare Reverb
A#4
Synth Hi Tom
Voice Selection Method 2:
F#2
Snare Lo
C#5
Synth Snare
The [+] and [-] buttons in the numeric button group can
be used to increment (increase by one) or decrement (de-
crease by one) the current voice number. Press the [+]
button briefly to select the voice one number higher than
the current voice, or the [-] button to select the voice one
number lower than the current voice. If you hold the [+] or
[-] button down, the voice number will increment or dec-
rement continuously — simply release the button when
the desired voice number has been reached.
G#2
Snare Hi
D#5
Voice “One”
A#2
Snare Open Rim
F#5
Voice “Two”
C#3
Snare Closed Rim
G#5
Voice “Three”
D#3
Hi-Hat Closed
A#5
Voice “Four”
D#3
Hi-Hat Open
4
5.
The selected
voice can now be played on the instrument’s
keyboard.
Note that the PSR-300’s keyboard is “touch response” — that
is, you can control the loudness of the sound to a certain
degree according to how hard you play the keys. The degree of
touch sensitivity is different for each voice.
The PSR-200 and PSR-300 feature a maximum polyphony of
28-notes (depending in some cases on the selected voice), so
up to 28 notes can be played simultaneously, including extra
notes played when the automatic accompaniment, split, or dual
voice features of this instrument are used. “Full” will appear on
the MULTI DISPLAY if the 28-note limit is exceeded.
When the power is initially turned ON, the PIANO voice is auto-
matically selected and its number (“00”) is shown on the MULTI
DISPLAY.
Keyboard Percussion
When the DRUMS voice is selected (voice number 99), you
can play 25 different drum and percussion instruments on the
black keys. The percussion instruments played by the various
keys are marked by symbols above the black keys (the white
keys produce no sound).
The TRANSPOSE function described on page 5 does not affect the
DRUMS sound.
DRUM & PERCUSSION INSTRUMENT KEY
ASSIGNMENTS
Key Symbol
BD Reverb
Hi-Hat Foot
Adjusting the Volume
Adjust the [MASTER VOLUME] control while playing to
set the desired overall volume level.
SUSTAIN
Press the [SUSTAIN] button once
(the indicator will light) and notes
played on the keyboard will decay
gradually after you lift your fingers
from the keys. Press the [SUSTAIN]
button a second time (the indicator will
go out) to turn the sustain effect off.
DUAL
(PSR-300 only)
The SUSTAIN effect cannot be applied to accompaniment or rhythm,
When the PSR-300 DUAL function is engaged, sustain is applied to
both voices.
Sustain can be applied independently to the left- and right-hand
voices in the split mode (see “The Split Mode” on page 6). Press a
key to the right of the split point to select the right-hand voice, then
turn sustain on or off for that voice. Press a key to the left of the split
point to select the left-hand voice, then turn sustain on or off for that
voice.
Sustain can be turned on or off for the melody voice during DEMO
playback.
Sustain does not affect voice 97 (VOICE BOX) and voice 99
(DRUMS).
The PSR-300 DUAL feature makes it possible to select and
play two different voices simultaneously.
To activate the DUAL feature press the [DUAL ON/OFF]
button (the indicator will light). When ON, the voice selected
prior to turning the DUAL feature ON will sound simultane-
ously with a second “dual” voice. When the PSR-300 is ini-
tially turned ON, the STAR LIGHT 2 voice (number 80) is
assigned as the dual voice. Any other voice can be selected as
the dual voice while the DUAL feature is ON.
The DUAL feature can be turned
OFF by pressing the [DUAL ON/OFF]
button again.
When the DUAL function is used with the SPLIT mode (see page 6)
different dual voices can be assigned to the left- and right-hand
sections of the keyboard. Press a key to the right of the split point to
select the right-hand voice, then turn DUAL on and select the right-
hand dual voice. Press a key to the left of the split point to select
the left-hand voice, then turn DUAL on and select the left-hand dual
voice.
TRANSPOSE
When the SINGLE FINGER or FINGERED accompaniment mode is
selected, the DUAL feature applies only to the right-hand section of
the keyboard.
The PSR-200/PSR-300 [TRANSPOSE] buttons makes it
possible to shift the pitch of the entire keyboard up or down in
semitone intervals up to a maximum of 12 semitones (one
octave). Transposing the pitch of the PSR-200/PSR-300 key-
board makes it easier to play in difficult key signatures, and
you can simply match the pitch of the keyboard to the range of
a singer or other instrumentalist.
both the TRANSPOSE
and
The TRANSPOSE
and
buttons are used for trans-
position. The first time the TRANSPOSE
pressed the current transpose value will appear on the MULTI
DISPLAY. While the current transpose value is still showing
on the display, press the TRANSPOSE
the pitch of the keyboard, or the
The selected degree of transposition will be displayed on the
MULTI DISPLAY while the TRANSPOSE
is pressed, and for approximately 2 seconds after either
TRANSPOSE button is released.
The transposition range is from -12 to +12, with -12 corre-
sponding to downward transposition by 12 semitones (one
octave, and +12 corresponding to upward transposition by 12
semitones. 0 is the “normal” keyboard pitch value. The normal
transpose value (0) can be recalled at any time by pressing
buttons at the same time.
or
button is
button to increase
button to lower the pitch
or
The transpose value is automatically set to 0 whenever the power
switch is turned ON.
button
5
THE SPLIT MODE
The PSR-200/PSR-300 SPLIT mode allows you to play two
voices at once — one with the left hand and one with the right.
The left-hand voice can be played to the left of the “split
point,” set as described below, and the right-hand voice can be
played to the right of the split point.
1.
Press the [MODE] button as many times as necessary
until the SPLIT indicator lights — this selects the SPLIT
mode.
2.
If necessary, set the split point as described below:
Setting the SPLIT Mode Split Point:
The split point for the SPLIT mode is initially set at the
C3 key. It can be set to any other key by pressing the de-
sired split-point key while holding the [SPLIT POINT
CHANGE] button.
The split point is shown on the MULTI DISPLAY for
as long as the [SPLIT POINT CHANGE] button is held.
The C3 key, for example, would be displayed as “C3”.
F#2 would be displayed as “F
-
2”. The sharp is indicated
by the lit bar between the “F” and the “2.”
The SPLIT mode split point is retained in memory and
will be recalled whenever the SPLIT mode is selected.
Note that the split-point key is included in the right-
hand section of the keyboard.
To initialize the split point to its original default value, turn the
[POWER] button on while holding the [SPLIT POINT CHANGE]
button. The SINGLE FINGER and FINGERED split points (de-
scribed later) are also initialized by this procedure.
6
3.
Select the right-hand and left-hand voices as required.
When the SPLIT mode is first selected the current voice
is assigned to the right-hand keys. If no other left-hand
voice has been selected since the PSR-200/PSR-300 was
turned ON, the ELECTRIC BASS voice (number 82) will
be assigned to the left-hand keys.
The left-hand voice is octave-shifted to provide the best sound
in the left-hand range.
Changing the Right and Left-hand Voices:
Make sure the [VOICE/STYLE] button VOICE indicator
is lit (press the [VOICE/STYLE] button once if it isn’t).
To change the right-hand voice press a key to the right
of the split point. The current right-hand voice number
will be shown on the MULTI DISPLAY and a new right-
hand voice can be selected in the normal way.
To change the left-hand voice press a key to the left of
the split point. The current left-hand voice number will be
shown on the MULTI DISPLAY and a new left-hand
voice can be selected in the normal way.
When playing in the SPLIT mode, the MULTI DISPLAY will switch
between the left- and right-hand voice numbers according to whether
notes are played on the left- or right-hand section of the keyboard.
The PSR-300 DUAL indicator flashes according to the left- and right-
hand section DUAL mode settings when the SPLIT and DUAL
modes are used together.
RHYTHM ACCOMPANIMENT
Selecting an Accompaniment
Style
The first time the TEMPO
or
1.
If the STYLE indicator is not lit, press the [VOICE/
STYLE] button once so that it does light. The number of
the currently selected style will appear on the MULTI
DISPLAY when the STYLE indicator is lit.
TEMPO
button is pressed, and for
or
2.
Select any of the PSR-200/PSR-300’s 50 accompaniment
styles by using one of the two following methods:
both the TEMPO
1:
Choose one of the 50 accompaniment styles — num-
bered “00” through “49” — shown on the STYLE LIST
then enter its number using the numeric VOICE/STYLE
buttons. To select FUSION1 (number 27), for example,
first press “2” and then “7.” The number “27” should then
be displayed on the MULTI DISPLAY.
and
2:
The [+] and [-] buttons in the VOICE/STYLE group
can be used to increment (increase by one) or decrement
(decrease by one) the current accompaniment style
number. Press the [+] button briefly to select the accompa-
niment style one number higher than the current accompa-
niment style, or the [-] button to select the accompaniment
style one number lower than the current accompaniment
style. If you hold the [+] or [-] button down, the accompa-
niment style number will increment or decrement continu-
ously – simply release the button when the desired ac-
companiment style number has been reached.
When the power is initially turned ON, the 00 DANCE1 style is
automatically selected.
Setting the Tempo
button is pressed the
current tempo will appear on the MULTI DISPLAY. While the
current tempo value is still showing on the display, press the
button to increase the tempo, or the TEMPO
button to decrease the tempo. The selected tempo will be dis-
played on the MULTI DISPLAY (in quarter-note beats per
minute) while the TEMPO
approximately 2 seconds after either TEMPO button is released.
The available tempo range is from 40 to 240 beats per
minute. Each accompaniment style has a different “default”
tempo which is automatically set whenever a new style is se-
lected (but not when a new style is selected while the accompa-
niment is playing). The default tempo for the currently selected
accompaniment style can be recalled at any time by pressing
buttons at the same time.
The tempo is automatically set to the default value for the DANCE1
style whenever the power switch is turned ON.
It is also possible to adjust the tempo after starting playback of the
accompaniment. This allows you to set the optimum tempo by ear.
Starting the Accompaniment
Press the [START/STOP] button to start the selected accom-
paniment immediately, or press the [SYNCHRO START/END-
ING] button if you want the accompaniment to start when you
play the first note on the keyboard. If you press the [SYNCHRO
START/ENDING] button, the three dots along the bottom of
the MULTI DISPLAY will flash at the selected tempo.
The three LED dots at the bottom of the MULTI DISPLAY provide a
visual indication of the selected tempo as follows:
1st. Beat
2nd. Beat
3rd. Beat
4th. Beat
If neither the FINGERED or SINGLE FINGER mode is selected, the
accompaniment will consist only of rhythm (drums & percussion)
sounds. Operation of the AUTO ACCOMPANIMENT SINGLE FINGER
and FINGERED modes is described on page 9 and 10.
A different accompaniment style can be selected at any time while the
accompaniment is playing. The style number display will change as
soon as the selection is made, but the new style will begin playback
from the top of the next measure. The tempo will not change when the
new style begins playing.
7
RHYTHM ACCOMPANIMENT
Starting the Accompaniment with
an Introduction
Any of the PSR-200/PSR-300 accompaniment patterns can
be started with an appropriate introduction by pressing the
[INTRO/FILL IN] button. The intro pattern will repeat as long
as the [INTRO/FILL IN] button is held. Once the button is
released, the normal pattern will begin playing from the top of
the next measure.
UME
and
or
UME
VOLUME
but-
Adding Fill-ins
To add a short fill-in (rhythm variation) at any time while
the accompaniment is playing, press the [INTRO/FILL IN]
button. If you hold the [INTRO/FILL IN] button, the fill-in
pattern will repeat until the button is released, then the normal
rhythm will begin from the beginning of the next measure.
and
buttons at
If the [INTRO/FILL IN] button is pressed within one 1/4 beat from the
beginning of a beat, the fill in will begin immediately. If pressed at
any other time the fill in will begin on the beginning of the next beat.
Stopping the Accompaniment
An accompaniment in progress can be stopped immediately
by pressing the [START/STOP] button, or it can be stopped
with an appropriate ending by pressing the [SYNCHRO
START/ENDING] button.
If the [SYNCHRO START/ENDING] button is pressed within one 1/4
beat from the beginning of a measure, the ending will begin immedi-
ately. If pressed at any other time the ending will begin on the begin-
ning of the next measure.
If the [INTRO/FILL IN] button is pressed while the ending pattern is
playing, a fill-in will be played, followed by a return to the normal
pattern.
8
Adjusting the Accompaniment
Volume
Although the MASTER VOLUME control can be used to
set the overall volume level, the ACCOMPANIMENT VOL-
buttons can be used to adjust the volume of
the selected accompaniment in relation to the right-hand
melody voice. The fist time the ACCOMPANIMENT VOL-
button is pressed the current volume will
appear on the MULTI DISPLAY. While the current volume is
still showing on the display, press the ACCOMPANIMENT
button to increase the volume, or the
ton to decrease the volume. The selected volume level will be
displayed on the MULTI DISPLAY while the volume is being
adjusted, and for approximately 2 seconds after either VOL-
UME button is released.
The volume range is from 0 to 24, with 0 being the lowest
volume and 24 the highest. The default accompaniment vol-
ume value (21) can be recalled at any time by pressing both
the ACCOMPANIMENT VOLUME
the same time.
The accompaniment volume is automatically set to 21 whenever the
power switch is turned ON.
AUTO ACCOMPANIMENT
The PSR-200/PSR-300 includes a sophisticated Auto ac-
companiment system that can provide automated bass and
chordal backing in a number of ways.
The maximum number of notes that can be played simultaneously
on the PSR-200/PSR-300 keyboard is reduced when the Auto Ac-
companiment feature is used.
Single Finger Accompaniment
SINGLE FINGER accompaniment makes it simple to pro-
duce beautifully orchestrated accompaniment using major,
seventh‚ minor and minor-seventh chords by pressing a mini-
mum number of keys in the left-hand section of the keyboard.
The bass and chord accompaniment produced is perfectly
matched to the currently selected accompaniment style.
1.
Press the [MODE] button as many times as necessary
until the SINGLE FINGER indicator lights — this selects
the SINGLE FINGER mode.
2.
If necessary, set the split point as described below:
Setting the SINGLE FINGER Mode Split Point:
The split point for the SINGLE FINGER mode is initially
set at the D2 key. It can be set to any other key by press-
ing the desired split-point key while holding the [SPLIT
POINT CHANGE] button.
The split point is shown on the MULTI DISPLAY for
as long as the [SPLIT POINT CHANGE] button is held.
The D2 key, for example, would be displayed as “d 2”.
F#2 would be displayed as “F
-
2”. The sharp is indicated
by the lit bar between the “F” and the “2.”
The SINGLE FINGER mode split point is retained in
memory and will be recalled whenever the SINGLE FIN-
GER mode is selected. A method of initializing the SIN-
GLE FINGER mode split point to its original default
value is described on page 6.
3.
Select the desired accompaniment style in the normal
way. Although you can select the melody (upper key-
board) voice you intend to use, the PSR-200/PSR-300
automatically determines the voices to be used for the
accompaniment part according the accompaniment style
you select.
4.
Press the [START/STOP] button, [SYNCHRO START/
ENDING] button or the [INTRO/FILL IN] buttons to
determine how the accompaniment will be started (see
page 7). If you press the [START/STOP] button or the
[INTRO/FILL IN] button, the rhythm will begin playing
immediately without bass and chord accompaniment.
5.
Press
any key to the left of the split point to start the auto-
matic accompaniment. If you press a “C” key, for exam-
ple, a C-major accompaniment will be played. Press an-
other key in the left-hand section of the keyboard to se-
lect a new chord. The key you press will always deter-
mine the “root” of the chord played (i.e. “C” for a C
chord).
Playing Minor, Seventh, and Minor-seventh
Chords in the Single-finger Mode
For a minor chord, press the root key and a black key
to its left.
For a seventh chord, press the root key and a white key
to its left.
For a minor-seventh chord, press the root key and both
a white and black key to its left.
The automatic accompaniment will continue playing even if you lift
your fingers from the Auto Accompaniment keys. You only need to
press the Auto Accompaniment keys when changing cords.
6.
Press the [START/STOP] button or the [SYNCHRO
START/ENDING] button to stop the Accompaniment.
9
AUTO ACCOMPANIMENT
Setting the Accompaniment
Volume
Set the volume of the Auto Accompaniment sound using the
ACCOMPANIMENT VOLUME buttons. The MASTER
VOLUME control can be used to set the overall volume level.
Setting the Tempo
Use the TEMPO buttons to set the desired accompaniment
tempo (see “Setting the Tempo” on page 7 for details).
The [INTRO/FILL IN] button can be used in the Auto Accompani-
ment mode to create pattern variations in the same way that it is with
rhythm accompaniment patterns (refer to “Adding Fill-ins” on page 8
for details).
Fingered Accompaniment
The FINGERED mode is ideal if you already know how to
play chords on a keyboard, since it allows you to supply your
own chords for the Auto Accompaniment feature.
1. Press the [MODE] button as many times as necessary
until the FINGERED indicator lights — this selects the
FINGERED mode.
2.
If necessary, set the split point as described below:
Setting the FINGERED Mode Split Point:
The split point for the FINGERED mode is initially set at
the G2 key. It can be set to any other key by pressing the
desired split-point key while holding the [SPLIT POINT
CHANGE] button.
The split point is shown on the MULTI DISPLAY for
as long as the [SPLIT POINT CHANGE] button is held.
The G2 key, for example, would be displayed as “g 2”.
F#2 would be displayed as “F
–
2”. The sharp is indicated
by the lit bar between the “F” and the “2.”
The FINGERED mode split point is retained in
memory and will be recalled whenever the FINGERED
mode is selected. A method of initializing the FINGERED
mode split point to its original default value is described
on page 6.
10
The PSR-200/300 memorizes separate SINGLE FINGER, FIN-
GERED, and SPLIT mode split points. The corresponding split point
is automatically recalled when one of these modes is selected.
3.
Select the desired accompaniment style in the normal way.
Although you can select the melody (upper keyboard)
voice you intend to use, the PSR-200/PSR-300 automati-
cally determines the voices to be used for the accompani-
ment part according the accompaniment style you select.
4.
Press the [START/STOP] button, [SYNCHRO START/
ENDING] button or the [INTRO/FILL IN] buttons to de-
termine how the accompaniment will be started (see page
7). If you press the [START/STOP] button or the [INTRO/
FILL IN] button, the rhythm will begin playing immedi-
ately without bass and chord accompaniment.
5.
As soon as you play any chord in the Auto Accompaniment
section of the keyboard, the PSR-200/PSR-300 will auto-
matically begin to play the chord along with the selected
rhythm and an appropriate bass line. The accompaniment
will continue playing even if you release the Auto Accom-
paniment keys.
The PSR-200/PSR-300 will accept the following chord
types (see fingering chart on page 19):
Chord
Abbreviation Normal Voicing
Major
M
Minor
M7
m
Major seventh
Minor major seventh
mM7
Minor sixth
m6
Minor seventh m7
Minor seventh flatted fifth
m7-5
Seventh
7
Seventh flatted fifth 7-5
Seventh suspended fourth 7sus4
Suspended fourth
sus4
Augmented
aug
Diminished dim
Notes in parentheses may be omitted.
Minor sixth chords will only be properly detected if
they are played in “root position”. Seventh flatted fifth
chords will only be recognized if either the root or flatted
seventh is the lowest note. For diminished and augmented
chords, the lowest key pressed is assumed to be the root.
An octave — i.e. two notes played exactly one octave apart —
will be detected as a chord suitable for major or minor, with the
note played as the root note.
All other FINGERED mode operations are the same as in the
SINGLE FINGER mode.
AUTO HARMONY
THE CHORD MEMORY
This sophisticated feature automatically adds appropriate
harmony notes to a melody you play on the keyboard. You can
choose from 5 different types of harmony.
Only a single note can be played at a time on the keyboard (or the
right-hand section of the keyboard when in the SPLIT mode) when
the AUTO HARMONY feature is used.
1.
Use the [AUTO HARMONY] buttons to select a harmony
type between “01” and “05.”
or
HARMONY
The first time the AUTO HARMONY
ton is pressed the current harmony type number will
appear on the MULTI DISPLAY. While the current har-
mony type is still showing on the display, press the AUTO
button briefly to increment (increase by
one) the harmony type number, or the
rement (decrease by one) the harmony type number. Hold-
ing either button causes continuous incrementing or
decrementing. The selected harmony type number will be
shown on the MULTI DISPLAY while the [AUTO HAR-
button is pressed (the letter “H” will
appear before the harmony type number).
but-
button to dec-
or
MONY]
PSR-200/PSR-300 Harmony Types
00
OFF
01
DUET
02
TRIO
03
BLOCK
04
COUNTRY
05
OCTAVE
The OFF setting can be selected at any time by pressing both
the [AUTO HARMONY] buttons simultaneously.
2.
Play.
In the SINGLE FINGER or FINGERED mode, the left-hand
chords determine the harmony notes that will be applied to the
right-hand melody.
In the NORMAL mode, all harmony is based on a C major
chord.
If AUTO HARMONY is used at the same time as the SPLIT
feature (see page 6) harmony will be not be applied to the left-
hand voice. Left-hand chord fingerings are used to determine
the harmony applied to the right-hand voice. Usable fingerings
are the same as for the FINGERED mode.
If AUTO HARMONY is used at the same time as the DUAL
feature (see page 5) harmony will be not be applied to the
second “dual” voice.
If the synchro start mode is turned off by pressing the
[SYNCHRO START/ENDING] button prior to playing, right-hand
melody and harmony without accompaniment can be produced
— but the left-hand chords will still have to be fingered to pro-
duce the appropriate harmony.
The PSR-200/PSR-300 CHORD MEMORY allows you to
“record” and play back chord sequences created using the
Auto Accompaniment feature. You can record a complete
accompaniment part, for example, and then play along with it
using both hands — you’re free to use the entire keyboard for
your performance rather than being limited to only the upper
keyboard area.
The CHORD MEMORY also has three separate “banks”
that can be used to record different accompaniments. The
banks can be “chained” — i.e. they will play back in any
specified order. This allows you to record a verse and chorus
in different banks, for example, then “chain” them in the de-
sired order for playback.
Chord sequences containing a maximum of 60 different chords can
be recorded in each bank.
Material recorded using the CHORD MEMORY is retained in
memory even when the POWER switch is turned OFF (if batteries
are present).
Recording
1.
Pick out an accompaniment style that is appropriate for
the type of music you want to record.
2.
Press the [BANK 1], [BANK 2], or [BANK 3] button
while holding the CHORD MEMORY [REC] button. This
engages the “record ready” mode for the selected bank.
The bank indicator will flash, the metronome will sound,
and the three dots along the bottom of the MULTI DIS-
PLAY will flash at the currently selected tempo. Press the
[REC] button again if you want to disengage the record
ready mode and perform some other function.
If the NORMAL or SPLIT mode is selected, the FIN-
GERED mode is automatically selected when the record
ready mode is engaged. If the FINGERED or SINGLE
FINGER mode is selected, no change occurs.
3.
Before actually beginning to record, you should set a
tempo that will be easy to record at using the [TEMPO]
buttons.
11
THE CHORD MEMORY
4.
Recording will begin as soon as you play a chord on the
left-hand section of the keyboard (SYNCHRO START
operation).
Recording can also be started by pressing the [START/
STOP] or [INTRO/FILL IN] button. In this case on the
rhythm will begin without bass and chord accompaniment
until you play the first chord on the left-hand section of
the keyboard.
5.
Play the required chords.
6.
Press either the [START/STOP] button or the
[SYNCHRO START/ENDING] button to stop recording.
Events recorded by the chord memory are: Style Number, Chord
Timing, Chords, Intro, Fill In, Ending.
Whenever you record using the CHORD MEMORY, any previously
recorded material in the same bank will be erased.
If you make a mistake while recording, simply press the [START/
STOP] button and begin again from step 2, above.
If the AC power adaptor is disconnected with no batteries inserted,
the contents of the memory will be lost.
If the chord memory becomes full while recording, “End” will appear
on the MULTI DISPLAY.
1.
Press the [BANK 1], [BANK 2], or [BANK 3] button to
begin playback of that bank. If you press a different
BANK button during playback, playback of the newly
selected bank will begin from the top of the next measure.
2.
Play along on the PSR-200/PSR-300 keyboard if you like.
You can also add fill-ins using the [INTRO/FILL IN]
button, or change the tempo during playback.
3.
Playback will stop automatically when the end of the re-
corded sequence is reached if the [SYNCHRO START/
ENDING] button was used to stop recording, otherwise
the chord sequence will be repeated until stopped by ei-
ther the [START/STOP] or [SYNCHRO START/END-
ING] button.
1.
Press the [CHAIN] button while playback is stopped to
engage the “chain ready mode.” You can disengage the
chain ready mode by pressing the [CHAIN] button again.
2.
Press the [BANK 1], [BANK 2], and [BANK 3] buttons in
the order that you want them to play back — up to 8 steps
can be programmed. A synthesized voice will announce
the order of the programmed banks each time a BANK
button is pressed. The voice will stop if you attempt to
program more than 8 steps.
3.
Press the [START/STOP] button to begin chain playback.
4.
Playback will stop automatically when an ending is en-
countered (i.e. the [SYNCHRO START/ENDING] button
was used to stop recording), otherwise the entire chain
will be repeated until stopped by either the [START/
STOP] or [SYNCHRO START/ENDING] button.
A previously recorded chain can be played simply by pressing the
[CHAIN] button and then the [START/STOP] button.
The contents of the CHAIN memory is retained even when the
power is turned off.
12
Initial Data
When the PSR-200/300 is initially shipped, the Chord
Memory BANKs contain the following data:
Initial bank data
or
BANK 1
Style 01
BANK 2 Style 21
BANK 3
Style 05
The first time the
button
the
orSELECT
The CHAIN is initial set up as follows:
Initial chain data
BANK1 BANK2 BANK3
The BANK dam can be recalled at any time by turning the
[POWER] button on while holding the button of the desired
[BANK]. The CHAIN data can be recalled by turning the
[POWER] button on while holding the [CHAIN] button.
SONG BOOK
Enjoy the Demonstration
To give you an idea of the PSR-200/PSR-300’s sophisti-
cated capabilities, it is programmed with 15 demonstration
songs that you can select and play.
1.
Use the [SONG SELECT] buttons to select a song number
between “00” and “14.”
button is pressed the
current song number will appear on the MULTI
DISPLAY. While the current song number is still showing
on the display, press the SONG SELECT
briefly to increment (increase by one) the song number, or
button to decrement (decrease by one) the song
number. Holding either button causes continuous
incrementing or decrementing. The selected song number
will be shown on the MULTI DISPLAY while the SONG
button is pressed — “d” appears
before the demonstration song number.
PSR-200/PSR-300 Demo Song List
00
ORIGINAL THEME
01
02
03
04
05
06
07
08
09
SING
HAPPY BIRTHDAY TO YOU
SPRING
CARMEN
GRANDFATHERS CLOCK
MINUET
SOMETHING
HOUSE OF THE RISING SUN
EDELWEISS
10
LA CUCARACHA
AMARYLIS
11
12
O,VRENELI
13
GREENSLEEVES
14
WE WISH YOU A MERRY CHRISTMAS
2.
Press the [DEMO START/STOP] button to start demo
playback.
The demonstration will play continuously until the
[DEMO START/STOP] button is pressed again.
A different melody voice, tempo, transposition, or melody effect
parameter (sustain, harmony, or dual on the PSR-300) can be
selected at any time while the demonstration is playing. Refer to
the appropriate sections of this manual for instructions.
13
SONGBOOK
MOVING UP TO MIDI
Music-minus-one
A Brief Introduction to MIDI
This is a feature that plays the accompaniment to a selected
tune while you play a melody or ad-lib phrases on the
keyboard. The tunes are the same as the demo tunes, and are
selected in the same way.
Press the
1.
Use the [SONG SELECT] buttons to select a song number
between “00” and “14.”
button briefly to increment (increase by
one) the song number, or the
(decrease by one) the song number. Holding either button
causes continuous incrementing or decrementing. The
selected song number will be shown on the MULTI DIS-
PLAY while the SONG SELECT
pressed.
button to decrement
or
button is
2.
Press the [MINUS ONE START/STOP] button to start
playback of the selected song without the melody line.
When Minus One playback begins, the same voice as for the
corresponding demo melody is selected. The DUAL setting and
harmony type are also the same.
3.
Play along on the keyboard.
Only the NORMAL and SPLIT modes can be used during mi-
nus-one playback. The NORMAL mode will automatically be
selected if FINGERED or SINGLE FINGER is engaged when
minus-one playback is started.
4.
Playback will continue until the [MINUS ONE START/
STOP] button is pressed again.
If you press the [DEMO START/STOP] button during minus-one
playback, the melody part will reappear and playback will con-
tinue in the DEMO mode.
On the other hand, if you press the [MINUS ONE START/
STOP] button during demo playback, the melody part will be
muted and playback will continue in the MINUS ONE mode.
The following functions can be used during minus-one
playback:
SPLIT
DUAL
VOICE selection
SUSTAIN
TEMPO
ACCOMPANIMENT VOLUME
TRANSPOSE
SPLIT POINT CHANGE
AUTO HARMONY
(applies to notes played on the
keyboard)
The “Demo Tunes” of this keyboard are “Demonstration” purposes
only. It may not be possible to reproduce the “Demo Tunes” 100%
manually.
14
MIDI, the Musical Instrument Digital Interface, is a world-
standard communication interface that allows MIDI-compat-
ible musical instruments and equipment to share musical infor-
mation and control one another. This makes it possible to cre-
ate “systems” of MIDI instruments and equipment that offer
far greater versatility and control than is available with iso-
lated instruments.
The PSR-300 MIDI Connectors
The PSR-300 MIDI IN connector receives MIDI data from
an external MIDI device which can be used to control the
PSR-300. The MIDI OUT connector transmits MIDI data
generated by the PSR-300 (e.g. note and velocity data pro-
duced by playing the keyboard).
Simple MIDI Control
Most MIDI keyboards (including the PSR-300, of course)
transmit note and velocity (touch response) information via the
MIDI OUT connector whenever a note is played on the key-
board. If the MIDI OUT connector is connected to the MIDI
IN connector of a second keyboard (synthesizer, etc.) or a tone
generator (essentially a synthesizer with no keyboard), the
second keyboard or tone generator will respond precisely to
notes played on the original transmitting keyboard. The result
is that you can effectively play two instruments at once, pro-
viding thick multi-instrument sounds. The PSR-300 also trans-
mits “program change” data when one of its voices is selected.
Depending on how the receiving device is set up, the corre-
sponding voice will be automatically selected on the receiving
keyboard or tone generator whenever a voice is selected on the
PSR-300.
The PSR-300 is capable of receiving the same MIDI data,
so a second MIDI keyboard connected to the PSR-300 MIDI
IN connector can be used to remotely play the PSR-300 and
select voices as required.
(PSR-300 only)
or
MIDI Sequence Recording
If the TEMPO
The same type of musical information transfer described
above is used for MIDI sequence recording. A MIDI sequence
recorder can be used to “record” MIDI data received from a
PSR-300, for example. When the recorded data is played back,
the PSR-300 automatically “plays” the recorded performance
in precise detail.
PSR-300 MIDI Settings &
Functions
The Remote Control Mode
The Remote Control mode should be used when the PSR-
300 is to be connected to a second keyboard which it is to
control. If the PSR-300 is being used as the receiving device,
it can be played from an external keyboard while the panel
controls — including auto accompaniment — operate
normally.
Remote Control Mode Selection
The Remote Control mode is automatically selected
whenever the PSR-300 is turned ON. If the Multi Voice
Mode has been selected (see below), however, the Remote
Control mode can be re-selected by pressing the numeric
VOICE/STYLE [0] button while holding the CHORD
MEMORY [REC] button. “rc” will appear on the display.
Remote Control Mode Reception
The following points apply to MIDI data received by the
PSR-300 in the Remote Control mode.
MIDI start messages control PSR-300 rhythm, chord memory
record start, and chain play start in the same way as the panel
[START/STOP] button.
MIDI stop messages have the same effect as pressing the panel
[START/STOP] button when a function is running.
OMNI ON means that reception can occur simultaneously on all
available channels (1 through 16). When a single receive channel
is selected, reception only occurs on the specified channel.
In addition to note and velocity data, the PSR-300 responds to
program change, sustain ON/OFF, start, stop, and MIDI clock
messages.
Transpose settings affect received MIDI note numbers.
button is pressed during external sync
mode is engaged, “EC” (External Clock) will appear on the
display.
External synchronization is automatically selected when MIDI
clock is received. If the external MIDI clock data is not received,
internal clock operation is automatically resumed.
Velocity sensitivity is dependent on the selected voice.
*Refer to the Remote Control Mode “MIDI
Implementation Chart” on page 34 for more details.
Remote Control Mode Transmission
The following points apply to MIDI data transmitted by
the PSR-300 in the Remote Control mode.
Transmitted note numbers are not affected by the Transpose
setting.
In the NORMAL or SPLIT mode, all keyboard data is transmitted
via the specified MIDI transmit channel. When the FINGERED or
SINGLE FINGER mode is used, only MIDI data corresponding to
notes played on the right-hand section of the keyboard is
transmitted via the MIDI OUT connector on the specified MIDI
transmit channel.
Remote Control Mode MIDI Transmission
Normal Mode
SPLIT Mode
Data from the left- and right-hand sections of the keyboard is
mixed and transmitted over the same MIDI channel.
FINGERED, SINGLE FINGER Mode
Data from the left-hand section of the keyboard is not transmitted.
15
MOVING UP TO MIDI (PSR-300 only)
The MIDI program change number corresponding to the number
of the selected voice is transmitted when a voice is selected.
A MIDI START message is transmitted whenever the rhythm or
accompaniment is started, and a MIDI STOP message is
transmitted whenever the rhythm or accompaniment is stopped.
The same applies to demo and chord memory start/stop
operations.
Accompaniment style, demo, chord memory, and transpose data
is not transmitted.
*Refer to the Remote Control Mode “MIDI
Implementation Chart” on page 34 for more details.
The Multi Mode
The Multi mode should be used when the PSR-300 is to be
used as a tone generator, for example, receiving data from a
second MIDI device (such as a sequencer). In this mode the
PSR-300 can receive on multiple MIDI channels, each channel
corresponding to a different voice. The PSR-300 panel
controls will not function when the Multi mode is selected.
MIDI Receive Channel Selection
Multi Mode Selection
If the Remote Control mode is currently selected, the
Multi mode can be re-selected by pressing the numeric
VOICE/STYLE [0] button while holding the CHORD
MEMORY [REC] button.
will appear on the display.
n
Multi Mode Reception
In the Multi mode the PSR-300 functions as a multi-
timbre tone generator, allowing different voices to played
on all 16 MIDI channels (channel 16 is reserved for rhythm
only). Since the PSR-300 employs the Yamaha Dynamic
Voice Allocation system, it is not necessary to specify the
number of notes that can be played via each channel. A
maximum of 28 notes can be played simultaneously via all
channels.
MIDI Receive Channel Selection
MIDI note and velocity messages received on a MIDI channel will
affect only the voice selected for that channel.
Velocity sensitivity for each voice is set to a dynamic range of 48
dB linear.
SUSTAIN ON/OFF messages are ignored.
A program change number will select the voice controlled via the
channel on which it is received. The new voice number is shown
on the display for approximately 2 seconds. The program change
number is the same as the voice number (00 — 99).
Program change messages on channel 16 are ignored.
MIDI start, stop, and clock data will be ignored.
confirm that the desired
*Refer to the Multi Mode “MIDI Implementation Chart” on
page 35 for more details.
Multi Mode Transmission
The default transmit channel in the Multi mode is the
same as that in the Remote Control mode, and can be set
via the same procedure (see below). The transmitted data is
also the same as in the Remote Control mode, except that
no MIDI start/stop message transmission occurs.
Keyboard note ON/OFF data is transmitted via the specified MIDI
transmit channel, but the internal tone generator does not sound
(LOCAL OFF).
The transmitted note numbers are not affected by the instruments
TRANSPOSE setting.
When a new voice is selected, the corresponding MIDI program
change message is transmitted on the specified MIDI transmit
channel. The internal voice assigned to that transmit channel will
also change accordingly. The program change number is the
same as the voice number.
The channel-16 program change number will not be transmitted.
Refer to the Multi-mode MIDI Implementation Chart” on
page 35 for more details.
Press the numeric VOICE/STYLE [2] button while holding
the CHORD MEMORY [REC] button. The current MIDI
receive channel number or “ALL” will appear on the display.
While still holding the [REC] button press the key
corresponding to the desired receive channel (C1 ... E2),
confirm that the desired channel has been selected on the
MULTI DISPLAY, then release the [REC] button. The E2 key
selects the OMNI ON mode — “ALL” appears on the display.
The receive channel setting only applies in the remote
control mode.
Press the numeric VOICE/STYLE [1] button while holding
the CHORD MEMORY [REC] button. The current MIDI
transmit channel number will appear on the display. While still
holding the [REC] button press the key corresponding to the
desired transmit channel (C1
channel has been selected on the MULTI DISPLAY, then
release the [REC] button.
The transmit channel is automatically set to channel 1 and
the receive channel is automatically set to OMNI ON when the
power is initially turned ON.
16
If MIDI note numbers higher than C#6 are received
when the DRUMS voice is selected (in either the
Remote Control or Multi mode), the corresponding
percussion sounds are produced.
C#6 = Voice “Five”
D#6 = Voice “Six”
F#6 = Voice “Seven”
G#6 = Voice “Eight"
A#6 = Click Lo
C#7 = Click Hi
Data received via the MIDI IN connector is not re-
transmitted via the MIDI OUT connector (i.e. no
echo-back) in either the Remote Control or Multi
mode.
TROUBLESHOOTING
Something not working as it should? In many cases what
appears to be a malfunction can be traced to a simple error that
can be remedied immediately. Before assuming that your
PSR-200/PSR-300 is faulty, please check the following points.
1. PROBLEM
The PSR-200/PSR-300 speakers produce a “pop” sound
whenever the power is turned ON or OFF.
CHECK
This is normal and is no cause for alarm.
2. PROBLEM
No sound.
CHECK
Are the MASTER VOLUME control and accompani-
ment volume levels turned up high enough?
3. PROBLEM
Rhythm won’t start or no rhythm sound.
CHECK
Is the accompaniment volume turned up high enough?
Are you sure you pressed the START button?
Perhaps the PSR-200/PSR-300 is in the SYNCHRO
START mode, so all you have to do is start playing.
4.
PROBLEM
Auto accompaniment won’t function. No lower key-
board sound.
CHECK
Auto accompaniment won’t function if the FINGERED
mode is selected and you’re using SINGLE FINGER
type fingering or improper chord fingering.
Are you sure you’re playing in the left-hand section of
the keyboard when the FINGERED or SINGLE FIN-
GER mode is selected?
The left-hand section of the keyboard will produce no
sound if synchro start is disengaged in the FINGERED
or SINGLE FINGER mode.
5. PROBLEM
The accompaniment key changes while you’re playing.
CHECK
Perhaps you accidentally pressed a key in the left-hand
range.
6.
PROBLEM
Auto accompaniment chords don’t seem to change prop-
erly.
CHECK
Are you playing chords that the PSR-200/PSR-300 can
recognize (see fingering chart on page 19)?
7.
PROBLEM
The sound is distorted or intermittent.
CHECK
In this case, your batteries are probably flat and need
replacement.
17
TROUBLESHOOTING
SPECIFICATIONS
8. PROBLEM
Sustain produces little or no effect.
CHECK
The sustain effect may not sound as deep as it normally
does when used during accompaniment or demo
playback. This is normal.
9. PROBLEM
Abnormal operation not listed above. Complete lack of
control.
CHECK
The internal microprocessor may have been “locked up”
due to static electricity or other causes. Turn the instru-
ment OFF for a minute or so, then turn it ON again.
If the power can not be turned off by using the
[POWER] button, remove the batteries and/or unplug the
AC power adaptor.
18
Keyboard:
61 keys (C1-C6). PSR-300 has touch response.
Voices:
100 voices
Accompaniment styles:
50 styles
Song Book:
15 songs
Other Controls:
OVERALL CONTROL;
POWER (ON/OFF), MODE(NORMAL/
SPLIT/SINGLE FINGER/FINGERED), MASTER VOLUME,
ACCOMP. VOLUME (+/-), TRANSPOSE (+/-), TEMPO (+/-), SPLIT
POINT CHANGE
ACCOMPANIMENT CONTROL;
INTRO/FILL IN, SYNCHRO
START ON OFF/ENDING, START/STOP
VOICE/STYLE;
STYLE/VOICE, 0~9, +, -, DUAL VOICE ON/OFF
(PSR-300 only)
SUSTAIN;
ON/OFF
AUTO HARMONY;
+/-
CHORD MEMORY;
REC., BANK 1, BANK 2, BANK 3, CHAIN
SONG BOOK;
SONG SELECT (+/-), MINUS ONE (START/STOP),
DEMO (START/STOP)
Auxiliary Jacks:
HEADPHONES/AUX. OUT, DC(9-12V) IN, MIDI IN/OUT (PSR-300
only)
Main Amplifiers:
2.0W x 2
Speakers:
10cm (3-15/16”) x 2
Rated Voltage:
DC 9V
Batteries:
Six SUM-1, “D” size, R-20 or equivalent batteries
AC Power Adaptor:
PA-3, PA-4 or PA-40
Dimensions (W x D x H):
931mm x 347mm x 137mm (36-5/8” x 13-11/16” x 5-3/8”)
Weight:
4.7kg (10.4lbs.) excluding batteries
Supplied Accessory:
Music Stand
Six SUM-1 Batteries
Owner’s Manual
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他の言語で
- svenska: Yamaha PortaTone Bruksanvisning
- italiano: Yamaha PortaTone Manuale del proprietario
- español: Yamaha PortaTone El manual del propietario
- Deutsch: Yamaha PortaTone Bedienungsanleitung
- polski: Yamaha PortaTone Instrukcja obsługi
- čeština: Yamaha PortaTone Návod k obsluze
- français: Yamaha PortaTone Le manuel du propriétaire
- português: Yamaha PortaTone Manual do proprietário
- Türkçe: Yamaha PortaTone El kitabı
- English: Yamaha PortaTone Owner's manual
- dansk: Yamaha PortaTone Brugervejledning
- русский: Yamaha PortaTone Инструкция по применению
- suomi: Yamaha PortaTone Omistajan opas
- Nederlands: Yamaha PortaTone de handleiding
- română: Yamaha PortaTone Manualul proprietarului